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Glossary Of Flamenco Terms
This is a glossary of terms that relate to flamenco arts. A ;aficionado: one interested in flamenco ('afición' a liking for) ;aflamencado: flamencoized ;a golpe: A tap, it can refer to a particular footstep by the dancer or a tap on the guitar, but it can also just refer to any tap (i.e. tapping the table in compás) ;alboreá: the Gypsy wedding song sung in the soleá compás ;alegrías: festive compás of the ''cantiñas'' group; one of the cantes chicos ;alzapúa: guitar-playing technique that uses solely the thumb ;ángel: see ''duende'' ;a palo seco: without accompaniment ;apodo: nickname, which Gypsies receive for life ;arranque: spontaneous outbursts of uncontrolled emotion that a performer may emit ;a seco: playing the guitar ''rasgueado'', with the fingers of the left hand damping the strings ;atravesarse: for the guitarist - cutting corners and rhythm during a ''falseta'', making the dancer's job difficult B ;babeo: repeated meaningless sounds such as 'bababa' in the mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary
A glossary (from grc, γλῶσσα, ''glossa''; language, speech, wording) also known as a vocabulary or clavis, is an alphabetical list of terms in a particular domain of knowledge with the definitions for those terms. Traditionally, a glossary appears at the end of a book and includes terms within that book that are either newly introduced, uncommon, or specialized. While glossaries are most commonly associated with non-fiction books, in some cases, fiction novels may come with a glossary for unfamiliar terms. A bilingual glossary is a list of terms in one language defined in a second language or glossed by synonyms (or at least near-synonyms) in another language. In a general sense, a glossary contains explanations of concepts relevant to a certain field of study or action. In this sense, the term is related to the notion of ontology In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martinetes
''Martinetes'' (, sing. ''martinete'') are a flamenco ''palo'' belonging to the group of the '' tonás'' or ''cantes a palo seco''. As the rest of the songs in this group, it is sung with no accompaniment. In some dance shows for the stage, though, it is accompanied by percussion played with the compás of siguiriya. The percussion instruments chosen for this are frequently a hammer and anvil, to evocate the origins of this ''palo'', attributed to Gypsy smiths. It is not probable, though, that they were real work songs: they demand too much effort and faculties to be sung while carrying out a heavy task like that of a smith. They were more probably sung in family gatherings. Although martinetes are often classified under the toná group on the grounds that they share its a cappella nature, the melody types differ strongly from the rest of tonás, so it is now generally considered to be a different ''palo''. A characteristic that differentiates them from the tonás, normally in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tangos (flamenco)
In flamenco a ''tango'' () is one of the flamenco palos closely related in form and feeling to the rumba flamenca. It is often performed as a finale to a flamenco tiento. Its compás and llamada are the same as that of the farruca and share the farruca's lively nature. However, the tango is normally performed in the A Phrygian mode. In some English sources the flamenco tango is written with an -s; "the tangos is..." The flamenco tango is distinct from the flamenco rumba primarily through the guitar playing. In Rumba the guitar flows more freely, whereas in Tangos the accents on beats 2, 3 & 4 are marked clearly with heavy strumming. Tangos is only vaguely related to Argentine tango, and objectively they only share ''compás binario'' or double stroke rhythm. The fact that Argentine tango is one of the first couple dances in America has led historians to believe that both could be based in a minuet-style European dance, therefore sharing a common ancestor, while those who compar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tablao
A tablao (colloquial term for the Spanish "tablado", floorboard) is a place where flamenco shows are performed and also tablao is the term used for the platform floor in which a flamenco dancer dances. Tablao venues were developed during the 1960s throughout Spain replacing the cafés cantantes (cabarets). About Tablao are mostly found in Andalusia, often along the coast or in larger cities. In Granada, the Sacromonte caves or "gypsy flamenco caves" (zambras) are located along Cuesta de Chapiz. Tablaos tend to be decorated in a typically Spanish way with embroidered silk shawls, photographs of famous people, bullfighting clothes and capes. At a tablao they often serve drinks, they may offer samples of tapas, or dining on a full Spanish meal. The pricing structure of a tablao can be confusing and expensive, this varies by location and can be depending on if there is an entrance fee. Earlier history and café cantantes The first "cafe cantantes" was named Café sin Nobre (No N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siguiriyas
''Siguiriyas'' (; also ''seguiriyas'', ''siguerillas'', ''siguirillas'', ''seguidilla gitana'', etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani (Calé) in origin. Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th beats as shown here: : : '' 2 '' 4 '' 6 7 '' 9 10 1'' 12 This rhythm can be contrasted with the rhythmic pattern of the soleares, which also has 12 beats, but the accents fall differently. Taking the unusual accenting into account, it can technically be seen as a measure of 3/4 (counted in eighth notes) starting on "2", then a measure of 6/8 followed by the "1 and" of the 3/4. Every note is evenly spaced apart. For example: : : '' and '' and '' 2 3 '' 5 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sevillanas
''Sevillanas'' () are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country life, virgins, country towns, neighborhoods, pilgrimage, and love themes. ''Sevillanas'' can be heard mainly in fairs and festivals, including the famous Seville Fair (''Feria de abril de Sevilla''). Among local groups that perform it are the Los Romeros de la Puebla, Los Amigos de Gines, Las Corraleras de Lebrija, Cantores de Hispalis, and Los del Río. Sevillanas Rocieras are a religiously oriented genre of the Sevillana, with a particular emphasis on the Virgin of the Rocío. They are sung in numerous religious and cultural events in the South of the country. The dance Sevillanas are danced by couples of all ages and sexes during celebrations (''fiestas'' or ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saeta (flamenco)
The ''saeta'' () is a revered form of Andalusian religious song, whose form and style have evolved over many centuries. Saetas evoke strong emotion and are sung most often during public processions. The saeta, an unaccompanied song, is also believed to stem from Jewish religious songs which are believed to date back to the 16th century. Performance The saeta is a song of Catholic Andalusia dating back many centuries. The ''saeta antigua'' ld saetaprobably arose from the recitation of psalms under the influence of liturgical music. "Saetas vary greatly in form and style, ranging from simple syllabic melodies to highly ornamented ones."Willi Apel, ''Harvard Dictionary of Music'' (Cambridge: The Belknap Press 1944, 1969) at 748. In the older tradition, solemn drums and horns might accompany the singer, or the saetero sang alone. Since the nineteenth century, however, the more favored saetas have incorporated distinct elements associated with Flamenco music, particularly the siguiri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based '' coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumba Flamenca
Rumba flamenca, also known as flamenco rumba or simply rumba (), is a ''palo'' (style) of flamenco music developed in Andalusia, Spain. It is known as one of the '' cantes de ida y vuelta'' (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country. History Rumba flamenca was primarily influenced by guaracha, an uptempo style of vocal music which originated in Havana's musical theatre. Some elements from Cuban rumba were also incorporated, although minor, despite the name. Although unlikely, both guaracha and Cuban rumba might have been influenced by flamenco earlier in the 19th century. Guarachas can be traced back to the Spanish jácaras, thus justifying the classification of rumba flamenca as a '' cante de ida y vuelta''. The first rumba flamenca recordings were made by La Niña de los Peines in the 1910s. During the late 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacromonte
Sacromonte, sometimes also called Sacramonte, is a traditional neighbourhood in the eastern area of the city of Granada in Andalusia, Spain. It is one of the six neighbourhoods that make up the urban district of Albayzín and borders the neighbourhoods of Albayzín, San Pedro, Realejo-San Matías, El Fargue and Haza Grande. It is located on the hillside and in the valley of Valparaíso, opposite the Alhambra – emblem of Granada. The neighbourhood occupies both banks of the Darro river, whose name seems to be derived from the phrase "''d'auro''" ("of gold") because of its famous gold-bearing sediments. Traditionally the neighborhood of the Granadian Romani, who settled in Granada after the Christian conquest of the city in 1492, it is one of the most picturesque neighbourhoods of the city, with cave houses installed in whitewashed caves. The Romani of Sacromonte have a mixed language known as '' Caló'', which has seen a rapid decline in use over the past century. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasgueado
Rasgueado (also called Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques. The rasgueado is executed using the fingers of the strumming hand in rhythmically precise, and often rapid, strumming patterns. The important characteristic of this strumming style is the fingernail (outer) side of the finger tips (as opposed to their fleshy inner side) is also used, and in such case, in reverse of the way it is done when the fleshy side of the finger tips is used, namely downward (index, middle, ring and little finger) and upward (thumb). History Prior to the 19th century, the terms ''battuto'' (from the Italian) or ''golpeado'' were sometimes used to describe the technique."Rasgueado". ''The New Grove Dictionary of Music and Musicians''. 2nd edition, Ox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
