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He's So Fine
"He's So Fine" is a song written by Ronnie Mack. It was recorded by the Chiffons who topped the ''Billboard'' Hot 100 for four weeks in the spring of 1963. One of the most instantly recognizable golden oldies with its ''doo-lang doo-lang doo-lang'' background vocal, "He's So Fine" is also renowned as the song in the famous plagiarism case against George Harrison's " My Sweet Lord". Country music singer Jody Miller scored a top-ten hit of her own in 1971 with her cover of "He's So Fine". The Chiffons version Background "He's So Fine" was written by Ronald Mack, an acquaintance of the Chiffons' members who set himself up as their manager after overhearing them harmonise in their high school's lunch room. Mack elicited the interest of Bright Tunes Corporation, a production company run by the Tokens, who produced the Chiffons singing "He's So Fine", and two other Mack compositions at Capitol Recording Studios (New York, 165 W. 46th St.). The Tokens themselves – who had nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chiffons
The Chiffons were an American girl group originating from the Bronx, a borough of New York City, in 1960. History Origins The group was originally a trio of schoolmates - lead singer Judy Craig, backed by Patricia Bennett and Barbara Lee - enrolled at James Monroe High School in the Bronx in 1960. In 1962, at the suggestion of songwriter Ronnie Mack, the group added Sylvia Peterson, who had sung with Little Jimmy & the Tops at age 14, sharing lead vocals with Jimmy on "Say You Love Me", the B-side of the Tops' 1959 local hit "Puppy Love". Recordings The group chose the name The Chiffons while recording and releasing their first single, " He's So Fine", written by Ronnie Mack, produced by The Tokens of " The Lion Sleeps Tonight" fame, and released on the Laurie Records label. "He's So Fine" hit No. 1 in the United States, selling over one million copies, and was awarded a gold disc. (This sales figure would have qualified the record for platinum status under the current s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Chester
Gary Chester (born Cesario Gurciullo; October 27, 1924 – August 17, 1987) was an American studio drummer, author, and teacher. Beginning in the 1960s, he played on hundreds of records for bands such as the Coasters, the Monkees and the Lovin' Spoonful. Biography Born in the Bronx to parents who emigrated from Syracuse, Sicily, Chester's first successful recording session was when he replaced a studio drummer. As his reputation grew, Chester became a respected teacher, with drummers searching out his expertise and demanding techniques. His drumming systems have been used and endorsed by drummers such as Kenny Aronoff, Gary Gibbons, Douglas Oscard, Danny Gottlieb, Max Weinberg, Chris Adams, Tico Torres, Lindy Morrison, and Dave Weckl, each having studied under Chester. Instruction technique Ostinato Chester devised a system involving internalized patterns employing a drum 'melody' in an attempt to expand drummers' coordination and groove ability. His use of the ostinato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allen Klein
Allen Klein (December 18, 1931 – July 4, 2009) was an American businessman whose aggressive negotiation tactics affected industry standards for compensating recording artists. He founded ABKCO Music & Records Incorporated. Klein increased profits for his musician clients by negotiating new record company contracts. He first scored monetary and contractual gains for Buddy Knox and Jimmy Bowen, one-hit rockabillies of the late 1950s, then parlayed his early successes into a position managing Sam Cooke, and eventually managed the Beatles and the Rolling Stones simultaneously, along with many other artists, becoming one of the most powerful individuals in the music industry during his era. Rather than offering financial advice and maximizing his clients' income as a business manager normally would, Klein set up what he called "buy/sell agreements" where a company that Klein owned became an intermediary between his client and the record label, owning the rights to the music, manu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plagiarism
Plagiarism is the representation of another person's language, thoughts, ideas, or expressions as one's own original work.From the 1995 ''Random House Dictionary of the English Language, Random House Compact Unabridged Dictionary'': use or close imitation of the language and thoughts of another author and the representation of them as one's own original work qtd. in From the Oxford English Dictionary: The action or practice of taking someone else's work, idea, etc., and passing it off as one's own; literary theft. Although precise definitions vary depending on the institution, in many countries and cultures plagiarism is considered a violation of academic integrity and journalistic ethics, as well as of social norms around learning, teaching, research, fairness, respect, and responsibility. As such, a person or Legal Entity, entity that is determined to have committed plagiarism is often subject to various punishments or sanctions, such as Suspension (punishment), suspension, Expul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Official Charts Company
The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited), trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CHUM Chart
The CHUM Chart is a long-running Canadian hit parade countdown radio show, originally aired on Toronto radio station CHUM AM then later revived on its sister station CHUM-FM. It consisted of 50 top tunes from May 1957 to July 1968, but in August 1968, the top 50 song list was reduced to 30 top songs until the final hit parade was issued in June 1986. At the time of its retirement in 1986, it was the longest-running Top 40 chart in the world produced by an individual radio station. (It was later surpassed by Hamilton's CKOC, which produced a weekly chart for the 32-year period from 1960 to 1992.) On January 10, 1998, sister station CHUM-FM, which airs a hot adult contemporary format, revived the CHUM Chart name for a new countdown show. New editions of the CHUM Chart Top 30 continue to air weekly on CHUM-FM as of 2024. The CHUM Chart also aired as a television program on Citytv every Saturday at 2:00 P.M. until January 2008, when the show was discontinued after Rogers Communi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 1963
This is a list of ''Billboard (magazine), Billboard'' magazine's Top Billboard Hot 100, Hot 100 songs of 1963 in music, 1963, which appeared in the December 28, 1963 issue of ''Billboard''.Kowal, BarryBillboard Magazine's (USA) Top 100 Single Recordings of 1963 ''Hits of All Decades''. August 27, 2017. Retrieved October 19, 2018. See also *1963 in music *List of Billboard Hot 100 number-one singles of 1963, List of ''Billboard'' Hot 100 number-one singles of 1963 *List of Billboard Hot 100 top-ten singles in 1963, List of ''Billboard'' Hot 100 top-ten singles in 1963 References {{DISPLAYTITLE:''Billboard'' Year-End Hot 100 singles of 1963 1963 record charts Lists of Billboard Year-End Hot 100 singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English Rock music, rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall Stack, Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's Guitar feedback, feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, punk, power pop and mod (subculture), mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod (subculture), mod movements, featuring auto-destructive art by Instrument destruction, destr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrophenia
''Quadrophenia'' is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album '' Tommy'' (1969). Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. ''Quadrophenia'' is the only Who album entirely written by Pete Townshend. The group started work on the album in 1972 in an attempt to follow up ''Tommy'' and ''Who's Next'' (1971), both of which had achieved substantial critical and commercial success. Recording was delayed while bassist John Entwistle and singer Roger Daltrey recorded solo albums and drummer Keith Moon worked on films. Because a new studio was not finished in time, the group had to use Ronnie Lane's Mobile Studio. The album makes significant use of Townshend's multi-track synthesizers and sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrophenia (soundtrack Album)
''Quadrophenia'' is the soundtrack album of the 1979 film ''Quadrophenia'', which refers to the 1973 rock opera ''Quadrophenia''. It was initially released on Polydor Records in 1979 as a cassette and LP and was re-released as a compact disc in 1993 and 2001. The album was dedicated to Peter Meaden, a prominent Mod and first manager of The Who, who had died a year prior to the album's release. The album contains ten of the seventeen tracks from the original rock opera ''Quadrophenia''. These are different mixes than those that appear on the 1973 album as they were remixed (including newly recorded Steinberger bass guitar parts) in 1979 by John Entwistle. The most notable difference is the track " The Real Me" (used for the title sequence of the film) which features a different and more prominent bass track, more prominent vocals and a more definite ending, which was part of the original recording but faded out on the previous mix. Most of the tracks are also edited to be sligh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
