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Go On Move
"Go on Move" is a song by American solo project Reel 2 Real (Erick Morillo), featuring ragga vocals by Trinidad and Tobago rapper the Mad Stuntman (a.k.a. Mark Quashie). Originally released in 1993 by Strictly Rhythm as a single from the project's debut album, ''Move It!'' (1994), it was re-released in 1994 after the success of "I Like to Move It". "Go on Move" became a top-10 hit in Canada, Finland, Ireland, the Netherlands and the UK. In the latter nation, the song reached number seven on the UK Singles Chart. But on the UK Dance Singles Chart, it was an even bigger hit, peaking at number two. In the US, it peaked at number six on the ''Billboard'' Hot Dance Music/Club Play chart, while it peaked at number one on the Canadian ''RPM'' Dance/Urban chart. Its accompanying music video was directed by Craig McCall, who had previously directed the video for "I Like to Move It". "Go on Move" was A-listed on Germany's VIVA in August 1994. Critical reception Pan-European magazine ''Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reel 2 Real
Reel 2 Real was an American hip house musical project that had seven top 10 hits on the Hot Dance Music/Club Play chart in the 1990s. Biography The duo consisted of American DJ Erick Morillo and Trinidadian rapper Mark Quashie, also known as The Mad Stuntman. The project's core member was producer and DJ Erick Morillo from New York City, who spent a portion of his childhood living in Colombia and also in Union City, New Jersey. The first release as Reel 2 Real was " The New Anthem" which spent a week at No. 1 on the US Dance Chart in 1992. Although it peaked at No. 8 on the dance chart, Reel 2 Real is best known for the song "I Like to Move It", which featured Trinidadian toaster Mark Quashie, also known as The Mad Stuntman. The song peaked at number 89 on the ''Billboard'' Hot 100 in 1994. It was successful in Germany where it peaked at number 3 on the singles chart, in the United Kingdom, where it peaked at number 5 and in France and the Netherlands it peaked at number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARIA Charts
The ARIA Charts are the main Australian record chart, music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent (historian), David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a spin-off digital television channel, which was later renamed Box Hits, and website. A digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for its first few issues. He based the idea on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Select (magazine)
''Select'' was a United Kingdom music magazine of the 1990s. It was known for covering the indie rock and Britpop genres, but featured a wide array of music. In 2003, ''The Guardian'' called ''Select'' "the magazine that not only coined the word Britpop, but soon came to define it." History The magazine was launched under United Consumer Magazines in July 1990, intending to be a rival to '' Q'' magazine. Its first cover star was Prince. Its first issue sold 100,000 copies. Between July and December 1990, its circulation hovered around 75,000. In April 1991, Spotlight sold ''Select'' to EMAP Metro. Under the editorship of Mark Ellen, the magazine began focusing on the baggy and Madchester scenes. The magazine soon became known for its coverage of Britpop, a term already in use in the music press by writer like John Robb but with an added new context in the magazine front cover by Stuart Maconie in its April 1993 "Yanks Go Home" edition, featuring The Auteurs, Denim, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in nightclubs in London. He then headed to New York to work for Seltaeb, the US company who had acquired the merchandising rights for the Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after ''New Musical Express'', it never attained the circulation of its rival. The first UK Albums Chart, UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK Singles Chart, UK singles and UK albums charts used by the BBC for BBC Radio 1, Radio 1 and ''Top of the Pops'', as well as the USA's ''Billboard (magazine), Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when UBM plc, United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds (magazine), Sounds'', to concentrate on trade papers like ''Music Week''. In 2010, Giovanni Di Stefano (fraudster), Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming and culture website, bimonthly magazine, and brand. Founded as a newspaper in 1952, with the publication being referred to as a " rock inkie", the ''NME'' would become a magazine that ended up as a free publication as well as a webzine, and the brand has also been used for their NME Awards show, the NME Tours and the former NME Radio station. As a "rock inkie", ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dele Fadele
Ayodele Fadele (8 August 1962 – March 2018) was an English musician and music journalist who was active from the mid-1980s. He wrote for the ''NME'' in the late 1980s and early 1990s, and was one of the first music critics to introduce then emerging US rap artists such as Public Enemy, De La Soul and A Tribe Called Quest to mainstream British music fans. Fadele had broad musical tastes, ranging from hip-hop and acid house to shoegazing, industrial and grunge. He wrote long pieces on artists including Nick Cave, New Order, 808 State, Einstürzende Neubauten, Marianne Faithfull and Osibisa. He was gregarious and according to Andrew Collins was always "absolutely impassioned" when he arrived at the NME office each morning He died in March 2018 from stomach cancer. His death was not known to his former music industry colleagues until August 2020. Many of them wrote shocked but highly appreciative obituaries in the following days. Chuck D of Public Enemy said that Fadele was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a Music genre, genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of Dance music, dance and Pop music, pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be Record prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denniz Pop
Dag Krister Volle (26 April 1963 – 30 August 1998), better known as Denniz Pop (stylized ''Denniz PoP''), was a Swedish DJ, music producer, and songwriter. He was a member of the DJ collective SweMix and later co-founded the recording studio Cheiron Studios in Stockholm in 1992. Life and career Volle was born on 26 April 1963 in Tullinge, Sweden, to Norwegian immigrants. He began DJing in the 1980s and started producing remixed records and later original releases. In 1986, he co-founded the DJ collective and remix service SweMix with Robert Wåtz (of Rob'n'Raz fame), which also included StoneBridge. In 1988, he released the track "Gimme Some Mo' (Bass on Me)" under his own name. Volle met the Nigerian-Swedish singer Dr. Alban while they were both DJing, and in 1990, he produced his debut single, " Hello Afrika", and the subsequent eponymous album, which were released under the SweMix label. In 1992, he left SweMix and together with music investor Tom Talomaa, founded Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
