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Iphigénie En Tauride
''Iphigénie en Tauride'' (, ''Iphigenia in Tauris'') is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard. With ''Iphigénie,'' Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and they are ''récitatif accompagné'' (i.e. the strings and perhaps other instruments are playing, not just continuo accompaniment). The normal dance movements that one finds in the French ''tragédie en musique'' are almost entirely absent. The drama is ultimately based on the play '' Iphigenia in Tauris'' by the ancient Greek dramatist Euripides which deals with stories concerning the family of Agamemnon in the aftermath of the Trojan War. Performance history ''Iphigénie en Tauride'' was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes, ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul I Of Russia
Paul I (; – ) was Emperor of Russia from 1796 until his assassination in 1801. Paul remained overshadowed by his mother, Catherine the Great, for most of his life. He adopted the Pauline Laws, laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also imposed the first limitations on serfdom in Russia, serfdom with the Manifesto of three-day corvee, sought to curtail the privileges of the Russian nobility, nobility, pursued various military reforms which were highly unpopular among officers and was known for his unpredictable behavior, all of which contributed to the conspiracy that would take his life. In 1799 he brought Russia into the War of the Second Coalition, Second Coalition against First French Republic, Revolutionary France alongside Kingdom of Great Britain, Britain and Habsburg monarchy, Austria; the Russian forces achieved several victories at first but withdrew after facing setbacks. Paul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentin Adamberger
Valentin Adamberger, also known by his Italian name Adamonti, (22 February 1740 or 6 July 174324 August 1804) was a German operatic tenor. His voice was universally admired for its pliancy, agility, and precision, and several composers of note, such as Mozart, wrote music specifically for him. Biography Adamberger was born either in Rohr, Bavaria in 1740 or in Munich in 1743. Beginning in 1755, he studied singing with Johann Walleshauser (also known as Giovanni Valesi) while at the ', a Jesuit institution in Munich. In 1760, he joined the ''Kapelle'' of Duke Clemens and upon the Duke's death in 1770 was taken into the Elector's Hofkapelle. He made his opera début at Munich in 1772. This was the beginning of a successful career singing leading tenor roles in opera seria at Modena, Venice, Florence, Pisa and Rome. He created roles in operas by J. C. Bach, Giuseppe Sarti, Pietro Guglielmi, Antonio Sacchini, Ferdinando Bertoni and others. The arias they wrote for his voice tend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonia Bernasconi
Antonia Bernasconi (1741–1803) was a German operatic soprano, originally from the Holy Roman Empire. She appeared in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince of Württemberg; after Wagele's death his widow married Andrea Bernasconi, ''Kapellmeister'' of the court at Munich and composer. Antonia received early music lessons from her stepfather, and she sang in Munich and other German cities. From 1765 she took part in operas in Vienna; her first appearance in a major role was at the Burgtheater in December 1767, in '' Alceste'', which Gluck had written expressly for her."Bernasconi, Antonia" '' |
Michael Kelly (tenor)
Michael Kelly (25 December 1762 – 9 October 1826) was an Irish tenor, composer and theatrical manager who made an international career of importance in musical history. One of the leading figures in British musical theatre around the turn of the nineteenth century, he was a close associate of playwright and poet Richard Brinsley Sheridan. He also became friends with musicians such as Mozart, Storace, and Paisiello, and created roles for the operas of all three composers. With his friend and fellow singer Nancy Storace, he was one of the first tenors of that era from Britain and Ireland to become famous in Italy and Austria. In Italy he was also known as O'Kelly or even Signor Ochelli. Although the primary source for his life is his ''Reminiscences'', doubt has been cast on the reliability of his own account, and it has been said that ' y statement of Kelly's is immediately suspect.' Dublin beginnings Michael Kelly's father Thomas, a Roman Catholic wine merchant and dancin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian language, Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Languages of Italy, Italy, Languages of San Marino, San Marino, Languages of Switzerland, Switzerland (Ticino and the Grisons), and Languages of Vatican City, Vatican City; it has official Minority language, minority status in Minority languages of Croatia, Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Teresa, Espírito Santo, Santa Tereza, Encantado, Rio Grande do Sul, Encantado, and Venda Nova do Imigrante in Languages of Brazil#Language co-officialization, Brazil. Italian is also spoken by large Italian diaspora, immigrant and expatriate communities in the Americas and Austral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Alan Brown
Bruce Alan Brown is a professor of musicology at the USC Thornton School of Music Los Angeles, California. Life and career Bruce Alan Brown acquired degrees from the University of California at Berkeley (BA 1977, MA 1979, PhD 1986), and also studied harpsichord with Gustav Leonhardt at the Sweelinck Conservatorium, Amsterdam. Brown's research concerns the music of the later eighteenth century, theatre-music, performance practice, music in Vienna, Austria, and musical iconography. From 2005 to 2007 he served as Editor-in-Chief of the ''Journal of the American Musicological Society''. Publications * ''Gluck and the French Theatre in Vienna'' (Oxford, 1991) * ''W. A. Mozart: Così fan tutte'' (Cambridge, 1995) * ''W. A. Mozart: Idomeneo: Kritischer Bericht'', in ''Mozart: Idomeneo. Neue Ausgabe sämtlicher Werke'' ed. by Daniel Heartz (Kassel: Bärenreiter, 2005) * ''The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World'' (ed., with Rebecca Harris-Warr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italians, Italian, later American, opera libretto, librettist, poet and Catholic Church, Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Wolfgang Amadeus Mozart, Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and ''Così fan tutte'' (1790). He was the first professor of Italian literature at Columbia University, and with Manuel García (tenor), Manuel Garcia, the first to introduce Italian opera#Gluck's reforms and Mozart, Italian opera to America.Music View, Did Casanova Lend a Helping Hand? The New York Times, Donald Henahan, Nov. 10, 1985Smith, Howard Jay (2022) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
Opera buffa (, "comic opera"; : ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter song, patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi Ricci (composer), Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () (Köchel catalogue, K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's . The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The opera loosely refers to the practice of the North African Barbary corsairs, who operated primarily in the western Mediterranean, of hijacking ships belonging to Christian states. Under the pretext of jihad, the ship and cargo were sold or returned only after a ransom was paid. The actual goal, however, was the kidnapping of crew and passengers, to extort ransom money or to sell them into slavery. It was also common to force affected seafaring nations of non-Muslim faith to pay protection money or tribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph II, Holy Roman Emperor
Joseph II (13 March 1741 – 20 February 1790) was Holy Roman Emperor from 18 August 1765 and sole ruler of the Habsburg monarchy from 29 November 1780 until his death. He was the eldest son of Empress Maria Theresa and her husband, Francis I, Holy Roman Emperor, Emperor Francis I, and the brother of Marie Antoinette, Leopold II, Holy Roman Emperor, Leopold II, Maria Carolina of Austria, and Maria Amalia, Duchess of Parma. He was thus the first ruler in the Austrian dominions of the union of the Houses of House of Habsburg, Habsburg and House of Lorraine, Lorraine, styled Habsburg-Lorraine. Joseph was a proponent of enlightened absolutism like his brother Leopold II, Holy Roman Emperor, Leopold II; however, his commitment to secularizing, liberalizing and modernizing reforms resulted in significant opposition, which resulted in failure to fully implement his programs. Meanwhile, despite making some territorial gains, his reckless foreign policy badly isolated Austria. He has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgtheater
The Burgtheater (; literally: "Castle Theater" but alternatively translated as "(Imperial) Court Theater", originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world.aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''die Burg'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
