I'm Your Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio versio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Muddy Waters
McKinley Morganfield (April 4, 1913April 30, 1983), better known as Muddy Waters, was an American blues singer-songwriter and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, copying local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." In 1941, Alan Lomax and Professor John W. Work III of Fisk University recorded him in Mississippi for the Library of Congress. In 1943 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Little Walter
Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player. Biography Early years Jacobs' date of birth is usually given as May 1, 1930, in Marksville, Louisiana. He was born without a birth certificate and when he applied for a Social Security card in 1940, his birthdate was listed as May 1, 1923. Over the years he often gave different years, but May 1 was constant. In some other documents he filled out before reaching the age of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sophie Tucker
Sophie Tucker (born Sofia Kalish; January 13, 1886 – February 9, 1966) was a Russian-born American singer, comedian, actress, and radio personality. Known for her powerful delivery of comical and risqué songs, she was one of the most popular entertainers in the U.S. during the first half of the 20th century. She was known by the nickname "the Last of the Red-Hot Mamas". Early life and education Tucker was born Sofiya "Sonya" Kalish ( Ukrainian: Соня Калиш; ) in 1886 to a Jewish family in Tulchyn, Russian Empire, now Vinnytsia Oblast, Ukraine. (Sonya is a pet name for Sofiya in Ukrainian as well as for Sofya, the Yiddish form of the name Sophia.) They arrived in Boston on September 26, 1887. The family adopted the surname Abuza before immigrating, her father fearing repercussions for having deserted from the Imperial Russian Army. The family lived in Boston's North End for eight years, then settled in Hartford, Connecticut, and opened a restaurant. At a young age, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Little Egypt (dancer)
Little Egypt was the stage name for at least three popular belly dancers from the late 1800s through the early 1900s. With countless imitators, the name became synonymous with belly dancers. Fahreda Mazar Spyropoulos Fahreda Mazar Spyropoulos, (c. 1871 – April 5, 1937), also performing under the stage name Fatima, had her start at the Bird Cage Theatre in Tombstone, Arizona in 1881. In the reopened saloon's lobby hangs a larger-than-life sized painting she donated entitled "Fatima". It bears six patched bullet holes; one can be seen above the belly button and a knife gash in the canvas below the knee. In 1893, Spyropoulos went to Chicago to appear at the World's Columbian Exposition. Raqs dancers performed for the first time in the United States at the Egyptian Theater on the fair's Midway. Sol Bloom presented the show "The Algerian Dancers of Morocco" at the attraction "A Street in Cairo" produced by Gaston Akoun, which included Spyropoulos, though she was neither Egyp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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World's Columbian Exposition
The World's Columbian Exposition, also known as the Chicago World's Fair, was a world's fair held in Chicago from May 5 to October 31, 1893, to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park, was a large water pool representing the voyage that Columbus took to the New World. Chicago won the right to host the fair over several competing cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American architecture, the arts, American industrial optimism, and Chicago's image. The layout of the Chicago Columbian Exposition was predominantly designed by John Wellborn Root, Daniel Burnham, Frederick Law Olmsted, and Charles B. Atwood. It was the prototype of what Burnham and his colleagues thought a city should be. It was designed to follow Beaux-Arts principles of design, namely ne ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Centennial Exhibition
The Centennial International Exhibition, officially the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine, was held in Philadelphia, Pennsylvania, from May 10 to November 10, 1876. It was the first official world's fair to be held in the United States and coincided with the centennial anniversary of the Declaration of Independence's adoption in Philadelphia on July 4, 1776. It was held in Fairmount Park along the Schuylkill River on fairgrounds designed by Herman J. Schwarzmann. Nearly 10 million visitors attended the exposition, and 37 countries participated in it. Precursor The Great Central Fair on Logan Square in Philadelphia, in 1864, also known as the Great Sanitary Fair, was one of the many United States Sanitary Commission's Sanitary Fairs held during the American Civil War. The fairs provided a creative and communal means for ordinary citizens to promote the welfare of Union Army soldiers and dedicate themselves to the sur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hoochie Coochie
The hoochie coochie () is a catch-all term to describe several sexually provocative belly dance-like dances from the mid-to late 1800s. Also spelled hootchy-kootchy and a number of other variations, it is often associated with "The Streets of Cairo, or the Poor Little Country Maid" song, also known as "the snake charmer song". "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is also a blues standard written by Willie Dixon and first recorded by Muddy Waters in Chicago, January 7, 1954. Numerous cover versions of this classic continue to be recorded. Hoochie Coochie is also mentioned in Alan Jackson's hit country music song "Chattahoochee (song), Chattahoochee", where he says it refers t"a country fair strip show" It is also mentioned in the Jerry Leiber and Mike Stoller songs "Little Egypt (Ying-Yang)" and "Saved (Leiber and Stoller song), Saved" (sung by LaVern Baker). Overview Such dances, or something similar, were performed at the Crystal Palace Exhibi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eddie Boyd
Edward Riley Boyd (November 25, 1914 – July 13, 1994)Dahl, Bill. Eddie Boyd: Biography AllMusic. Retrieved October 13, 2016. was an American blues pianist, singer and songwriter, best known for his recordings in the early 1950s, including the number one R&B chart hit " Five Long Years". Life and career Boyd was born either on Stovall's Plantation, near Clarksdale, Mississippi, or on Frank Moore's Plantation, near Stovall, Mississippi. He learned to play the guitar and the piano. His piano playing was influenced by the styles of Roosevelt Sykes and Leroy Carr. Boyd moved to the Beale Street district of Memphis, Tennessee, in 1936, where he played with his group, the Dixie Rhythm Boys. He then joined the Great Migration of African Americans north to the factories of Chicago in 1941. He recorded for Bluebird Records, accompanying such musicians as Sonny Boy Williamson, Jazz Gillum, Muddy Waters, and Tampa Red, before making his first recordings under his own name, in 1947. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hoodoo Man Blues
''Hoodoo Man Blues'' is the debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with guitarist Buddy Guy. Released on LP by Delmark Records in November 1965,Koester, BobCan I do it like I want to? Bob Koester remembers Junior Wells Delmark. Accessed October 5, 2020. the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions. The album of Chicago blues music was solicited by Bob Koester, the founder of Delmark Records, who liked Wells' music enough to give the musician considerable freedom on the album despite concerns of commercial response. The resultant innovative album became Delmark's bestseller, establishing Wells' career and receiving critical acclaim as being among the best albums Wells ever produced and among the greatest blues albums ever made. Background Record producer Bob Koester, the founder of Delmark Records who is credited with discovering We ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument ( diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Junior Wells
Junior Wells (born Amos Wells Blakemore Jr.; December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song " Messin' with the Kid" and his 1965 album '' Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Early life Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his cousin Jun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player and singer-songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists. Under his own name, he was one of the most recorded blues musicians of the 1930s and 1940s and is closely associated with Chicago producer Lester Melrose and Bluebird Records. His popular songs, original or adapted, include " Good Morning, School Girl", " Sugar Mama", " Early in the Morning", and "Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, J ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |