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Isaac De Jouderville
Isaac de Jouderville (1612 in Leiden – 1645 in Amsterdam), was a Dutch Golden Age painter who was a pupil of Rembrandt. Biography De Jouderville was an orphan whose parents had come from Metz. He became a pupil of Rembrandt in November 1629 and traveled with him to Amsterdam in 1631.Isaac de Jouderville in the Documents concerning his apprenticeship drawn up by his guardians still exist. He was back in Leiden to marry Maria le Febure (1619-1653) in 1636 and moved to Deventer in 1641. He lived in Deventer for a few years only; in 1643 he was back in Amsterdam, where he died young in 1645. His widow Maria married the glassmaker Pieter de Melder in 1648 and his daughter Mariecke, later married the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Luttichuys
Simon Luttichuys (1610–1661) was a Dutch Golden Age still life painter. Biography Luttichuys was born in London. According to RKD, he was probably the same person as Simon Littlehouse who painted a portrait of the bishop Thomas Morton of St. John's College, Cambridge in 1637/1638. His name in Dutch sounds like ''Littlehouse''.Simon Luttichuys in the He was the brother of the painter Isaack Luttichuys and had moved to Amsterdam by 1649. He married an Englishwoman from Norfolk in Amsterdam in 1655, Anna van Peene uit ' Naerfick in Engelant'. He is known for various forms of still life painting and influenced the pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tronie
A tronie () is a type of work common in Dutch Golden Age painting and Flemish Baroque painting that depicts an exaggerated or characteristic facial expression. These works were not intended as portraits or caricatures but as studies of expression, type, physiognomy or an interesting character such as an old man or woman, a young woman, the soldier, the shepherdess, the " Oriental", or a person of a particular race.Walter Liedtke, ''Vermeer and the Delft School'', New York, 2001, p. 138Dagmar Hirschfelder, ''Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts'' Berlin: Mann, 2008, p. 351-359 The main goal of the artists who created tronies was to achieve a lifelike representation of the figures and to show off their illu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federal Administrative Court Of Germany
The Federal Administrative Court (, , BVerwG) is one of the five federal supreme courts of Germany. It is the court of the last resort for generally all cases of administrative law, mainly disputes between citizens and the state. It hears appeals from the ''Oberverwaltungsgerichte'', or Superior Administrative Courts, which, in turn, are the courts of appeals for decisions of the ''Verwaltungsgerichte'' (administrative courts). However, cases concerning social security law belong to the jurisdiction of the ''Sozialgerichte'' (Social Courts) with the Bundessozialgericht as federal court of appeals, and cases of tax and customs law are decided by the ''Finanzgerichte'' ( Fiscal Courts), and, ultimately, by the Bundesfinanzhof. The ''Bundesverwaltungsgericht'' has its seat at the former Reichsgericht (Imperial Court of Justice) building in Leipzig's district Mitte. History The Federal Administrative Court was established on the basis of Article 95 (1) of the Basic Law b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koordinierungsstelle Für Kulturgutverluste
The Koordinierungsstelle für Kulturgutverluste (English: "Coordination Center for Lost Cultural Assets"), also known as the ''Koordinierungsstelle Magdeburg'' (English: "Magdeburg Coordination Center"), is an institution of the German federal and state governments at the Saxony-Anhalt Ministry of Culture and is the central German institution for the documentation of lost and found cultural assets looted by the Nazis. Established in 2001, the Koordinierungsstelle's ''Lost Art Database'' documents and publishes lost and found reports by institutions and private individuals. It operates on a cooperative basis with the international Art Loss Register. History The Koordinierungsstelle was first established in 1994 in Bremen as an institution for the German states to document the institutional losses of cultural goods during the Second World War. The center thereby took over an operation that was carried out by German Ministry of the Interior since the 1950s. Originally they dealt wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Oppenheimer
Rosa Oppenheimer (; 31 July 1887 − 2 November 1943) was a German Jewish art dealer who was murdered in the Holocaust. The art she owned together with her husband Jacob is the subject of several high-profile restitution claims. Early life Rosa Silberstein was born on 31 July 1887 in Berlin and died in the Nazi concentration camp in Auschwitz on 2 November 1943. She married Jakob Oppenheimer and took his name. They worked together as art dealers. Art dealership Rosa's husband Jakob was the managing director of Margraf and Co, which was owned by Albert Loeske who died in 1929. Rosa and Jakob Oppenheimer worked for the Galerie Van Diemen, which was part of the Margraf group. Financial difficulties Loeske bequeathed his shares in Margraf and Co to the Oppenheimers upon his death in 1929, although a competing bequest left the entirety of Margraf's cash reserves to Rosa Beer (), Loeske's long-time companion. Loeske's will was unsuccessfully challenged by his blood relatives, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fake Or Fortune?
''Fake or Fortune?'' is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Since the first series aired in 2011, ''Fake or Fortune?'' has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. ''Fake or Fortune?'' was created by art dealer and historian Philip Mould, together with producer Simon Shaw. It was inspired by Mould's 2009 book ''Sleuth'', after which the programme was originally to be entitled. It is co-presented by Mould and journalist Fiona Bruce, with specialist research carried out by Bendor Grosvenor during the first five series. Forensic analysis and archival research is carried out by various fine art specialists. Each series first aired on BBC One, except for series 3, which was shown mistakenly on SVT in Sweden before being broadcast in the UK. Format In each episode Philip Mould and Fiona Bruce focus their attention on a painting (or a group of pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Job Berckheyde
Job Adriaenszoon Berckheyde (baptized 27 January 1630 – before 23 November 1693) was a Dutch artist of the 17th century, active in Haarlem, Amsterdam, and The Hague. Biography Job Berckheyde was born in Haarlem and was the older brother of the painter Gerrit who he later taught to paint.Job Adriaensz Berkheyde Biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the Digital library for Dutch literature He was apprenticed on 2 November 1644 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philips Wouwerman
Philips Wouwerman (also Wouwermans) (24 May 1619 (baptized) – 19 May 1668) was a Dutch painter of hunting, landscape and battle scenes. He became prolific during the Dutch Golden Age and joined the Haarlem Guild of St. Luke. Life and work Philips Wouwerman was one of the most versatile and prolific artists of the Dutch Golden Age. Embedded in the artistic environment and tradition of his home town of Haarlem, Wouwerman made an important and highly influential contribution to the canon of seventeenth-century Dutch painting. His pictures were in demand during his lifetime, and even more sought after in the 18th century. Throughout Europe, formerly princely art collections like in Dresden and St. Petersburg still bear witness to this widespread admiration of Wouwerman's art. Born in Haarlem in 1619, the son of a now altogether obscure painter named Pouwels Joostsz Wouwerman, little is known of his artistic schooling. According to Cornelis de Bie, he studied with Frans Hals (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardus Van Schijndel
Bernardus van Schijndel (1647–1709) was a Dutch Golden Age painter of small scale genre works. Biography According to Houbraken, he was a Haarlemmer who lived alongside Reinier (Richard) Brakenburg (1650–1702) in Leeuwarden for a period, where he taught Jelle Sibrandsz, a young painter who later travelled to Italy in 1669. [Baidu] |
Govert Dircksz Camphuysen
Govert Dircksz Camphuysen (born at Dokkum in 1624, and died in Amsterdam in 1672) was an animal painter, whose style was influenced by Paulus Potter. When his father Dirck Rafaelsz Camphuysen died in 1627, his mother moved with the children to Amsterdam. Camphuyzen lived in the Jordaan. In 1643 he painted portraits. He married in 1647 and left the city around 1650, not long after he became a poorter. By that time he was living in Kalverstraat and may have faced financial trouble. He portrayed queen Hedvig Eleonora in Stockholm, but Camphuyzen is most famous for his stables, with farmers and farmers' wives. A painting in the Dulwich Gallery of ''Peasants with cows before a cottage'', with a forged signature of Paulus Potter, is attributed to Camphuysen; in the Rotterdam Museum is a picture of ''Peasants before an Inn'', signed G. Camphuijsen; the Brussels Gallery has an 'Interior of a Farm,' signed with his name and dated 1650; and a painting of 'Peasants and Cattle before a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Koninck
Jacob Koninck (c. 1615 – c. 1695) was a Dutch Golden Age landscape painter. Biography Koninck was born in Amsterdam. According to Houbraken he lent his books on perspective to Johannes Verkolje, who became better than he was at perspective drawing. He was a disciple of Adriaen van de Velde who became a popular painter in Copenhagen where he painted for the court of Christian V of Denmark. According to the Netherlands Institute for Art History, RKD he was the uncle of Salomon Koninck, a pupil of David Colijns and became the teacher of his son Jacob II and his younger brother Philips Koninck.Jacob Koninck in the RKD He was in Dordrecht from 1633 to 1636, Rotterdam from 1637 to 1645, The Hague from 1647 to 1651, then back in Amsterdam in 1658 (when he probably lent young Verkolje his perspective books). References {{D ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
