Go! Push Pops
Go! Push Pops, formally named The Push Pop Collective is a queer, transnational, radical feminist art collective under the direction of Elisa Garcia de la Huerta (b. 1983 Santiago, Chile) and Katie Cercone (b. 1984 Santa Rosa, CA). History Go! Push Pops formed in 2010 at the School of Visual Arts (SVA) where both Cercone and Garcia obtained their MFA in 2011. Go! Push Pops studied with Marilyn Minter, Thomas Lanigan-Schmidt, Dan Cameron, Kate Gilmore (artist) and Jacqueline Winsor while at SVA. At that time, painter Anna Souvorov (b. 1983 Moscow, Russia) was the third leader of the collective. Go! Push Pops first unofficial performance happened spontaneously during a visit to artist Portia Munson’s “Pink Project” at P.P.O.W. Gallery in Chelsea. Go! Push Pops have performed at The Brooklyn Museum, The Bronx Museum of the Arts, Maryland Institute College of Art, C24 Gallery, Momenta Art, Apexart, Dixon Place and Cue Art Foundation. Go! Push Pops has been artist-i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
School Of Visual Arts
The School of Visual Arts New York City (SVA NYC) is a private for-profit art school in New York City. It was founded in 1947 and is a member of the Association of Independent Colleges of Art and Design. History This school was started by Silas H. Rhodes and Burne Hogarth in 1947 as the Cartoonists and Illustrators School; it had three teachers and 35 students,"New Logo for SVA done In-house" Under Consideration. August 28, 2013. most of whom were World War II veterans who had a large part of their tuition underwritten by the U.S. government's G.I. Bill. It was renamed the School of Visual Arts in 1956 and offered its first degrees in 1972. In 1983, it intr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Momenta Art
Momenta Art was an artist-run, not-for-profit organization and gallery, which from its founding in 1986Fensterstock, Ann. Art on the Block : Tracking the New York Art World from Soho to the Bowery, Bushwick and Beyond. First edition. New York, NY: Palgrave Macmillan, 2013. to its closing in 2016, exhibited and promoted emerging artists and underrepresented artistic perspectives. Artists who received support from Momenta Art include Simone Leigh, Chitra Ganesh, Elana Herzog and Mark Tribe. Origins Momenta Art was founded in 1986 by a group of five artists in Philadelphia- Timothy Aubry, Donna Czapiga, Eric Heist, Christina LaSala, and James Mills. Their first exhibition, “The Cast Iron Building Presents Momenta Art”, was an inclusive group exhibition of 47 emerging artists working in Philadelphia exhibited in a raw industrial space on Arch Street in Old City loaned to the group by a real estate development company, Growth Properties. The organizers were criticized by establ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Riot Grrrl
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music, and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less common for women. Riot grrrl songs often addressed issues such as rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment. Primary bands most associated with the movement by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Culture Jamming
Culture jamming (sometimes also guerrilla communication) is a form of protest used by many anti-consumerist social movements to disrupt or subvert media culture and its mainstream cultural institutions, including corporate advertising. It attempts to "expose the methods of domination" of mass society. Culture jamming employs techniques originally associated with Letterist International, and later Situationist International known as ''détournement.'' It uses the language and rhetoric of mainstream culture to subversively critique the social institutions that produce that culture. Tactics include editing company logos to critique the respective companies, products, or concepts they represent, or wearing fashion statements that criticize the current fashion trends by deliberately clashing with them.Boden, Sharon and Williams, Simon J. (2002) "Consumption and Emotion: The Romantic Ethic Revisited", Sociology 36(3):493–512 Culture jamming often entails using mass media to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Hip-hop Feminism
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender. The term was coined by the American author Joan Morgan in her book ''When Chickenheads Come Home to Roost: A Hip Hop Feminist Breaks it Down'' for black women who grew up in the post-Civil Rights Movement and feminist movement era of the 1960s and 1970s. Morgan explains that a hip hop feminist is a self-defined name for black feminists that acknowledges black women's lived experiences as they identify with and enjoy hip hop culture along with supporting feminist issues and agendas where black women are marginalized by the mainstream feminist movement because of their ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Shamanism
Shamanism is a religious practice that involves a practitioner (shaman) interacting with what they believe to be a Spirit world (Spiritualism), spirit world through Altered state of consciousness, altered states of consciousness, such as trance. The goal of this is usually to direct Non-physical entity, spirits or Energy (esotericism), spiritual energies into the physical world for the purpose of healing, divination, or to aid human beings in some other way. Beliefs and practices categorized as "shamanic" have attracted the interest of scholars from a variety of disciplines, including anthropologists, archeologists, historians, religious studies scholars, philosophers and psychologists. Hundreds of books and Academic publishing#Scholarly paper, academic papers on the subject have been produced, with a peer-reviewed academic journal being devoted to the study of shamanism. In the 20th century, non-Indigenous Peoples, Indigenous Westerners involved in countercultural movements, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Neo-Burlesque
Neo-Burlesque, or New Burlesque, is the revival and updating of the traditional American burlesque performance. Though based on the traditional burlesque art, the new form encompasses a wider range of performance styles; neo-burlesque acts can range from anything from classic striptease to modern dance to theatrical mini-dramas to comedic mayhem. Burlesque history Burlesque was brought to America from Britain in the late 1860s by Lydia Thompson and her ''British Blondes'', a troupe who spoofed traditional theatrical productions and featured ladies performing men's roles, in costumes considered revealing for the time period. American burlesque soon assimilated music hall, minstrel shows, striptease, comedy and cabaret stylesHumez, Nick "Burlesque".''St. James Encyclopedia of Popular Culture'', ed. Sara Pendergast and Tom Pendergast, Gale Virtual Reference Library, accessed 16 February 2011 to evolve from the follies of the twenties and thirties to the girlie shows of the 40s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Feminist Art Movement
The feminist art movement refers to the efforts and accomplishments of feminists internationally to produce art that reflects women's lives and experiences, as well as to change the foundation for the production and perception of contemporary art. It also sought to bring more visibility to women within art history and art practice. By the way it is expressed to visualize the inner thoughts and objectives of the feminist movement to show to everyone and give meaning in the art. It helps construct the role to those who continue to undermine the mainstream (and often masculine) narrative of the art world. Corresponding with general developments within feminism, and often including such self-organizing tactics as the consciousness-raising group, the movement began in the 1960s and flourished throughout the 1970s as an outgrowth of the so-called second wave of feminism. It has been called "the most influential international movement of any during the postwar period." History The 1960 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Feminist Pedagogy
Feminist pedagogy is a pedagogical framework grounded in feminist theory. It embraces a set of epistemological theories, teaching strategies, approaches to content, classroom practices, and teacher-student relationships. Feminist pedagogy, along with other kinds of progressive and critical pedagogy, considers knowledge to be socially constructed. Overview The purpose of feminist pedagogy is to create or remove standards in the classroom in ways that liberate students and their learning. For example, a classroom that is liberating and without any sort of binary. Feminist Pedagogy naturally creates a new method of teaching, where skills and knowledge are not just limited to a classroom but rather society as a whole. Classrooms that employ feminist pedagogy use the various and diverse experiences located within the space as opportunities to cultivate learning by using; life experiences as lessons, breaking down knowledge, and looking at gender, race, and class as one. Feminist pe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fourth-wave Feminism
Fourth-wave feminism is a feminist movement that began around 2012 and is characterized by a focus on the empowerment of women, the use of internet tools, and intersectionality. The fourth wave seeks greater gender equality by focusing on gendered norms and the marginalization of women in society. Fourth-wave feminism became a movement for women to speak up and share their experiences online about sexual abuse, sexual harassment, sexual violence, the objectification of women, and sexism in the workplace. The internet gave women the opportunity for their voices to be heard around the world in a matter of seconds. Social media offered women the opportunity to speak freely about sensitive topics on their own time and on their terms. As women all over the world began sharing their personal stories, they realized the magnitude of the problem and how it was happening everywhere. Internet activism is a key feature of the fourth wave. The fourth wave emphasizes intersectionality and i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |