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Ich Freue Mich In Dir, BWV 133
(I rejoice in You), 133, is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata in Leipzig in 1724 for the Third Day of Christmas and first performed it on 27 December 1724. It is based on the 1697 hymn of the same name by Caspar Ziegler. The cantata is part of Bach's chorale cantata cycle, the second cycle during his tenure as that began in 1723. The hymn is among the most modern that Bach used within the cycle. Instead of dealing with the nativity story it is focused on an intimate relationship of the individual believer and the Christ child. In the style of the chorale cantata cycle, an unknown poet retained the outer stanzas for framing choral movements and paraphrased the middle stanza into four movements for soloists, alternating arias and recitatives. In this case, two recitatives also end in the exact wording from the chorale. Bach scored the work for four soloists, a four-part choir and a Baroque instrumental ensemble of a cornetto to rei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata Cycle
Johann Sebastian Bach's chorale cantata cycle is the Cantata cycle (Bach), year-cycle of Church cantata (Bach), church cantatas he started composing in Leipzig from the first Sunday after Trinity Sunday, Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723. Bach's second cantata cycle is commonly used as a synonym for his List of chorale cantatas by Johann Sebastian Bach, chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of , and the earliest version of ; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instrument
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period was based on string instruments (violin, viola) and continuo. A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottlob Harrer
Johann Gottlob Harrer, more commonly known as Gottlob Harrer, (8 May 1703 – 9 July 1755) was a German composer and choir leader. From 1731-1750 he worked as private musician to Count Heinrich von Brühl. In 1750 he succeeded Johann Sebastian Bach as Thomaskantor at the St. Thomas School, Leipzig; a post he maintained until his death in 1755. Life Johann Gottlob Harrer was born in Görlitz on May 8, 1703. He originally intended to become a lawyer, and studied the law at the University of Leipzig from 1722-1725. Through the patronage of Count Heinrich von Brühl, he trained as a musician in Italy. Upon completing his education he returned to Germany where he served the count as his private musician in Dresden from 1731-1750. Following the death of Johann Sebastian Bach in 1750, Harrer became his successor as Thomaskantor at the St. Thomas School, Leipzig. He still held the post when he died in Carlsbad in July 1755, but deputies had had to fulfill his duties on occasion, becaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomanerchor
The Thomanerchor (English: St. Thomas Choir of Leipzig) is a boys' choir in Leipzig, Germany. The choir was founded in 1212. The choir comprises about 90 boys from 9 to 18 years of age. The members, called ''Thomaner'', reside in a boarding school, the ''Thomasalumnat'' and attend the St. Thomas School, Leipzig, a Gymnasium (school), Gymnasium school with a linguistic profile and a focus on musical education. The younger members attend the primary school ''Grundschule Forum Thomanum'' or ''Anna-Magdalena-Bach-Schule''. Johann Sebastian Bach served as Thomaskantor, director of the choir and church music in Leipzig, from 1723 to 1750. The choir Although the choir's main musical field traditionally consists of the vocal works of Johann Sebastian Bach, the repertoire comprises pieces from different eras, from the Renaissance to contemporary music. Andreas Reize is the 18th Thomaskantor since Bach. The Forum Thomanum is the campus of the choir in the Bach quarter of Leipzig. It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Evangelist
John the Evangelist ( – ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although there is no consensus on how many of these may actually be the same individual. Identity The exact identity of John – and the extent to which his identification with John the Apostle, John of Patmos and John the Presbyter is historical – is disputed between Christian tradition and scholars. The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arioso
In classical music, arioso (; also aria parlante ) is a category of Solo (music), solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with Recitative, recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in Musical form, form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gerhardt
wikisource:The New International Encyclopædia/Gerhardt, Paulus, Paulus or Paul Gerhardt (12 March 1607 – 27 May 1676) was a German theologian, Lutheranism, Lutheran minister and hymnodist. Biography Gerhardt was born into a middle-class family at Gräfenhainichen, a small town between Halle, Saxony-Anhalt, Halle and Wittenberg. His father died in 1619, his mother in 1621. At the age of fifteen, he entered the Fürstenschule Grimma, Fürstenschule in Grimma. The school was known for its pious atmosphere and stern discipline. The school almost closed in 1626 when the plague came to Grimma, but Paul remained and graduated from there in 1627. In January 1628 he enrolled in the University of Wittenberg. There, two teachers in particular had an influence on him: Paul Röber and Jacob Martini. Both of these men were staunch Lutherans, promoting its teachings not only in the classroom but in sermons and hymns. Röber in particular often took his sermon texts from hymns. In this way G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Luther
Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Protestant Reformation, and his theological beliefs form the basis of Lutheranism. He is widely regarded as one of the most influential figures in Western world, Western and History of Christianity, Christian history. Born in Eisleben, Luther was ordained to the Priesthood in the Catholic Church, priesthood in 1507. He came to reject several teachings and practices of the contemporary Catholic Church, Roman Catholic Church, in particular the view on indulgences and papal authority. Luther initiated an international debate on these in works like his ''Ninety-five Theses'', which he authored in 1517. In 1520, Pope Leo X demanded that Luther renounce all of his writings, and when Luther refused to do so, Excommunication in the Catholic Church, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of John
The Gospel of John () is the fourth of the New Testament's four canonical Gospels. It contains a highly schematic account of the ministry of Jesus, with seven "Book of Signs, signs" culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus) and seven "I am (biblical term), I am" discourses (concerned with issues of the Split of early Christianity and Judaism, church–synagogue debate at the time of composition) culminating in Thomas the Apostle, Thomas's proclamation of the risen Jesus as "my Lord and my God". The penultimate chapter's concluding verse set out its purpose, John 20:31, "that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in his name." John reached its final form around AD 90–110, although it contains signs of origins dating back to AD 70 and possibly even earlier. Like the three other gospels, it is anonymous, although it identifies an unnamed "disciple whom Jesus loved" as the source o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistle To The Hebrews
The Epistle to the Hebrews () is one of the books of the New Testament. The text does not mention the name of its author, but was traditionally attributed to Paul the Apostle; most of the Ancient Greek manuscripts, the Old Syriac Peshitto and some of the Old Latin manuscripts place the epistle to the Hebrews among Paul's letters. However, doubt on Pauline authorship in the Roman Church is reported by Eusebius. Modern biblical scholarship considers its authorship unknown, with Pauline authorship mostly rejected. A minority view Hebrews as written in deliberate imitation of the style of Paul, with some contending that it was authored by Apollos or Priscilla and Aquila. Scholars of Greek consider its writing to be more polished and eloquent than any other book of the New Testament, and "the very carefully composed and studied Greek of Hebrews is not Paul's spontaneous, volatile contextual Greek." It has been described as an intricate New Testament book.Mackie, Scott D. ''Esch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
