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Hey Lawdy Mama (blues Song)
"Hey Lawdy Mama" (or "Oh Lordy Mama") is a Piedmont blues song recorded by Buddy Moss in 1934. The song became popular among jazz musicians with early recordings by Count Basie and Louis Armstrong. In 1943, a version recorded by Andy Kirk and His Twelve Clouds of Joy, with vocals by June Richmond, was a hit, reaching number four on the Billboard R&B chart. Variations with elements of "Hey Lawdy Mama" include "Meet Me in the Bottom" and "See See Baby". The song was further popularized with recordings in the 1960s. Early songs Buddy Moss' "Oh Lordy Mama" is an uptempo twelve-bar blues with distinct vocal phrasing: The song was performed as a solo piece, with Moss providing the vocal and guitar accompaniment. Blues historian Barry Lee Pearson notes: "The Moss version appears to be the earliest one, but the song should be considered traditional." After Moss' single, similar versions followed: "Oh Lawdy Mama" by Curley Weaver and "Hey Lawdy Mama" by Bumble Bee Slim. Jazz a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Their Great Hits
In Modern English, ''they'' is a third-person pronoun relating to a grammatical subject. Morphology In Standard Modern English, ''they'' has five distinct word forms: * ''they'': the nominative (subjective) form * ''them'': the accusative (objective, called the 'oblique'.) and a non-standard determinative form. * ''their:'' the dependent genitive (possessive) form * ''theirs'': independent genitive form * ''themselves'': prototypical reflexive form * ''themself'': derivative reflexive form (nonstandard; now chiefly used instead of "himself or herself" as a reflexive epicenity for ''they'' in pronominal reference to a singular referent) History Old English had a single third-person pronoun , which had both singular and plural forms, and ''they'' wasn't among them. In or about the start of the 13th century, ''they'' was imported from a Scandinavian source (Old Norse , Old Danish, Old Swedish , ), in which it was a masculine plural demonstrative pronoun. It comes from P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Noble Sissle
Noble Lee Sissle (July 10, 1889 – December 17, 1975) was an American jazz composer, lyricist, bandleader, singer, and playwright, best known for the Broadway musical ''Shuffle Along'' (1921), and its hit song "I'm Just Wild About Harry". Early life Sissle was born in Indianapolis, Indiana, United States, around the time his father Rev. George A. Sissle was pastor of the city's Simpson M. E. Chapel.Reef (2010) His mother, Martha Angeline (née Scott) Sissle, was a school teacher and juvenile probation officer. As a youth, Sissle sang in church choirs and as a soloist with his high school's glee club in Cleveland, Ohio. Sissle attended De Pauw University in Greencastle, Indiana on scholarship and later transferred to Butler University in Indianapolis before turning to music full-time. Career In early 1916, Sissle joined one of the society orchestras organized by James Reese Europe in New York. He persuaded Europe to also hire his friend, pianist and composer Eubie Blake, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Sonny Thompson
Sonny Thompson (probably August 23, 1916 – August 11, 1989), born Alfonso Thompson or Hezzie Tompson, was an American R&B bandleader and pianist, popular in the 1940s and 1950s. Biography There is some uncertainty over Thompson's origins, as well as his birth name. Researchers Bob Eagle and Eric LeBlanc indicate that he was born in 1916 in Wilkinson County, Mississippi, but other sources state that he was born in 1923, either in Mississippi or in Chicago. He began recording in 1946, and in 1948 achieved two number one R&B chart hits on the Miracle label – " Long Gone (Parts I and II)" and " Late Freight", both featuring saxophonist Eddie Chamblee. "Long Gone", sold in excess of one million copies. The follow-ups "Blue Dreams" and "Still Gone" also reached the R&B chart. By 1952 he had moved on to King Records, where he worked in A&R and as a session musician and arranger. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Roy Milton
Roy Bunny Milton (July 31, 1907 – September 18, 1983) was an American R&B and jump blues singer, drummer and bandleader. Career Milton's grandmother was Chickasaw. He was born in Wynnewood, Oklahoma, and grew up on an Indian reservation before moving to Tulsa, Oklahoma. He joined the Ernie Fields band in the late 1920s as singer and, later, drummer. After moving to Los Angeles, in 1933, he formed his own band, the Solid Senders, with Camille Howard on piano. He performed in local clubs and began recording in the 1940s, his first release being "Milton's Boogie" on his own record label. His big break came in 1945, when his "R.M. Blues", on the new Juke Box label, became a hit, reaching number 2 on the ''Billboard'' R&B chart and number 20 on the pop chart. The disc sold in excess of one million copies. Its success helped establish Art Rupe's company, which he shortly afterwards renamed Specialty Records. In 1950, Milton and his Orchestra performed at the sixth famed Caval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Soundie
A soundie is a three-minute American film displaying both the audio and video of a musical performance. Over 1,850 soundies were produced between 1940 and 1946, regarded today as "precursors to music videos". Soundies exhibited a variety of musical genres in an effort to draw a broad audience. The shorts were originally viewed in public places on some 5,000 " Panorams", coin-operated, 16mm rear projection machines built by the Mills Novelty Company of Chicago. Panorams offered multiple selections of a constantly changing rotation of soundies, and were typically located in public venues like nightclubs, bars, and restaurants. As World War II progressed, soundies also featured patriotic messages and advertisements for war bonds. Hollywood films were censored but Soundies weren't, so the films occasionally had daring content like burlesque acts; these were produced to appeal to soldiers on leave. Technology Soundies were filmed professionally on black-and-white 35mm theatrica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues. Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and were performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock. He is regarded as one of the most influential blues musicians of all time. Born into poverty in Mississippi, Burnett became a protégé of Delta blues musician Charley Patton in the 1930s. In the Deep South, he began a solo career by performing with other notable blues musicians of the day. By the end of the decade, he had established himself in the Mississippi Delta. Following a number of legal issues, a stint in prison, and Army service, he was recruited by A&R man Ike Turner to record for producer Sam Phillips in Memphis. His first record "Moanin' at Midnight" (1951) led to a record deal with Chess Records in Chicago. Between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Bluesville Records
Bluesville Records was an American record label subsidiary of Prestige Records, launched in 1959, with the primary purpose of documenting the work of the older classic bluesmen passed over by the changing audience. Such bluesmen as Roosevelt Sykes, Lightnin' Hopkins, Rev. Gary Davis, and Sonny Terry and Brownie McGhee recorded for the label, accounting for more than one quarter of their overall output. By 1966, Bluesville had ceased to issue LPs. Discography See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, ... References External linksPrestige - Bluesville discography [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Prestige Records
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. The company's began releasing jazz records in 78 and 45 RPM formats in 1950. The Prestige label includes the 13000 and 25000 cat# series. Prestige International was a sub-label of Prestige, active from 1960 to 1969, that mostly released folk music. In 1971, the company was sold to Fantasy Records, Fantasy, which was later absorbed by Concord Records, Concord. History The Prestige office was located at 446 West 50th Street, New York City. Its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. Audio engineer Rudy Van Gelder was the recording engineer of many Prestige albums in the 1950s and early-to-mid-1960s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Pink Anderson
Pinkney "Pink" Anderson (February 12, 1900 – October 12, 1974) was an American blues singer and guitarist. Life and career Anderson was born in Laurens, South Carolina, and raised in nearby Greenville and Spartanburg. He joined Dr. William R. Kerr of the Indian Remedy Company in 1914 to entertain the crowds, while Kerr tried to sell a concoction purported to have medicinal qualities. During this time Anderson occasionally worked with Blind Simmie Dooley in the Spartanburg area, recording with him in 1928 for the Columbia label. In the 1950s, Anderson toured with Leo "Chief Thundercloud" Kahdot of the Potawatomi tribal nation and his medicine show, often with the harmonica player Arthur " Peg Leg Sam" Jackson, who was based in Jonesville, South Carolina. Anderson was recorded by the folklorist Paul Clayton at the Virginia State Fair in May 1950. He recorded an album in the early 1960s and performed at some live venues. He appeared in the 1963 film '' The Bluesmen''. Ande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
The Two Poor Boys
The Two Poor Boys were an American, Tennessee based, folk-blues duo consisting of Joe Evans and Arthur McLain (or McClain) who recorded between 1927 and 1931. Their songs typically featured Evans' laid-back vocals, with a musical approach based on “beautifully matched guitar and mandolin accompaniment”.Paul Oliver, ''Songsters and Saints: Vocal Traditions on Race Records'', (Cambridge University Press: 1984), p. 231. On some records they were listed under the pseudonym A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's o ...s, 'Colman and Harper'. Between the two of them, they played an array of instruments including guitar, kazoo, piano, mandolin and violin. Collected songs Tracks 2–13 recorded May 20, 1931; tracks 14–20 recorded May 21, 1931, in New York City. References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Kid Bailey
Kid Bailey (before 1929 – after 1960) was a Mississippi Delta bluesman. His one known recording session occurred on September 25, 1929, in Memphis, Tennessee. Little is known about Bailey. His voice had a distinctly coarse yet youthful quality. Two of his recordings have survived: "Rowdy Blues" and "Mississippi Bottom Blues". In most digital releases, the tracks are attributed to Willie Brown yet are evidently the same artist credited as Kid Bailey on the original 78-rpm recordings. It has been remarked that "Although it's almost a cliché to say this about a blues musician from the American South, Kid Bailey was one of the most enigmatic musicians of the era." There has been some speculation that Kid Bailey was a pseudonym of the blues singer Willie Brown. Bailey's songs have been covered by Ian A. Anderson, Rory Block, Doug Cox, the Be Good Tanyas, and Thomasina Winslow with Nick Katzman. His song "Rowdy Blues" is included on the compilation album A compilation al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
