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Roland Kirk
Roland (; ; or ''Rotholandus''; or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōjō No Tsuki
is a Japanese song written in the Meiji period. Japanese pianist and composer Rentarō Taki composed the music as a music lesson song without instrumental accompaniment in 1901. The song was included in the songbook for Junior High School students. The music of the song was inspired by the ruins of Oka Castle whereas the lyrics, written by , were inspired by the ruins of Aoba Castle and Aizuwakamatsu Castle. Taki's original version of the song is a B minor song, but Kosaku Yamada's slow-paced nostalgic D minor version is also popular as an accompanied song. Taki's original version of the song uses E♯ on the second bar, but the modern version usually uses E probably because the original version did not fit the traditional Japanese music. Japanese tenor singer Yoshie Fujiwara put his singing of the song on a record in 1925. He was the first Japanese singer to popularize the song throughout the world. A jazz arrangement was recorded by Thelonious Monk under the title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings '' Mingus Ah Um'' and '' Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington, D.C., with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone (also called the vibraharp) is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Moses (musician)
Robert Laurence Moses (born January 28, 1948) is an American jazz drummer. Biography He was born in New York, United States. Moses played with Roland Kirk in 1964–65 while he was still a teenager. In 1966, he and Larry Coryell formed The Free Spirits, a jazz fusion ensemble, and from 1967 to 1969 he played in Gary Burton's quartet, including drumming for the Grammy-nominated album '' Gary Burton Quartet in Concert''. He played on the landmark 1967 Burton album '' A Genuine Tong Funeral'', but due to creative disputes with the album's composer Carla Bley the drummer was credited as "Lonesome Dragon". Moses and Bley would later reconcile and he became a vocal booster for her music. Moses recorded with Burton in the 1970s, in addition to work with Dave Liebman/Open Sky, Pat Metheny, Mike Gibbs, Hal Galper, Gil Goldstein, Steve Swallow, Steve Kuhn/Sheila Jordan (from 1979 to 1982), George Gruntz, and Emily Remler (from 1983 to 1984). In the early 1970s he was a member of Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Box
A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces Musical note, musical notes by using a set of pins placed on a revolving cylinder (geometry), cylinder or disc to pluck the tuned teeth (or lamellophone, ''lamellae'') of a steel comb#Making music, comb. The popular device best known today as a "music box" developed from musical decorative boxes#Snuff box, snuff boxes of the 18th century and were originally called (French for "chimes of music"). Some of the more complex boxes also contain a tiny drum and/or bells in addition to the metal comb. History The Symphonium company started business in 1885 as the first manufacturers of disc-playing music boxes. Two of the founders of the company, Gustave Brachhausen and Paul Riessner, left to set up a new firm, Polyphon, in direct competition with their original business and their third partner, Oscar Paul Lochmann. Following the establishment of the Original Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuckoo Clock
A cuckoo clock is a type of clock, typically pendulum clock, pendulum driven, that striking clock, strikes the hours with a sound like a common cuckoo call and has an automated cuckoo bird that moves with each note. Some move their wings and open and close their beaks while leaning forwards, whereas others have only the bird's body leaning forward. The mechanism to produce the cuckoo call has been in use since the middle of the 18th century and has remained almost without variation. It is unknown who invented the cuckoo clock and where the first one was made. It is thought that much of its development and evolution was made in the Black Forest area in southwestern Germany (in the modern state of Baden-Württemberg), the region where the cuckoo clock was popularized and from where it was exported to the rest of the world, becoming world-famous from the mid-1850s on. Today, the cuckoo clock is one of the favourite souvenirs of travellers in Germany, Switzerland, Austria and Eastern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, pitched below the standard C flute and the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. The bore of the alto flute is considerably larger in diameter and longer than the C flute and requires a larger column of air (volume of air) from the player, though it also requires a slower airspeed. This gives it a greater dynamic presence in the bottom octave and a half of its range. Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register stretching to D♭7. It uses the same fingerings as the C flute and piccolo, but is a transposing instrument in G (sounding a perfect fourth lower than written). British music that uses this instrument often refers to it as a bass flute, which can be confusing since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (; ; March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. '' Gebrauchsmusik''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943. Family and childhood W ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love", and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is widely considered an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Ship
"My Ship" is a popular song written for the 1941 Broadway musical '' Lady in the Dark'', with music by Kurt Weill and lyrics by Ira Gershwin. The music is marked "Andante espressivo"; Gershwin describes it as "orchestrated by Kurt to sound sweet and simple at times, mysterious and menacing at other". It was premiered by Gertrude Lawrence in the role of Liza Elliott, the editor of a fashion magazine. In the context of the show, the song comes in a sequence in which Elliott, in psychoanalysis, recalls a turn-of-the-century song she knew in her childhood. The song was not included in the 1944 Hollywood film '' Lady in the Dark'', a fact which Ira Gershwin found inexplicable: In 2003, Herbie Hancock won the Grammy Award for Best Jazz Instrumental Solo for a version of this song released on the album '' Directions in Music: Live at Massey Hall''. Cover versions Artists who have recorded the song include (in alphabetical order): * Ernestine Anderson – ''The Toast of the Natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
