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Gilded Stars And Zealous Hearts
''Gilded Stars and Zealous Hearts'' is the third, and last, studio album by indie rock band Velocity Girl. It was released in 1996 on Sub Pop. "Nothing" was the band's last music video, and was released on a single with the non-album track "Anatomy Of A Gutless Wonder". Two other songs, "Same Old City" and "Finest Hour", appeared on the compilations ''Golden Jam: General Mills' Golden Grahams'' and ''That Virtua Feeling: Sub Pop And Sega Get Together'', respectively. Critical reception ''Trouser Press'' called ''Gilded Stars and Zealous Hearts'' "an uninspired album of relatively straight-ahead mainstreamed pop." ''Entertainment Weekly'' wrote that the band "offer a few spritely, memorable melodies featuring happy, strumming guitars behind boy-girl harmonies." MTV deemed the album full of "radiocatchy punk-pop songs with easy melodies and hooks galore, coupled with intelligent, decipherable lyrics that, if not always profound, manage to steer clear of pop cliché." ''CMJ New Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velocity Girl
Velocity Girl was an American indie rock band formed in 1989 in College Park, Maryland, and active in the Washington, D.C., area. The band released three albums before splitting up in 1996. History The band started as the duo of Kelly Riles and guitarist/singer Archie Moore (ex- Black Tambourine) in 1989 (the two having met at the University of Maryland), initially going under the name The Gotterdemocrats. They became Velocity Girl with the addition of Brian Nelson (ex-Big Jesus Trashcan, also of Black Tambourine), Jim Spellman (ex- High Back Chairs), and lead singer Bridget Cross (soon to join Unrest).Bonner, Michael (1993) "Velocity Girl: Cop This", ''Lime Lizard'', May 1993, p. 74 The band took its name from a Primal Scream B-side which appeared on the '' C86'' compilation album. Sarah Shannon joined to replace Cross after the release of the band's debut single "I Don't Care If You Go." Unlike some 1990s rock music that featured an abrasive vocal and instrumental style, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s, originally abbreviations for '' independent'' and '' popular''. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sub Pop
Sub Pop is a record label founded in 1986 by Bruce Pavitt and Jonathan Poneman. Sub Pop achieved fame in the early 1990s for signing Seattle bands such as Nirvana, Soundgarden, and Mudhoney, central players in the grunge movement. They are often credited with helping popularize grunge music. The label's roster includes Fleet Foxes, Beach House, The Postal Service, Sleater-Kinney, Flight of the Conchords, Foals, Blitzen Trapper, Father John Misty, clipping., Shabazz Palaces, Bully, Low, METZ, Rolling Blackouts Coastal Fever, TV Priest and The Shins. In 1995, the owners of Sub Pop sold a 49% stake of the label to the Warner Music Group. History Formation The origins of Sub Pop can be traced back to the early 1980s, when Bruce Pavitt started a fanzine called ''Subterranean Pop'' that focused exclusively on American independent record labels. Pavitt undertook the project in order to earn course credit while attending Evergreen State College in Olympia, Washington. By t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clif Norrell
Clif Norrell is an American record producer, recording engineer, music mixer, and musician. He has worked with many prominent artists including Bruce Springsteen, R.E.M., Jeff Buckley, No Doubt, Rush, Faith No More, Shania Twain, Mick Jagger, Dave Grohl, Sting, Paul McCartney, Gavin Degraw, Joss Stone, Selena Gomez and The Police. Norrell was nominated for two Grammy Awards and two TEC Awards for his engineering work on Springsteen's 2012 album ''Wrecking Ball'' and its single "We Take Care of Our Own", as well as an additional TEC Award nomination for his work on Sting's album '' 57th and 9th''. Norrell has been featured in many articles, books, and music conferences. Norrell also mixed the first commercial music-only release in Dolby Atmos immersive sound format for the 25th Anniversary edition of R.E.M.'s ''Automatic for the People'' album. Early career Starting with a long background as a trained trumpet player and guitarist, Norrell began his studio career at the legendar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simpatico (Velocity Girl Album)
''¡Simpatico!'' is the second album by Velocity Girl. It was released in June 1994. Compared to the band's debut album ''Copacetic'', ''¡Simpatico!'' showed more traditional indie pop/ power pop influences, rather than noisy shoegaze tendencies. "Sorry Again" was released as a single (via a CD EP with three non-album tracks, and a 7" with one non-album track). "What You Left Behind" features rare male lead vocals. Production The album was recorded at Cue Studios in Falls Church, Virginia Falls Church is an independent city (United States), independent city in the Commonwealth (U.S. state), Commonwealth of Virginia. As of the 2020 United States Census, 2020 census, the population was 14,658. Falls Church is included in the Wash ..., from December 27, 1993, to Jan 15, 1994. It was produced by John Porter. Critical reception '' Rolling Stone'' wrote that "the group manages to mop up the garage-band spills to reveal simple melodic constructions without washing away the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the ''Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Essential Album Guide
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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