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Giovanni Gioseffo Dal Sole
Giovanni Gioseffo dal Sole (10 December 1654 – 22 July 1719) was an italy, Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the ''Guido Reni, Guido Moderno''. Biography His father, Giovanni Antonio Maria, also called ''Mochino de` Paesi'' due to his ambidextrous dexterity, was a landscape painter who trained with Francesco Albani. Giovanni Gioseffo first apprenticed with Domenico Maria Canuti, and then in 1672; he entered the Roman studio of Lorenzo Pasinelli. He painted frescoes in the cupola of ''Santa Maria dei Poveri'' in Bologna, and an altarpiece of the ''Trinity'' (1700) for the ''Chiesa del Suffragio'' in Imola. He is said to have collaborated with Giuseppe Maria Crespi. He was one of the painters who contributed a canvas depicting the mythologic scene of ''Andromache weeping before Aeneas'' for the renowned ''Aenid Galler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritratto Di Giovanni Gioseffo Dal Sole (bulino)
A portrait is a portrait painting, painting, portrait photography, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, Personality type, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian Baroque painter, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera Inferiore, Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioseffo Vitali
Gioseffo Vitali (active 1700) was an Italian painter of the late-Baroque period. He was born in Bologna. He trained under Giovanni Gioseffo dal Sole Giovanni Gioseffo dal Sole (10 December 1654 – 22 July 1719) was an italy, Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painter .... In Bologna, he painted an ''Annunciation'' for the church of Sant' Antonio; a ''S. Petronio'' for SS. Sebastiano e Rocco; and a ''Martyrdom of St. Cecilia'' in the church of that saint. References * 17th-century Italian painters Italian male painters Painters from Bologna Italian Baroque painters Year of death unknown Year of birth unknown {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastiano Galleoti
Sebastiano Galeotti (1656–1746) was a peripatetic Italian painter of the late-Baroque period, active in Florence, Genoa, Parma, Piacenza, Codogno, Lodi, Cremona, Milan, Vicenza, Bergamo, and Turin. Born in Florence, he was a pupil of the painter Alessandro Gherardini, Felice Torelli, and Giovanni Gioseffo dal Sole. He collaborated with Giovanni Domenico Ferretti or Francesco Natali of Cremona in some projects, and among his pupils were Vincenzo Meucci. He painted with Natali in the Oratory of Santa Maria delle Grazie, Parma. He helped decorate with frescoes the rooms of the Farnese Rocca in Sala Baganza. Died in Mondovì working for the House of Savoy. He decorated the church of the Magdalen in Genoa. In Turin, he was appointed director of the Academy, the precursor of the Accademia Albertina. His son Giuseppe Giuseppe is the Italian form of the given name Joseph, from Latin Josephus, Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. The femin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Monti (Bologna)
Francesco Monti (1685 – 14 April 1768) was an Italian painter of the late Baroque. image:Morte di sant'anna (francesco monti).jpg, ''Death of St Anne'', originally in church of San Zeno al Foro (Brescia), San Zeno al Foro, Brescia. Biography Born in Bologna, he studied art for three years with Sigismondo Caula in Modena, and then starting in 1701 with Giovanni Gioseffo dal Sole in Bologna. His neo-Mannerist style was influenced by Donato Creti, Giuseppe Maria Crespi, and Parmigianino. A prolific painter, he worked in oil and in fresco. His first known work, dating from 1713, is a ''Pentecost'' for the Basilica of San Prospero in Reggio Emilia. Other early works include a ''Rape of the Sabines'' for Count Ranuzzi and a ''Triumph of Mordecai'' for the court at Turin. Around this time, he was commissioned, along with other painters, to provide decorations for the Duke of Richmond's Goodwood Palace. He also executed commissions for a number of churches in Bolognia. Within a few y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Beduzzi
Antonio Maria Nicolao Beduzzi (1675 – 4 March 1735) was an Italian theater engineer, painter, and architect who flourished in Vienna at the turn of the 17th century. He was born in Bologna in 1675. He succeeded Ludovico Ottavio Burnacini, Burnacini as the theatre architect at the Holy Roman Empire, Court in Vienna in 1708. Among his better known designs are: * The interior of Melk Abbey for Jakob Prandtauer's baroque reconstruction * Leopoldsberg church on Leopoldsberg above Klosterneuburg, near Vienna * The cathedral museum of Passau * Vienna's ''Theater am Kärntnertor'' (the site now occupied by Hotel Sacher) * The frescos of the ''Landhaussaal'' in the Viennese Palais Niederösterreich * The in Linz. Beduzzi died in Vienna in 1735. Gallery File:Maria Taferl Basilika Langhausfresko 01.JPG, ''Glorification of Saint Joseph,'' ceiling fresco in the nave of Maria Taferl, Maria Taferl Basilica File:Maria Taferl Basilika Kuppelfresko 01.JPG, ''Life and Assumption of Mary'' File ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Casalini
Lucia Casalini Torelli (1677–1762) was an Italian painter, active in Bologna. The wife of painter Felice Torelli (and, through him, sister-in-law of violinist and composer Giuseppe Torelli), she was the mother of painter Stefano Torelli. She was born in Bologna, where she trained under Giovanni Gioseffo dal Sole. Life and works Daughter of Antonio Casalini and Antonia Bandiera, she began studying painting with her cousin, Carlo Casalini. However at the age of thirteen she entered the atelier of the prominent Bolognese painter, Giovanni Gioseffo Dal Sole. Here she met her future husband, also a successful painter Felice Torelli, who was regularly sent by the master to the young girl's home to bring her drawings to copy. The two married in 1701, and soon opened their own studio with students. They had seven children, two of whom, Anna and Stefano, became artists. In 1706, Felice Torelli was one of the founders of the Accademia Clementina; Lucia was elected an honorary member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Torelli
Felice Torelli (9 September 1667 – 11 June 1748) was an Italian painter of the Baroque style, active mainly in Bologna. Biography He was born to a family of artists in Verona, including his brother, Giuseppe Torelli, a noted violinist and composer of concerti. Both his son, Stefano Torelli, and his wife, Lucia Casalini (1677–1762), were painters. His wife mainly painted portraits. Felice was initially apprenticed to Santi Prunati in Verona, then to Giovanni Gioseffo dal Sole in Bologna. In 1710, Torelli was one of the founders of the ''Accademia Clementina'' in Bologna, and during his time there, Giuseppe Maria Crespi was a member. Torelli's pupils at the academy included the two brothers Ubaldo Gandolfi and Gaetano Gandolfi; his nephew, Giovanni Giorgi; Mariano Collina (died 1780); and Antonio Magnoni. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucca
Città di Lucca ( ; ) is a city and ''comune'' in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its Province of Lucca, province has a population of 383,957. Lucca is known as an Italian "Città d'arte" (City of Art) from its intact Renaissance-era Walls of Lucca, city walls and its very well preserved historic center, where, among other buildings and monuments, are located the Piazza dell'Anfiteatro, which has its origins in the second half of the 1st century A.D., the Guinigi Tower, a tower that dates from the 14th century and the Cathedral of San Martino. The city is the birthplace of numerous world-class composers, including Giacomo Puccini, Alfredo Catalani, and Luigi Boccherini. Toponymy To the Ancient Rome, Ancient Romans, Lucca was known as ''Luca''. From more recent and concrete toponymic studies, the name Lucca has references that lead to "sacred grove" (Latin: ''lucus''), " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Spalletti-Trivelli
Palazzo Spalletti-Trivelli (formerly Guicciardi) is a palace located at Via Emilia A San Pietro #2, corner with Via San Nicolò, in the center of the city of Reggio Emilia, region of Emilia Romagna, Italy. The building now belongs to the Credito Emiliano (Credem) bank, and owns the art collection now in the palace. History The building was erected atop ancient Roman ruins, still visible in the basement. A large house or palace was owned by the Bosi Family until 1685. It was rebuilt in the 1700s under the patronage of the new owner Count Guicciardi using designs by the architect Giovanni Maria Ferraroni, and refurbished in the early 1800s in a Neoclassical style by Pietro Marchelli, when the palace was acquired by the Spalletti-Trivelli family, who also owned the adjacent building. A salon of the piano nobile has a ceiling painting depicting ''Apollo with the Court of the Hours'' by Prospero Minghetti, and a ball room with ''trompe-l'œil'' colonnades and curtains painted by Vinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Franceschini
Marcantonio Franceschini (; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.''The picture collector's manual'' by James R. Hobbes London T&W Boone 1845 page 15/ref> Biography He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678–81). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani. Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated some ceilings in the Palazzo Ranuzzi (1680) and the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped paint in the tribune at church of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the ceiling of the ''Sala d'Onore'' ("Hall of Honor") in the Ducal Palace of Modena, commissioned in 1696 for the mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorio Lazzarini
Gregorio Lazzarini (1657 – 10 November 1730) was an Italians, Italian painter of mythological, religious and historical subjects, as well as portraits. One of the most successful Venetian artists of the day, a prominent teacher, and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen. His own style was somewhat eclectic. Life Born in Venice, the son of a barber, he was the brother of the proficient painter, Elisabetta Lazzarini (1662–1729). He trained initially with the Genoa, Genovese painter Francesco Rosa, then with Girolamo Forabosco, and lastly in the studio of Pietro della Vecchia. He joined the painters' guild in Venice in 1687. Active in Venice until at least 1715, he spent most of his life in the Venetian Republic. He was a prolific painter. He was reputed to be a patient teacher who imparted a broad knowledge of artistic styles for the portrayal of mythol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
