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Ich Habe Genug
(original: , English: "I have enough" or "I am content"), , is a church cantata by Johann Sebastian Bach. He composed the solo cantata for bass in Leipzig in 1727 for the Feast ( Purification of Mary) and first performed it on 2 February 1727. In a version for soprano, , possibly first performed in 1731, the part of the obbligato oboe is replaced by a flute. Part of the music appears in the ''Notebook for Anna Magdalena Bach''. The cantata is one of the most recorded and performed of Bach's sacred cantatas. The opening aria and so-called "slumber aria" are regarded as some of the most inspired creations of Bach. History and words Bach composed the cantata in his fourth year in Leipzig for the feast Purification of Mary. The prescribed readings for the feast day were taken from the book of Malachi, "the Lord will come to his temple" (), and from the Gospel of Luke, the purification of Mary and the presentation of Jesus at the Temple, including Simeon's canticle Nunc dimittis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important Vocal music (Bach), vocal compositions. Many are known to be lost. Bach composed both Church cantata (Bach), church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and List of secular cantatas by Johann Sebastian Bach, secular cantatas. Bach's early cantatas, Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of Weimar cantata (Bach), church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed Bach cantata, cantatas for both List of secular cantatas by Johann Sebastian Bach, secular and sacred use. He composed his church cantatas for use in the Lutheranism, Lutheran church, mainly intended for the occasions of the liturgical year. Bach's Nekrolog, Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: ''scores:Bach-Gesellschaft Ausgabe/Thematic Catalogue, Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Luke
The Gospel of Luke is the third of the New Testament's four canonical Gospels. It tells of the origins, Nativity of Jesus, birth, Ministry of Jesus, ministry, Crucifixion of Jesus, death, Resurrection of Jesus, resurrection, and Ascension of Jesus, ascension of Jesus. Together with the Acts of the Apostles, it makes up a two-volume work which scholars call Luke–Acts, accounting for 27.5% of the New Testament. The combined work divides the Christianity in the 1st century, history of first-century Christianity into three stages, with the gospel making up the first two of these – the life of Jesus the messiah (Christ (title), Christ) from his birth to the beginning of his mission in the meeting with John the Baptist, followed by his ministry with events such as the Sermon on the Plain and its Beatitudes, and his Passion of Jesus, Passion, death, and resurrection. Most modern scholars agree that the main sources used for Luke were (1) the Gospel of Mark; (2) a hypothetical col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Magdalena Bach
Anna Magdalena Bach (''née'' Wilcke; 22 September 1701 – 27 February 1760) was a German professional singer and the second wife of Johann Sebastian Bach. Biography Anna Magdalena Wilcke was born at Zeitz, in the Duchy of Saxe-Zeitz. While little is known about her early musical education, the family was musical. Her father, Johann Caspar Wilcke (c. 1660–1733), was a trumpet player, who had a career at the courts of Zeitz and Weißenfels. Her mother, Margaretha Elisabeth Liebe, was the daughter of an organist. By 1721, Anna Magdalena was employed as a soprano singer at the princely court of Anhalt-Cöthen. Johann Sebastian Bach had been working there as ''Capellmeister'' (director of music) since December 1717. Johann Sebastian, 36, married the 20-year-old Anna Magdalena on 3 December of that year, seventeen months after the death of his first wife, Maria Barbara Bach. Later that month, the couple's employer, Prince Leopold of Anhalt-Cöthen, married Frederica Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Birkmann
Christoph Birkmann (10 January 1703 – 11 March 1771) was a German theologian and minister. A pupil of Johann Sebastian Bach, he has been identified as the author of the texts of several Bach cantatas. Career Born in Nuremberg, Birkmann received some musical training. He spent a year at the University of Altdorf before studying theology and mathematics at the University of Leipzig from 1724 to 1727. Birkmann was ordained in 1732 and became minister of St Egidien's Church in Nuremberg. He died there. Birkmann and Bach In 1728 Birkmann published a yearbook of cantata texts in Nuremberg. Birkmann organised the material for the liturgical year of 1728/29, but it was drawn from texts used in the church music at Leipzig during his stay there. Some are known to have been set by Bach, who was working in Leipzig from 1723. The fact that other librettists, such as Picander, are featured obscured Birkmann's creative contribution to the collection. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mit Fried Und Freud Ich Fahr Dahin, BWV 125
Johann Sebastian Bach composed the cantata (; "With peace and joy I depart"), , for use in a Lutheran service. He composed this chorale cantata in Leipzig in 1725 for the feast for the Purification of Mary, which is celebrated on 2 February and is also known as Candlemas. The cantata is based on Martin Luther's 1524 hymn "" and forms part of Bach's chorale cantata cycle, written to provide Sundays and feast days of the liturgical year with cantatas based on a related Lutheran hymn. The gospel for the feast day, the presentation of Jesus at the Temple, includes Simeon's canticle , which Luther paraphrased in his hymn, providing an unusually close relationship between the hymn and the liturgical occasion. Bach had used single stanzas of the hymn in his early funeral cantata , and in cantatas of his first Leipzig cycle. In the format of the chorale cantata cycle, an unknown librettist retained the first and last of Luther's four stanzas while paraphrasing the inner stanzas. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mit Fried Und Freud Ich Fahr Dahin
"" (; In peace and joy I now depart) is a hymn by Martin Luther, a paraphrase in German of the , the canticle of Simeon. Luther wrote the text and melody, Zahn No. 3986, in 1524 and it was first published in the same year. Originally a song for Purification, it has been used for funerals. Luther included it in 1542 in ' (Christian chants ... for funeral). The hymn appears in several translations, for example Catherine Winkworth's "In peace and joy I now depart", in nine hymnals. It has been used as the base for music, especially for vocal music such as Dieterich Buxtehude's funeral music and Johann Sebastian Bach's chorale cantata . History The text and melody were composed by Luther in the spring of 1524. Later in the same year, it was published in Wittenberg in Johann Walter's (Wittenberg hymnal), but was not included in the Erfurt Enchiridion. Originally a song for Purification, it has been used for funerals. Luther included it in 1542 in ' (Christian chants ... f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Luther
Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Protestant Reformation, and his theological beliefs form the basis of Lutheranism. He is widely regarded as one of the most influential figures in Western world, Western and History of Christianity, Christian history. Born in Eisleben, Luther was ordained to the Priesthood in the Catholic Church, priesthood in 1507. He came to reject several teachings and practices of the contemporary Catholic Church, Roman Catholic Church, in particular the view on indulgences and papal authority. Luther initiated an international debate on these in works like his ''Ninety-five Theses'', which he authored in 1517. In 1520, Pope Leo X demanded that Luther renounce all of his writings, and when Luther refused to do so, Excommunication in the Catholic Church, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the Church cantata (Bach), cantatas composed in his Bach's second cantata cycle, second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School (music), Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erfreute Zeit Im Neuen Bunde, BWV 83
(Joyful time in the new covenant), , is a church cantata by Johann Sebastian Bach. He wrote it in 1724 in Leipzig for the feast ( Purification) and first performed it on 2 February 1724. History and words Bach wrote the cantata in his first year in Leipzig for the feast Purification of Mary. The prescribed readings for the feast day were from the book of Malachi, "the Lord will come to his temple" (), and from the Gospel of Luke, the purification of Mary and the presentation of Jesus at the Temple, including Simeon's canticle Nunc dimittis (). The gospel mentions the purification of Mary, but elaborates on Simeon who had been told he would not die without having seen the Messiah. The canticle ("Lord, now lettest Thou Thy servant depart in peace") is a constant part of the services Compline and Evensong. The unknown poet also concentrates on this aspect of the gospel and connects it to the listener's attitude to his own death. In the second movement, he comments the words of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
