Horror Noir
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Horror Noir
Horror noir (sometimes referred to as noir horror or hyphenated as horror-noir; ) is a film subgenre that blends elements of both horror and noir. It combines the dark, atmospheric qualities of noir with the suspense and fear typical of horror, creating a hybrid genre that integrates aspects of both. These films typically feature a mysterious or unsettling atmosphere, often centering on psychological drama, tension, and darker thematic elements, particularly those related to crime and its consequences (often depicted in crime dramas, which explore criminal activity and its effects). Common themes include corruption, deception, isolation, alienation, violence, revenge, paranoia, and the unknown, all presented through the visual style of film noir. Horror noir often follows protagonists who face not only external threats, like supernatural forces, but also internal struggles. A film genre of this type invites the audience or is meant to experience fear, suspense, and anxiety, of ...
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Film Genre
A film genre is a Genre, stylistic or thematic category for Film, motion pictures based on similarities either in the narrative , narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary genre, literary-genre Literary criticism, criticism, film genres are usually delineated by "conventions, iconography, Setting (narrative), settings, Narrative film, narratives, stock character, characters and actors". One can also classify films by the Tone (literature), tone, Theme (narrative), theme/topic, Mood (literature), mood, film format, format, target audience, or Film budgeting, budget. Hayward, Susan. "Genre/Sub-genre" in ''Cinema Studies: The Key Concepts'' (Third Edition). Routledge, 2006. p. 185–192 These characteristics are most evident in Genre fiction, genre films, which are "commercial feature films [that], through repetition and variation, tell familiar stories with familiar characters and familiar situat ...
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Shutter Island (film)
''Shutter Island'' is a 2010 American neo-noir psychological thriller film directed by Martin Scorsese. It was adapted by Laeta Kalogridis from the 2003 novel of the same name by Dennis Lehane, about a Deputy U.S. Marshal who comes to Shutter Island to investigate a psychiatric facility after one of the patients goes missing. It stars Leonardo DiCaprio and Mark Ruffalo, with Ben Kingsley, Max von Sydow and Michelle Williams in supporting roles. The film had its wide release on February 19, 2010, and received generally positive reviews from critics. It was chosen by the National Board of Review as one of the top ten films of 2010, and grossed $295 million worldwide. The film is also noted for its soundtrack, which prominently used classical music, such as that of Gustav Mahler, Krzysztof Penderecki, György Ligeti, John Cage, Ingram Marshall, and Max Richter. Plot In 1954, U.S. Marshal Edward "Teddy" Daniels and his new partner Chuck Aule travel to Ashecliffe ...
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Night Has A Thousand Eyes
''Night Has a Thousand Eyes'' is a 1948 American horror film directed by John Farrow and starring Edward G. Robinson, Gail Russell and John Lund. The screenplay was written by Barré Lyndon and Jonathan Latimer. The film is based on the novel of the same name by Cornell Woolrich, originally published under the pseudonym George Hopley.. Retrieved February 23, 2022. It was produced and distributed by Paramount Pictures. Plot Late one night in Los Angeles, oil geologist Elliott Carson witnesses his girlfriend, heiress Jean Courtland, attempt suicide by leaping before an oncoming train, but manages to stop her. Afterward, the two go to have dinner at a restaurant, where they encounter John Triton, an acquaintance of Jean who claims to be clairvoyant. Elliott accuses John of attempting to drive Jean to kill herself by foretelling her death, with the intention of stealing her fortune. To convince Elliott otherwise, John recounts a story from twenty years before. In the story, Jo ...
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Strangler Of The Swamp
''Strangler of the Swamp'' is a 1946 American horror film, produced and distributed by Producers Releasing Corporation. It was written and directed by Frank Wisbar, and stars Rosemary LaPlanche, Robert Barrat and Blake Edwards. It is a remake of Wisbar's earlier German film ''Fährmann Maria'' (1936). Plot A ferry operator named Douglas (Charles Middleton) was accused of a murder he did not commit and executed for the crime. Now Douglas' ghost walks the marshlands he once called home, seeking vengeance against those who wronged him. The village's new ferry operator, the beautiful Maria (Rosemary LaPlanche) must find a way to save her boyfriend Christian (Blake Edwards) from becoming the ghost's next victim. Cast *Rosemary La Planche as Maria Hart *Robert Barrat as Christian Sanders *Blake Edwards as Christian 'Chris' Sanders Jr. * Charles Middleton as Ferryman Douglas *Effie Laird as Martina Sanders *Nolan Leary as Pete Jeffers *Frank Conlan as Joseph Hart *Therese Lyon as Bert ...
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Nightmare Alley (1947 Film)
''Nightmare Alley'' is a 1947 American film noir directed by Edmund Goulding from a screenplay by Jules Furthman. Based on William Lindsay Gresham's 1946 novel of the same name, it stars Tyrone Power, with Joan Blondell, Coleen Gray, and Helen Walker in supporting roles. Power, wishing to expand beyond the romantic and swashbuckler roles that brought him to fame, requested 20th Century-Fox's studio chief Darryl F. Zanuck to buy the rights to the novel so he could star as the unsavory lead "The Great Stanton", a scheming carnival barker. The film premiered in the United States on October 9, 1947, then went into wide release on October 28, 1947, later having six more European releases between November 1947 to May 1954. As noted on the DVD commentary track by Alain Silver and James Ursini, ''Nightmare Alley'' was somewhat unusual among film noir in having top stars, production staff and a relatively large budget. The film was not a financial success upon its original release ...
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Motion Picture Production Code
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the Cinema of the United States, United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States. From 1934 to 1954, the code was closely associated with Joseph Breen, the administrator appointed by Hays to enforce the code in Hollywood. The film industry followed the guidelines set by the code well into the late 1950s, but it began to ...
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Expressionism (theatre)
Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world. Similar to the broader movement of Expressionism in the arts, Expressionist theatre utilized theatrical elements and scenery with exaggeration and distortion to deliver strong feelings and ideas to audiences. History The early Expressionist theatrical and dramatic movement in Germany had Dionysian, Hellenistic philosophy, Hellenistic, and Nietzsche philosophy influences.Samuel, Richard H.; Thomas, R. Hinton (1971). Expressionism in German life, literature, and the theatre, 1910-1924; studies by Richard Samuel and R. Hinton Thomas (1st American ed.). Philadelphia: A. Saifer. p. 204. It was impacted by the likes of German poet August Stramm and Swedish playwright August Strindberg.Garten, H. F. (1 June 1971). "The Theatre of Expressionism". Screen. 12 (2): 29â ...
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Billy Wilder
Billy Wilder (; ; born Samuel Wilder; June 22, 1906 – March 27, 2002) was an American filmmaker and screenwriter. His career in Hollywood (film industry), Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He received seven Academy Awards (among 21 nominations), a BAFTA Award, the Cannes Film Festival's Palme d'Or and two Golden Globe Awards. Wilder was born in Sucha Beskidzka, Austria-Hungary (the town is now in Poland). After moving to Berlin in his early adulthood, Wilder became a screenwriter. The rise of the Nazi Party and antisemitism in Germany saw him move to Paris. He then moved to Hollywood in 1934, and had a major hit when he, Charles Brackett and Walter Reisch wrote the screenplay for the Academy Award-nominated film ''Ninotchka'' (1939). Wilder established his directorial reputation and received his first nomination for the Academy Award for Best Director with the film noir ''Double ...
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Fritz Lang
Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), better known as Fritz Lang (), was an Austrian-born film director, screenwriter, and producer who worked in Germany and later the United States.Obituary ''Variety Obituaries, Variety'', August 4, 1976, p. 63. One of the best-known ''émigrés'' from Germany's school of German expressionist cinema, Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. He has been cited as one of the most influential filmmakers of all time. Lang's work spans five decades, from the Expressionist silent films of his first German creative period to his short stay in Paris and his work as a Hollywood director to his last three films made in Germany. Lang's most celebrated films include the futuristic science-fiction film ''Metropolis (1927 film), Metropolis'' (1927) and the influential ''M (1931 film), M'' (1931), a film noir precursor. His 1929 film ''Woman in the Moon'' showcased the use of a mult ...
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B-grade Films
A B movie, or B film, is a type of cheap, low-budget commercial motion picture. Originally, during the Classical Hollywood cinema, Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to A-side and B-side, B-sides in recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series. Today, the term "B movie" is used in a broader sense. In post-Golden Age usage, B movies can encompass a wide spectrum of films, ranging from sensationalistic exploitation films to independent arthouse productions. In either usage, most B movies ...
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German Expressionism (cinema)
German expressionist cinema () was a part of several related creative movements in Germany in the early 20th century that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in Northwestern European culture in fields such as architecture, dance, painting, sculpture and cinema. Characteristics German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production, from 24 films in 1914 to 130 films in 1918. With inflation also on the rise, Germans ...
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Cinema Of Europe
Cinema of Europe refers to the Film industry, film industries and films produced in the continent of Europe. The history of Italian cinema began a few months after the French Auguste and Louis Lumière, Lumière brothers, who made the first public screening of a film on 28 December 1895, an event considered the birth of cinema, began motion picture exhibitions. The history of Cinema of Germany, cinema in Germany can be traced back to the years of the medium's birth. Ottomar Anschütz held the first showing of life sized pictures in motion on 25 November 1894 at the Postfuhramt in Berlin. On 1 November 1895, Max Skladanowsky and his brother Emil demonstrated their self-invented movie projector, film projector, the Bioscop, at the Berlin Wintergarten theatre, Wintergarten music hall in Berlin. A 15-minute series of eight short films were shown – the first screening of films to a paying audience. The first Italian director is considered to be Vittorio Calcina, a collaborator of th ...
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