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Iqa'at
Rhythms in Arabic music are rich and very diverse, as they cover a huge region and peoples from Northern Africa to Western Asia. Rhymes are mainly analysed by means of rhythmic units called ''awzan'' and ''iqa'at''. Wazn and Iqa' A rhythmic pattern or cycle in Arabic music is called a "wazn" (; plural أوزان / ''awzān''), literally a " measure". A ''wazn'' is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. It consists of two or more regularly recurring time segments, each time segment consisting of at least two beats (''naqarāt'', plural of ''naqrah''). There are approximately one hundred different cycles used in the repertoire of Arabic music, many of them shared with other regional music, also found in some South European styles like Spanish music. They are recorded and remembered through onomatopoetic syllables and the written symbols O and I. ''Wazn'' may be as large as 176 units of ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wazn Wahdah Sayirah
WAZN (1470 AM) is an ethnic radio station in the Greater Boston market, licensed to Watertown. It is owned by Multicultural Broadcasting, and broadcasts Spanish Christian language radio format programming, simulcast from M.R.B.I.'s New York City station. History The station signed on in January 1958 as WSRO, operating out of Marlborough. At one time, WSRO was a music station. Additionally, at one time, the station was simulcast in Gardner on WGAW (1340). However, in 1996, the station filed for bankruptcy, and was sold separately from WGAW in October. The new ownership gradually shifted the station to more of a talk radio format the following year. WSRO was sold to Alex Langer in 1998. In early 1999, the station let go much of its staff and became a full-time relay of sister station WRPT (650); soon afterward, the station lost its original transmitter location in Marlborough and relocated to a temporary site in Hudson Hudson may refer to: People * Hudson (given nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Spain
In Spain, music has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the Jota (music), jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays, in Spain as elsewhere, the different styles of commercial popular music are dominant. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Eastern Music
The various nations of the region include the Arabic-speaking countries of the Middle East, the Iranian traditions of Persia, the Jewish music of Israel and the diaspora, Kurdish music, Armenian music. Azeri Music, the varied traditions of Cypriot music, the Turkish music of Turkey, traditional Assyrian music, Coptic ritual music in Egypt as well as other genres of Egyptian music in general. It is widely regarded that some Middle-Eastern musical styles have influenced Central Asia, as well as the Balkans and Spain. Throughout the region, religion has been a common factor in uniting peoples of different languages, cultures and nations. The predominance of Islam allowed a great deal of Arabic, and Byzantine influence to spread through the region rapidly from the 7th century onward. The Arabic scale is strongly melodic, often Phrygian Dominant and based on various maqamat (sing. maqam) or modes (also known as makam in Turkish music). The early Arabs translated and develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habib Hassan Touma
Habib Hassan Touma () (12 December 1934 – 10 August 1998) was a Palestinian composer and ethnomusicologist who lived and worked for many years in Berlin, Germany. Life and career Habib Hassan Touma was born in Nazareth on 12 December 1934. After graduating from Nazareth High School, he worked as a teacher in Arab communities in both Galilee and Nazareth. He then pursued further studies in music at the Rubin Conservatory of Music in Haifa and in pedagogy at the Oranim Academic College. He went on to do graduate studies in music composition with Alexander Uriah Boskovich at the Israel Conservatory of Music and then the Buchmann-Mehta School of Music at the University of Tel Aviv. After completing his studies in Tel Aviv, Touma returned to teaching; working in the Ramatayim region at the French Mission School and the American Baptist Children's Village. He then left Israel for Berlin to pursue further studies at the Free University of Berlin. As a composer he was known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sa'idi
A Ṣa‘īdī (, Coptic: ⲣⲉⲙⲣⲏⲥ ''Remris'') is a person from Upper Egypt (, Coptic: ⲙⲁⲣⲏⲥ ''Maris''). Etymology The word literally means "from Ṣa‘īd" (i.e. Upper Egypt), and can also refer to a form of music originating there, or to the dialect spoken by Sa‘idis. The Arabic word ''Ṣa‘īd'', as a geographical term, means "highland, upland, plateau". The suffix ''-i'' forms an adjective. The word ''Ṣa‘īdi'' is pronounced in the dialect itself as or and the plural is or , while pronounced in Egyptian Arabic (Northern Egyptian) as and the plural is . In the Sahidic (Upper Egyptian) dialect of Coptic, the name for a person from Upper Egypt is (pronounced rem/rīs) meaning "person of the South" or (pronounced rem/pma/rīs or rem/ma/rīs) "person of (the) place of the south (i.e. Upper Egypt)". Socioeconomic status Approximately 40% of Egyptians live in Upper Egypt, and 80% of Egypt's severe poverty is concentrated in Upper Egypt. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Usul (music)
{{more citations needed, date=January 2011 In Ottoman classical music, ''usul'' is an underlying rhythmic cycle that complements the melodic rhythm and sometimes helps shape the overall structure of a composition. An usul can be as short as two beats or as long as 128 beats. Usul is often translated as "meter", but usul and meter are not exactly the same. Both are repeating rhythmic patterns with more or less complex inner structures of beats of differing duration and weight. But a student learning Turkish music in the traditional ''meşk'' system first memorizes the usul kinetically by striking the knees with the hands. The student then sings the vocal or instrumental composition while performing the underlying usul. This pedagogical system helps the student memorize the composition while internalizing the underlying rhythmic structure. Usul patterns have standard pronounceable vocables built from combinations of the syllables ''düm'', ''dü-üm'', ''tek'', ''tekkyaa'', ''teke'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumbek Rhythms
Dumbek rhythms are a collection of rhythms that are usually played with hand drums such as the Goblet drum, dumbek. These rhythms are various combinations of these three basic sounds: *Doom (D), produced with the dominant hand striking the sweet spot of the skin. *Tak (T), produced with the recessive hand striking the rim. *Ka (K), produced with the dominant hand striking the rim. Notation In a simple notation, these three sounds are represented by three letters: D, T, and K. When capitalized, the beat is emphasized, and when lower-case, it is played less emphatically. These basic sounds can be combined with other sounds: *Sak or slap (S) (sometimes called 'pa'), produced with the dominant hand. Similar to the doom except the fingers are cupped to capture the air, making a loud terminating sound. The hand remains on the drum head to prevent sustain. *Trill (l), produced by lightly tapping three fingers of one hand in rapid succession on the rim *Roll or (rash, r), produced by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muwashshah
''Muwashshah'' ( ' ' girdled'; plural '; also ' 'girdling,' pl. ') is a strophic poetic form that developed in al-Andalus in the late 10th and early 11th centuries. The ', embodying the Iberian rhyme revolution, was the major Andalusi innovation in Arabic poetry, and it was sung and performed musically. The ''muwaššaḥ'' features a complex rhyme and metrical scheme usually containing five ' ( 'branches'; sing. '), with uniform rhyme within each strophe, interspersed with ' ( 'threads for stringing pearls'; sing. ') with common rhyme throughout the song, as well as a terminal '' kharja'' ( 'exit'), the song's final ''simṭ'', which could be in a different language. Sephardic poets also composed ' in Hebrew, sometimes as ''contrafacta'' imitating the rhyme and metrical scheme of a particular poem in Hebrew or in Arabic. This poetic imitation, called ' ( 'contrafaction'), is a tradition in Arabic poetry. The '' kharja'', or the ''markaz'' ( 'center') of the ', its fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Mode
In medieval music, the rhythmic modes were set patterns of long and short duration (music), durations (or rhythms). The value of each musical notation, note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a Ligature (music), ligature, and by the position of the ligature relative to other ligatures. Modal notation was developed by the composers of the Notre Dame school from 1170 to 1250, replacing the even and unmeasured rhythm of early polyphony and plainchant with patterns based on the metric feet of classical poetry, and was the first step towards the development of modern mensural notation. The rhythmic modes of Notre Dame Polyphony were the first coherent system of rhythmic notation developed in Western music since Ancient history, antiquity. History Though the use of the rhythmic modes is the most characteristic feature of the musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onomatopoeia
Onomatopoeia (or rarely echoism) is a type of word, or the process of creating a word, that phonetics, phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias in English include animal noises such as Oink (sound), ''oink'', ''meow'', ''roar'', and ''Bird vocalization, chirp'', among other sounds such as ''Beep (sound), beep'' or ''hiccup''. Onomatopoeia can differ by language: it conforms to some extent to the broader natural language, linguistic system. Hence, the sound of a clock may be expressed variously across languages: as ' in English language, English, in Spanish language, Spanish and Italian language, Italian (see photo), in Standard Chinese, Mandarin, in Japanese language, Japanese, or in Hindi, Urdu, and Bengali language, Bengali. Etymology and terminology The word ''onomatopoeia'', with rarer spelling variants like ''onomatopeia'' and ''onomatopœia'', is an English word from the Ancient Greek language, Ancient Greek com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulse
In medicine, the pulse refers to the rhythmic pulsations (expansion and contraction) of an artery in response to the cardiac cycle (heartbeat). The pulse may be felt ( palpated) in any place that allows an artery to be compressed near the surface of the body close to the skin, such as at the neck ( carotid artery), wrist (radial artery or ulnar artery), at the groin (femoral artery), behind the knee ( popliteal artery), near the ankle joint ( posterior tibial artery), and on foot (dorsalis pedis artery). The pulse is most commonly measured at the wrist or neck for adults and at the brachial artery (inner upper arm between the shoulder and elbow) for infants and very young children. A sphygmograph is an instrument for measuring the pulse. Physiology Claudius Galen was perhaps the first physiologist to describe the pulse. The pulse is an expedient tactile method of determination of systolic blood pressure to a trained observer. Diastolic blood pressure is non-palpable and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diverse
Diversity, diversify, or diverse may refer to: Business *Diversity (business), the inclusion of people of different identities (ethnicity, gender, age) in the workforce * Diversity marketing, marketing communication targeting diverse customers *Supplier diversity, the use of diverse suppliers *Team diversity Politics * Diversity (politics), the political and social policy of encouraging tolerance for people of different cultural and racial backgrounds * Diversity Immigrant Visa or Green Card Lottery, a United States immigration program * Diversity jurisdiction, a concept under which U.S. federal courts can hear suits between parties from different states * Diversity training, the process of educating people to function in a diverse environment * Cultural diversity, the respect of different cultures and interculturality * Functional diversity (disability), a term for special needs, disability, impairment and handicap * Gerodiversity, a multicultural approach to issues of aging * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
