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Harmodius And Aristogeiton (sculpture)
A sculptural pairing of the tyrannicides Harmodius and Aristogeiton () was well known in the ancient world in two major versions but survives only in Roman marble copies. The lovers Harmodius and Aristogeiton were Athenian heroes whose act of daring in 514 BC opened the way for Athenian democracy. History A first version, commissioned from the sculptor Antenor following the establishment of Athenian democracy and erected in the Agora of Athens, was taken by the Persians during their occupation of the city in 480 BC and removed to Susa during the Greco-Persian Wars. Though it was returned to Athens by Alexander the Great (according to Alexander's historian Arrian) or by Seleucus I (according to the Roman writer Valerius Maximus), or again by Antiochus according to Pausanias (1.8.5), it never attracted copyists and is now lost. To replace the stolen original version, the Athenians commissioned Kritios and Nesiotes to produce a new statue, which was set up in 477/76 BC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nesiotes
Kritios (, ) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher of Myron. With Nesiotes (Νησιώτης,) Kritios made the replacement of the Tyrannicides ("Tyrant-killers") groupThe "Tyrant-killers" (Τυραννοκτόνοι), Harmodius and Aristogeiton, the heroic lovers who slew the tyrant Hipparchus. by Antenor, which had been carried off by the Persians in the first stage of the Greco-Persian Wars. The new group stood in the Agora of Athens and its composition is known from Roman copies. With Nesiotes Kritios made other statues, of bronze, dedicated on the Acropolis, of which only their inscribed bases remain to give testament. The head of a marble statue found on the Acropolis so much resembles the copies of one of the Tyrannicides – Harmodius – that it has been called the '' Kritios Boy'' (now in the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Collection
The Farnese Collection is one of the first collections of artistic items from Greco-Roman antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the National Archaeological Museum, Naples, National Archaeological Museum of Naples in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534–1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna family, Colonna collection, and received the collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures In The National Archaeological Museum, Naples
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
5th-century BC Greek Sculptures
The 5th century is the time period from AD 401 (represented by the Roman numerals CDI) through AD 500 (D) in accordance with the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to a formal end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gisela Richter
Gisela Marie Augusta Richter (14 or 15 August 1882 – 24 December 1972) was a British-American classical archaeologist and art historian. She was a prominent figure and an authority in her field. Early life Gisela Richter was born in London, England, the daughter of Jean Paul and Louise (Schwaab) Richter. Both of her parents and her sister, Irma, were art historians specialised in Italian Renaissance. Richter was educated at Maida Vale School, one of the finest schools for women at the time. She decided to become a classical archaeologist while attending Emmanuel Loewy's lectures at the University of Rome around 1896. In 1901, she began attending Girton College at the University of Cambridge. At Girton, Richter's six closest friends included Lady Dorothy Georgiana Howard, the daughter of the 9th Earl and " Radical Countess" of Carlisle, and future candidate for Roman Catholic Sainthood Anna Abrikosova. Richter was included when all seven girls were brought by Lady Dorothy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of largest art museums, largest art museum in the Americas. With 5.36 million visitors in 2023, it is the List of most-visited museums in the United States, most-visited museum in the United States and the List of most-visited art museums, fifth-most visited art museum in the world. In 2000, its permanent collection had over two million works; it currently lists a total of 1.5 million works. The collection is divided into 17 curatorial departments. The Met Fifth Avenue, The main building at 1000 Fifth Avenue, along the Museum Mile, New York, Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's list of largest art museums, largest art museums. The first portion of the approximately building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chlamys
The chlamys (; genitive: ) was a type of ancient Greek cloak. It was worn by men for military and hunting purposes during the Classical, Hellenistic and later periods. By the time of the Byzantine Empire it was part of the state costume of the emperor and high officials. It survived as such until at least the 12th century. The ephaptis () was a similar garment, typically worn by infantrymen. Ancient Greece The chlamys was made from a seamless rectangle of woolen material about the size of a blanket, usually bordered. It was normally pinned with a fibula at the right shoulder. Originally it was wrapped around the waist like a loincloth, but by the end of the 5th century BC it was worn over the elbows. It could be worn over another item of clothing but was often the sole item of clothing for young soldiers and messengers, at least in Greek art. As such, the chlamys is the characteristic garment of Hermes (Roman Mercury), the messenger god usually depicted as a young man. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Severe Style
The Severe style, or Early Classical style, was the dominant idiom of Greek sculpture in the period ca. 490 to 450 BCE. It marks the breakdown of the canonical forms of archaic art and the transition to the greatly expanded vocabulary and expression of the classical moment of the late 5th century. It was an international style found at many cities in the Hellenic world and in a variety of media including: bronze sculpture in the round, stelae, and architectural relief. The style perhaps realized its greatest fulfillment in the metopes of the Temple of Zeus, Olympia. The term ''severe style'' was first coined by Gustav Kramer in his ' ("On the style and the origins of painted Greek pottery", 1837, Berlin) in reference to the first generation of red figure vase painters; since Vagn Poulsen's 1937 study ''Der strenge Stil'' ("The Severe Style"), the name has become exclusively associated with sculpture. Dating and relative chronology There is no firm chronology for the Severe s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation, Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of Naples, province-level municipality is the third most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 2,958,410 residents, and the List of urban areas in the European Union, eighth most populous in the European Union. Naples metropolitan area, Its metropolitan area stretches beyond the boundaries of the city wall for approximately . Naples also plays a key role in international diplomacy, since it is home to NATO's Allied Joint Force Command Naples and the Parliamentary Assembly of the Mediterranean. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope () was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples National Archaeological Museum
The National Archaeological Museum of Naples (, ) is an important Italian archaeological museum. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as the Royal Bourbon Museum (). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777, it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent", and is founded upon gems collected by Cosimo de' Medici and Lorenzo il Magnifico in the 15th century) and the Farnese Marbles. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
