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Guido Of Siena
Guido of Siena, was an Italian painter, active during the 13th-century in Siena, and painting in an Italo-Byzantine style. Biography The name Guido is known from the large panel in the church of San Domenico, Siena of the ''Virgin and Child Enthroned''. The rhymed Latin inscription gives the painter's name as ''Guido de Senis'', with the date 1221. However, this date cannot relate to the painting of the panel, which is usually dated on the basis of style to the 1270s. The faces of the Virgin and Child were scraped and repainted in the early 14th century in the manner of Duccio and so are not representative of Guido's original. A dossal featuring the Virgin and Child with four saints (accession No. 7) in the Siena Pinacoteca has an identical inscription, but unfortunately the name before "de Senis" has been cut off. It is very often assumed that the missing name is Guido, and gives us some indication of the original appearance of the Madonna at San Domenico. Beyond this, little is ...
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Princeton University Art Museum
The Princeton University Art Museum (PUAM) is the Princeton University gallery of art, located in Princeton, New Jersey. With a collecting history that began in 1755, the museum was formally established in 1882, and now houses over 117,000 works of art ranging from antiquity to the contemporary period. The Princeton University Art Museum dedicates itself to supporting and enhancing the university's goals of teaching, research, and service in fields of art and culture, as well as to serving regional communities and visitors from around the world. Its collections concentrate on the Mediterranean region, Western Europe, Asia, the United States, and Latin America. The museum has a large collection of Greek and Roman antiquities, including ceramics, marbles, bronzes, and Roman mosaics from Princeton University's excavations in Antioch. Medieval Europe is represented by sculpture, metalwork, and stained glass. The collection of Western European paintings includes examples from the e ...
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13th-century Byzantine Artists
The 13th century was the century which lasted from January 1, 1201 (represented by the Roman numerals MCCI) through December 31, 1300 (MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258) and the destruction of the House of Wisdom. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The earliest Islamic states in Southeast Asia formed during this century, most notably Samudera Pasai. The Kingdoms of Sukhothai and Hanthawaddy would emerge and go on to dominate their surrounding territories. Europe entered the apex of the High Middle Ages, characterized by rapid legal, cultural, and religious evol ...
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Byzantine Painters
The Byzantine Empire, also known as the Eastern Roman Empire, was the continuation of the Roman Empire centred on Constantinople during late antiquity and the Middle Ages. Having survived the events that caused the fall of the Western Roman Empire in the 5th centuryAD, it endured until the fall of Constantinople to the Ottoman Empire in 1453. The term 'Byzantine Empire' was coined only after its demise; its citizens used the term 'Roman Empire' and called themselves 'Romans'. During the early centuries of the Roman Empire, the western provinces were Latinised, but the eastern parts kept their Hellenistic culture. Constantine I () legalised Christianity and moved the capital to Constantinople. Theodosius I () made Christianity the state religion and Greek gradually replaced Latin for official use. The empire adopted a defensive strategy and, throughout its remaining history, experienced recurring cycles of decline and recovery. It reached its greatest extent under ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Ital ...
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13th-century Italian Painters
The 13th century was the century which lasted from January 1, 1201 (represented by the Roman numerals MCCI) through December 31, 1300 (MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258) and the destruction of the House of Wisdom. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The earliest Islamic states in Southeast Asia formed during this century, most notably Samudera Pasai. The Kingdoms of Sukhothai and Hanthawaddy would emerge and go on to dominate their surrounding territories. Europe entered the apex of the High Middle Ages, characterized by rapid legal, cultural, and religious evo ...
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Museum Catharijneconvent
The Museum Catharijneconvent (St. Catherine's Convent Museum) is a museum of religious art in Utrecht, Netherlands. It is located in the former St. Catharine convent, having been sited there since 1979. Its collections include many artifacts from the museum of religious art of the Catholic Archbishopric of Utrecht, located in the convent until 1979. In 2006 the convent closed for restoration. It is part of the Utrecht Museum Night. Collection The museum has an extensive collection of historical and art-historical objects from the early Middle Ages to the present. The vast collection presents a picture of Protestant and Catholic The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwid ... art and cultural history of the Netherlands, and its impact on Dutch society. The collection includ ...
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Crucifixion Of Jesus
The crucifixion of Jesus was the death of Jesus by being crucifixion, nailed to a cross.The instrument of Jesus' crucifixion, instrument of crucifixion is taken to be an upright wooden beam to which was added a transverse wooden beam, thus forming a "cruciform" or T-shaped structure. It occurred in 1st-century Roman Judaea, Judaea, most likely in AD 30 or AD 33. The event is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by #Other accounts and references, other ancient sources. Scholars nearly universally accept the Historicity of Jesus, historicity of Jesus's crucifixion, although there is no consensus on the details.Christopher M. Tuckett in ''The Cambridge companion to Jesus'' edited by Markus N. A. Bockmuehl 2001 Cambridge Univ Press pp. 123–124 According to the canonical gospels, Jesus was Arrest of Jesus, arrested and Sanhedrin trial of Jesus, tried by the Sanhedrin, and then Pilate's court, sentenced by ...
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Flagellation Of Christ
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the ''Life of Christ in art, Life of Christ''. Roman Catholic Church, Catholic tradition places the Flagellation on the site of the Church of the Flagellation (the second station of the Via Dolorosa in Jerusalem). It is the second Sorrowful Mystery of the Rosary and the sixth station of the John Paul II's Scriptural Way of the Cross.''Old Master Paintings and Drawings'' by Roy Bolton 2009 page 70 The column to which Christ is normally shown to be tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Santa Prassede, Basilica di Santa Prassede in Rome is one of the churches claiming to possess #Relics, the original column or parts of it. In art, the subject was first depicted as one o ...
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Lindenau-Museum
The Lindenau-Museum is an art museum in Altenburg, Thuringia, Germany. It originated as the house-museum of baron and collector Bernhard August von Lindenau. The building was completed in 1876. The museum's main attraction is its collection of Italian paintings from the late Gothic and early Renaissance age (13th–15th centuries), which are among the largest outside Italy. The artworks include Filippo Lippi's '' St. Jerome in Penance'', Sandro Botticelli's ''Portrait of Caterina Sforza'' and a predella panel by Fra Angelico. It also keeps ancient antiquities and modern works, and has a library. Additionally, there are collections of paintings primarily from the 16th to 19th centuries and asw well the 20th century, that were created in German, Italy, Netherlands and France. After 1945, collections primarily consisted of artwork created by artists from Berlin, Chemnitz, Dresden, and Leipzig. The art of the 1920s and classical modernism are emphasized in painting and graphic d ...
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Flight Into Egypt
The flight into Egypt is a story recounted in the Gospel of Matthew (Matthew 2:13–Matthew 2:23, 23) and in New Testament apocrypha. Soon after the Biblical Magi, visit by the Magi, an angel appeared to Saint Joseph, Joseph in a dream telling him to flee to Roman Egypt, Egypt with Mary (mother of Jesus), Mary and the infant Jesus since Herod the Great, King Herod would seek the child to kill him. The episode is frequently shown in art, as the final episode of the Nativity of Jesus in art, and was a common component in cycles of the ''Life of the Virgin'' as well as the ''Life of Jesus in the New Testament, Life of Christ''. Within the narrative tradition, iconic representation of the "Rest on the Flight into Egypt" developed after the 14th century. Matthew's gospel account The flight from Herod When the Magi came in search of Jesus, they went to Herod the Great in Jerusalem to ask where to find the newborn "King of the Jews". Herod became paranoid that the child would thre ...
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Annunciation
The Annunciation (; ; also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord; ) is, according to the Gospel of Luke, the announcement made by the archangel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Messiah and Son of God, marking the Incarnation. According to the Annunciation occurred in the sixth month of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25March, an approximation of the northern vernal equinox nine full months before Christmas, the traditional birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. A work of art depicting the Annunciation is sometimes itself called an ''Annunciation'' ...
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