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Invalides From Esplanade
The Hôtel des Invalides (; ), commonly called (; ), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and an old soldiers' retirement home, the building's original purpose. The buildings house the Musée de l'Armée, the museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the Cathedral of Saint-Louis-des-Invalides, the national cathedral of the French military. It is adjacent to the Royal Chapel known as the , the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine to some of France's leading military figures, most notably the tomb of Napoleon. History Louis XIV initiated the project by an order dated 24 November 1670 to create a home and hospital for aged and disabled () soldiers, the veterans of his many military campaigns. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonnade Des Invalides
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space. When in front of a building, screening the door (Latin ''porta''), it is called a portico. When enclosing an open court, a peristyle. A portico may be more than one rank of columns deep, as at the Pantheon in Rome or the stoae of Ancient Greece. When the intercolumniation is alternately wide and narrow, a colonnade may be termed "araeosystyle" (Gr. αραιος, "widely spaced", and συστυλος, "with columns set close together"), as in the case of the western porch of St Paul's Cathedral and the east front of the Louvre. History Colonnades (formerly as colonade) have been built since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyacinthe Rigaud
Jacint Rigau-Ros i Serra (; 18 July 1659 – 29 December 1743), known in French as Hyacinthe Rigaud (), was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility. Biography Rigaud was born in Perpignan, then part of the Crown of Aragon, a few months before Spain ceded the city to France under the Treaty of the Pyrenees (7 November 1659). His family, the ''Rigau'', were Catalan; he was the son of a tailor, the grandson of painter-gilders from Roussillon, and the elder brother of Gaspard Rigaud, also a painter. Rigaud was baptised with his Catalan name in the old Cathédrale Saint-Jean-Baptiste de Perpignan on 20 July 1659, two days after his birth at rue de la Porte-d'Assaut. His baptismal name was ''Jyacintho Rigau or Jacint Rigau i Ros'' This is sometimes transliterated as ''Híacint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau'' After the Roussillon and the Cerdanya were ceded to France the followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Denis Martin (1663–1742)
Pierre-Denis Martin (1663 – 1742) was a French painter of historical subjects, battles, hunts, and architectural views, particularly of royal residences, such as the Palace of Versailles and the Château de Compiègne. He was also known as Martin the Younger (''le jeune'') or Martin des Gobelins (because he was employed at the Gobelins Manufactory)."Martin, Pierre Denis" in Benezit 2006, vol. 9, p. 372. Background P.-D. Martin was born in Paris, and according to d'Argenville, he was the cousin of Jean-Baptiste Martin, while Pierre-Jean Mariette says he was Martin's nephew and pupil. He is also said to have been the pupil of Adam François van der Meulen and the Parrocel. Work He produced a series of paintings at the Château de Choisy, which are now in the Versailles Museum. The dictionary of artists by Bellier de la Chavignerie and Auvray incorrectly attributes several paintings by Pierre-Denis Martin in the Versailles Museum to Jean-Baptiste Martin.Bellier & Auvray ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illusionistic Ceiling Painting
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which '' trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De La Fosse
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (James (wikt:Appendix:Proto-Indo-European/ǵerh₂-">ĝer-, where the ĝ is a palatal consonant, meaning "to rub; to be old; grain." An old man has been worn away and is now grey with age. In some Slavic languages, the name ''Drago (given name), Drago'' (and variants: ''Drago ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Le Brun
Charles Le Brun (; baptised 24 February 1619 – 12 February 1690) was a French Painting, painter, Physiognomy, physiognomist, Aesthetics, art theorist, and a director of several art schools of his time. He served as a court painter to Louis XIV, who declared him "the greatest French artist of all time". Le Brun was a dominant figure in 17th-century French art and was influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Pierre Séguier, Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier (painter), François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Braham
Allan John Witney Braham (19 August 19373 March 2011) was an English art historian, architectural historian, author and art gallery curator. He was Deputy Director at the National Gallery, London. Biography Braham was born in Croydon, Surrey, to Dudley Braham and Florence (née Mears). He studied at Dulwich College in south London, then at the Courtauld Institute of Art, University of London, gaining a BA in 1960 and a PhD (on François Mansart's drawings for the Louvre) in 1967. Photographs contributed by Allan Braham to the Courtauld Institute of Art's Conway Library are currently being digitised as part of the Courtauld Connects project. Braham worked at the National Gallery, London, first as Assistant Keeper (1962-1973), then as Deputy Keeper (1973-1978), then as Keeper (1978-1989) and Deputy Director (1978-1992). Braham coordinated numerous exhibitions, and contributed to the accompanying catalogues. He was sole or co-author on books on art and architecture, and numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque sculpture, Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of Saint-Denis
The Basilica of Saint-Denis (, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture. The basilica became a place of pilgrimage and a necropolis containing the tombs of the kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis formally to renounce his Protestant faith and become a Catholic. The queens of France were crowned at Saint-Denis, and the regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations. The site originated as a Gallo-Roman cemetery in late Roman times. The archaeological remains still lie beneath the cathedral; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Mansart
François Mansart (; 23 January 1598 – 23 September 1666) was a French architect credited with introducing classicism into the Baroque architecture of France. The ''Encyclopædia Britannica'' identifies him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance". Mansart, as he is generally known, popularized the mansard roof, a four-sided, double slope gambrel roof punctuated with windows on the steeper lower slope, which created additional habitable space in the garrets. Career François Mansart was born on 23 January 1598 to a master carpenter in Paris. He was not trained as an architect; his relatives helped train him as a stonemason and a sculptor. He is thought to have learned the skills of an architect in the studio of Salomon de Brosse, the most popular architect in France during the reign of Henry IV. Mansart was recognized from the 1620s onward for his style and skill as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
