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Gone With The Wind (1939 Film)
''Gone with the Wind'' is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the American Civil War and the Reconstruction era, the film tells the story of Scarlett O'Hara ( Vivien Leigh), the strong-willed daughter of a Georgia plantation owner, following her romantic pursuit of Ashley Wilkes ( Leslie Howard), who is married to his cousin, Melanie Hamilton (Olivia de Havilland), and her subsequent marriage to Rhett Butler (Clark Gable). The film had a troubled production. The start of filming was delayed for two years until January 1939 because Selznick was determined to secure Gable for the role of Rhett, and filming concluded in July. The role of Scarlett was challenging to cast, and 1,400 unknown women were interviewed for the part. Sidney Howard's original scree ...
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Victor Fleming
Victor Lonzo Fleming (February 23, 1889 – January 6, 1949) was an American film director, cinematographer, and producer. His most popular films were the historical drama ''Gone with the Wind (film), Gone with the Wind'', for which he won an Academy Award for Best Director, and the fantasy film ''The Wizard of Oz'' (both 1939). Fleming has those same two films listed in the top 10 of the American Film Institute's 2007 AFI's 100 Years...100 Movies (10th Anniversary Edition), AFI's 100 Years...100 Movies list. Biography Early life Fleming was born at the Banbury Ranch near what is now La Cañada Flintridge, California, the son of Eva (née Hartman) and William Richard Lonzo Fleming. Career He served in the photographic section for the United States Army during World War I, and acted as chief photographer for President Woodrow Wilson in Treaty of Versailles, Versailles, France. Beginning in 1918, Fleming taught at and headed Columbia University's School of Military Cinematography ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the History of cinema in the United States, motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy (producer), Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President (corporate title), President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the White House Rose Garden, Rose Garden of the White House by Lyndon B. Johnson—to establish ...
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Ashley Wilkes
George Ashley Wilkes is a fictional character in Margaret Mitchell's 1936 novel ''Gone with the Wind (novel), Gone with the Wind'' and the 1939 Gone with the Wind (film), film of the same name. The character also appears in the 1991 book ''Scarlett (Ripley novel), Scarlett'', a sequel to ''Gone with the Wind'' written by Alexandra Ripley, and in ''Rhett Butler's People'' (2007) by Donald McCaig. Fictional biography Wilkes was born in 1840, being twenty-one at the start of the novel. He is the man with whom Scarlett O'Hara is obsessed. Gentlemanly yet indecisive, he loves Scarlett but finds he has more in common with Melanie Hamilton, Melanie, his first cousin and later his wife. However, he is tormented by his attraction to Scarlett. Unfortunately for him and Scarlett, his failure to deal with his true feelings for her ruins any chance she has for real happiness with Rhett Butler. Wilkes is a complicated character. He is not sympathetic to the cause of the North. However, he ...
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Scarlett O'Hara
Katie Scarlett O'Hara is the protagonist of Margaret Mitchell's 1936 in literature, 1936 novel ''Gone with the Wind (novel), Gone with the Wind'' and the 1939 Gone with the Wind (film), film of the same name, where she is portrayed by Vivien Leigh. She also is the main character in the 1970 musical ''Scarlett (musical), Scarlett'' and the 1991 book ''Scarlett (Ripley novel), Scarlett'', a sequel to ''Gone with the Wind'' that was written by Alexandra Ripley and adapted for a television mini-series in 1994. During early drafts of the original novel, Mitchell referred to her heroine as "Pansy", and did not decide on the name "Scarlett" until just before the novel went to print. PBS has called O'Hara "quite possibly the most famous female character in American history..." Biography Scarlett O'Hara is the oldest living child of Gerald O'Hara and Ellen O'Hara (née Robillard). She was born in 1845 on her family's plantation Tara (plantation), Tara in Georgia (U.S. State), Georgia. Sh ...
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Reconstruction Era
The Reconstruction era was a period in History of the United States, US history that followed the American Civil War (1861-65) and was dominated by the legal, social, and political challenges of the Abolitionism in the United States, abolition of slavery and reintegration of the former Confederate States of America, Confederate States into the United States. Reconstruction Amendments, Three amendments were added to the United States Constitution to grant citizenship and equal civil rights to the Freedmen, newly freed slaves. To circumvent these, former Confederate states imposed poll taxes and literacy tests and engaged in terrorism in the United States, terrorism to intimidate and control African Americans and discourage or prevent them from voting. Throughout the war, the Union was confronted with the issue of how to administer captured areas and handle slaves escaping to Union lines. The United States Army played a vital role in establishing a Labour economics, free lab ...
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American Civil War
The American Civil War (April 12, 1861May 26, 1865; also known by Names of the American Civil War, other names) was a civil war in the United States between the Union (American Civil War), Union ("the North") and the Confederate States of America, Confederacy ("the South"), which was formed in 1861 by U.S. state, states that had Secession in the United States, seceded from the Union. The Origins of the American Civil War, central conflict leading to war was a dispute over whether Slavery in the United States, slavery should be permitted to expand into the western territories, leading to more slave states, or be prohibited from doing so, which many believed would place slavery on a course of ultimate extinction. Timeline of events leading to the American Civil War, Decades of controversy over slavery came to a head when Abraham Lincoln, who opposed slavery's expansion, won the 1860 presidential election. Seven Southern slave states responded to Lincoln's victory by seceding f ...
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American South
The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, Dixieland, or simply the South) is census regions United States Census Bureau. It is between the Atlantic Ocean and the Western United States, with the Midwestern and Northeastern United States to its north and the Gulf of Mexico and Mexico to its south. Historically, the South was defined as all states south of the 18th-century Mason–Dixon line, the Ohio River, and the 36°30′ parallel.The South
. ''Britannica''. Retrieved June 5, 2021.
Within the South are different subregions such as the

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Romance Film
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion (emotion), passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage, marriage is featured. These films focus on the search for romantic love as the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints, or family resistance. As in all quite strong, deep, and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight, young and mature love, unrequited love, obsession, sentimental love, Spirituality, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial ...
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Historical Drama
A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents history, historical events and characters with varying degrees of fiction such as artistic license, creative dialogue or scenes which compress separate events. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romance film, romances, adventure films, and swashbucklers. Historical drama can be differentiated from historical fiction, which generally present fictional characters and events against a backdrop of historical events. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated Nor ...
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Epic Film
Epic films have large scale, sweeping scope, and spectacle. The term is slightly ambiguous, sometimes designating a film genre and at other times simply big-budget films. Like epics in the classical literary sense, it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other genres such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting, lavish costumes, an expansive musical score, and an ensemble cast, which would make them extremely expensive to produce. The most common subjects of epic films are royalty and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the '' Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical literature, epics are considered works focused on deeds or journeys of heroes upon which the fate of ...
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Entr'acte
(or , ;Since 1932–35 the recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled . and ', , and ) means 'between the acts'. It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. But despite this, an entr'acte is often paired with a longer intermission, as an intermission is usually "between acts." However, there can also be an entr'acte on its own, usually between the two acts without an intermission. In the case of stage musicals, the serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded on the soundtrack between the first and second half of the film, al ...
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Intermission
An intermission, also known as an interval in British and Indian English, is a break between parts of a performance or production, such as for a play (theatre), theatrical play, opera, concert, or film screening. It should not be confused with an entr'acte (French: "between acts"), which, in the 18th century, was a sung, danced, spoken, or musical performance that occurs between any two acts, that is unrelated to the main performance, and that thus in the world of opera and musical theater became an orchestral performance that spans an intermission and leads, without a break, into the next act. Jean-François Marmontel and Denis Diderot both viewed the intermission as a period in which the action did not in fact stop, but continued off-stage. "The interval is a rest for the spectators; not for the action," wrote Marmontel in 1763. "The characters are deemed to continue acting during the interval from one act to another." However, intermissions are more than just dramatic pauses ...
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