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Hailu Mergia
Hailu Mergia () is an Ethiopian keyboardist, accordionist, composer, and arranger now based in Washington D.C., United States. He is known for his role in the Walias Band in the 1970s, one of the most significant groups in Ethiopia’s "golden age" of music. Biography Early life Hailu Mergia was born in 1946 in the Shewa Province of the Ethiopian Empire and moved to Addis Ababa at age 10. He grew up on traditional Oromo, Amhara and Tigrinya songbook melodies, and taught himself the accordion at age 14. In 1952, when he was 14, he dropped out of high school and joined the army music department to support his family. He stayed in the army for two years, where he learned how to read and write music. Then, he became a freelance musician, touring around nightclubs in Ethiopia before meeting future members of the Walias Band at the venue Zula Club and leading the formation of the band. Career Hailu's mastering of the accordion, as well as the keyboard and his talent for "re-pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perth Town Hall
The Perth Town Hall, situated on the corner of Hay and Barrack streets in Perth, Western Australia, is the only town hall built by convicts in Australia. Upon completion it was the tallest structure in Perth. History Designed by Richard Roach Jewell and James Manning in the Victorian Free Gothic style, the hall was built by convicts and free men between 1867 and 1870. Its decorations contain a number of convict motifs, including windows in the shape of the broad arrow, and decorations in the shape of a hangman's rope. The foundation stone for Perth Town Hall was laid on 24 May 1867 by Governor Hampton in a ceremony involving a lot of pomp and parade. However, there were torrential downpours. The ceremony went on anyway with an official procession from Government House and a mock battle performed by the Volunteer Regiments, Enrolled Forces of Pensioners, and the WA Country Regiment. In the 1929 centenary of Western Australia one of the events in the city of Perth w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shewa
Shewa (; ; Somali: Shawa; , ), formerly romanized as Shua, Shoa, Showa, Shuwa, is a historical region of Ethiopia which was formerly an autonomous kingdom within the Ethiopian Empire. The modern Ethiopian capital Addis Ababa is located at its center. The towns of Debre Berhan, Antsokia, Ankober, Entoto and, after Shewa became a province of Ethiopia, Addis Ababa have all served as the capital of Shewa at various times. Most of northern Shewa, made up of the districts of Menz, Tegulet, Yifat, Menjar and Bulga, is populated by Christian Amharas, while southern Shewa is inhabited by the Gurages and eastern Shewa has large Oromo and Argobba Muslim populations. The monastery of Debre Libanos, founded by Saint Tekle Haymanot, is located in the district of Selale, Oromia Modern Shewa includes the historical Endagabatan province. History Shewa first appears in the historical record as part of a Muslim state ( Makhzumi dynasty), which G. W. B. Huntingford believed was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maceo Parker
Maceo Parker (; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name. Biography Parker was born in Kinston, North Carolina, United States. Parker's father played piano and drums in addition to singing in church with Parker's mother; his brother Melvin played drums and his brother Kellis played the trombone.Thompson, Dave (2001). ''Funk''. Backbeat Books. pp. 176-179. . Parker and his brother Melvin joined James Brown in 1963; in his autobiography, Brown claims that he originally wanted Melvin as his drummer, but agreed to additionally take Maceo under his wing as part of the deal.Brown, James (1988). ''The Godfather of Soul'' (with Bruce Tucker), Fonta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Walker
Autry DeWalt Mixon Jr. (June 14, 1931 – November 23, 1995), known professionally as Junior Walker, was an American multi-instrumentalist (primarily saxophonist) and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s. Early life Walker was born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, but grew up in South Bend, Indiana. He began playing saxophone while in high school, and his saxophone style was the anchor for the sound of the bands he later played in. Career His career started when he developed his own band in the mid-1950s as the Jumping Jacks. His longtime friend and drummer Billy Nicks (1935–2017) formed his own group, the Rhythm Rockers. Periodically, Nicks would sit in on Jumping Jack's shows, and Walker would sit in on the Rhythm Rockers shows. Nicks obtained a permanent gig at a local TV station in South Bend, Indiana, and asked Walker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Curtis
Curtis Montgomery (February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own " Soul Twist" (1962), "Soul Serenade" (1964), and " Memphis Soul Stew" (1967). Early life Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015). Career Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest in many musical ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythmic
Polyrhythm () is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk Music
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove (music), groove of a bassline played by an electric bassist and a drum part played by a drum kit, percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with Rhythm section, rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the Beat (music)#Down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tigrinya Language
Tigrinya, sometimes romanized as Tigrigna, is an Ethio-Semitic languages, Ethio-Semitic language, which is a subgrouping within the Semitic languages, Semitic branch of the Afroasiatic languages. It is primarily spoken by the Tigrinya people, Tigrinya and Tigrayans, Tigrayan peoples native to Eritrea and the Ethiopian state of the Tigray Region, respectively. It is also spoken by the global diaspora of these regions. History and literature Although it differs markedly from the Geʽez (Classical Ethiopic) language, for instance in having phrasal verbs, and in using a word order that places the main verb last instead of first in the sentence, there is a strong influence of Geʽez on Tigrinya literature, especially with terms relating to Christian life, Biblical names, and so on. Ge'ez, because of its status in Eritrean and Ethiopian culture, and possibly also its simple structure, acted as a literary medium until relatively recent times. The earliest written example of Tigriny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amharic
Amharic is an Ethio-Semitic language, which is a subgrouping within the Semitic branch of the Afroasiatic languages. It is spoken as a first language by the Amhara people, and also serves as a lingua franca for all other metropolitan populations in Ethiopia. The language serves as the official working language of the Ethiopian federal government, and is also the official or working language of several of Ethiopia's federal regions. In 2020 in Ethiopia, it had over 33.7 million mother-tongue speakers of which 31 million are ethnically Amhara, and more than 25.1 million second language speakers in 2019, making the total number of speakers over 58.8 million. Amharic is the largest, most widely spoken language in Ethiopia, and the most spoken mother-tongue in Ethiopia. Amharic is also the second most widely spoken Semitic language in the world (after Arabic). Amharic is written left-to-right using a system that grew out of the Geʽez script. The segmental writing system in whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
