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George Lambert (english Painter)
George Lambert (1700 – 30 November 1765) was an English landscape painting, landscape artist and theatre scene painter. With Richard Wilson (painter), Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Life and work Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (engraver), James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe Country Park, Mount Edgcumbe (painted conjointly with Samuel Scott (painter), Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giles Hussey (painter)
Giles Hussey (1710–1788) was a painter from Dorset, England. His portraits are well regarded, but his theories on art never received the attention he craved. He believed that each note of music represented a colour. He created the first portrait of Charles Edward Stuart, the pretender to the British throne. Hussey has works in the Tate Gallery. Life Hussey was born in 1710 at Marnhull in Dorset, the tenth of thirteen children of John and Mary Hussey. His parents sent him to receive a Catholic education in English College, Douai, Douay and Stonyhurst College, St Omer in France. On his return he was apprenticed to Jonathan Richardson (painter), Jonathan Richardson to learn the art of portraiture. He then went on to work with Francesco Riari and he assisted in painting bishops in Lincoln Cathedral under the Venetian artist Vincenzo Damini. Damini is credited with saving Hussey from a potentially fatal fall while completing the paintings within porches at the cathedral, and got ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltwood Castle
Saltwood Castle is a castle in Saltwood village, one mile (2 km) north of Hythe, Kent, England. Of 11th century origin, the castle was expanded in the 13th and 14th centuries. After the Norman Conquest, the castle was appropriated by the Archbishop of Canterbury Lanfranc and remained the property of the archbishops, with some interruptions, until 1540, when Thomas Cranmer was compelled to cede it to Henry VIII. The castle is reputed to have been the meeting place of the four knights who carried out the assassination of Thomas Becket in 1170. By the 19th century, it was "largely ruinous" and restorations to make portions of the castle habitable were carried out in the 1880s and 1930s. In the late 19th century, the castle was bought by an ancestor of Bill Deedes, the journalist and politician, who grew up there. In the 20th century, it was sold to Sir Martin Conway who commissioned Philip Tilden to undertake a restoration. In 1953, the castle was bought by the art historian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Vertue
George Vertue (1684 – 24 July 1756) was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period. Life Vertue was born in 1684 in St Martin-in-the-Fields, London, his father, perhaps a tailor, and mother are noted as "Roman Catholic". At the age of 13, he was apprenticed to a prominent heraldic engraver of French origin who became bankrupt and returned to France. Vertue worked seven years under Michael Vandergucht, before operating independently. He was amongst the first members of Godfrey Kneller's London Academy of Painting, who had employed him to engrave portraits. citing: Walpole's ''Anecdotes of Painting''; Nichols's ''Literary Anecdotes'', ii. 246; Chester's ''Westminster Abbey Reg.''; Dodd's manuscript ''Hist. of English Engravers'' in Brit. Mus. (Addit. MS. 33406). It was there that he became a pupil of Thomas Gibson, a leading portrait painter. Vertue had a deep interest in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leadenhall Street
__NOTOC__ Leadenhall Street () is a street in the City of London. It is about and links Cornhill, London, Cornhill in the west to Aldgate in the east. It was formerly the start of the A11 road (England), A11 road from London to Norwich, but that route now starts further east at Aldgate. Leadenhall Street has always been a centre of commerce. It connected the medieval market of Leaden Hall with Aldgate, the eastern gate in the Roman city wall. The East India Company had its headquarters there, as later did P&O. By the mid 20th century, grand stone-faced offices lined the street. Today it is closely associated with the insurance industry and particularly the Lloyd’s of London, Lloyd's insurance market, with its dramatic building in the adjacent Lime Street. It forms part of a cluster of tall buildings including the 48-storey 122 Leadenhall Street and the 38-storey The Scalpel, Scalpel. Other buildings planned for the street include the 57-storey 100 Leadenhall, the 50-storey Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East India House
East India House was the London headquarters of the East India Company, from which much of Company rule in India, British India was governed until the British government took control of the company's possessions in India in 1858. It was located in Leadenhall Street in the City of London. The first East India House on the site was an Elizabethan mansion, previously known as Craven House, which the Company first occupied in 1648. This was completely rebuilt in 1726–29; and further remodelled and extended in 1796–1800. It was demolished in 1861. The Lloyd's building, headquarters for Lloyd's of London, was built on the site of the former East India House. "Old" East India House The East India Company was founded in 1600. Until 1621, it occupied rooms in the mansion of its Governor, Sir Thomas Smythe (died 1625), Thomas Smythe, in Philpot Lane, Fenchurch Street; and from 1621 to 1638 it was housed in Crosby Hall, London, Crosby Hall, Bishopsgate. In 1638 it moved into the hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the fine arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Before this, several artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Martin's Lane
St Martin's Lane is a street in the City of Westminster, which runs from the church of St Martin-in-the-Fields, after which it is named, near Trafalgar Square northwards to Long Acre. At its northern end, it becomes Monmouth Street, London, Monmouth Street. St Martin's Lane and Monmouth Street together form the B roads in Zone 4 of the Great Britain numbering scheme, B404. History The street was first built up in 1610 when Robert Cecil, 1st Earl of Salisbury was granted of land on the street's west side. It was originally known as West Church Lane; the current name dates from 1618. A narrow street with relatively little traffic, St Martin's Lane is home to the English National Opera at the Coliseum Theatre, as well as two other theatres, the Duke of York's Theatre and the Noël Coward Theatre, second-hand bookshops, antique dealers and high class gentlemen's outfitters. It also has a large number of cafes and a music shop aimed at opera and theatre goers. The theatrical agen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraving, engraver, pictorial social satire, satirist, editorial cartoonist and occasional writer on art. His work ranges from Realism (visual arts), realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and ''Marriage A-la-Mode (Hogarth), Marriage A-la-Mode''. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in the City of London into a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of payment of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beefsteak Club
Beefsteak Club is the name or nickname of several 18th- and 19th-century male dining clubs in Britain and Australia that celebrated the beefsteak as a symbol of patriotic and often Whig concepts of liberty and prosperity. The first beefsteak club was founded about 1705 in London by the actor Richard Estcourt and others in the arts and politics. This club flourished for less than a decade. The Sublime Society of Beef Steaks was established in 1735 by another performer, John Rich, at the Theatre Royal, Covent Garden, where he was then manager, and George Lambert, his scenic artist, with two dozen members of the theatre and arts community (Samuel Johnson joined in 1780). The society became much celebrated, and new members included royalty, statesmen and great soldiers: in 1785, the Prince of Wales joined. At the weekly meetings, the members wore a blue coat and buff waistcoat with brass buttons bearing a gridiron motif and the words "Beef and liberty". The steaks and baked pot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Amigoni
Jacopo Amigoni (c. 1685 – September 1752), also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand. Biography He was born in Naples. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725–1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His ''Arraignment of Paris'' hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden Theatre
The Royal Opera House (ROH) is a theatre in Covent Garden, central London. The building is often referred to as simply Covent Garden, after a previous use of the site. The ROH is the main home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House (now known collectively as the Royal Ballet and Opera). The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rich (producer)
John Rich (1692–26 November 1761) was an important director and theatre manager in 18th-century London. He opened Lisle's Tennis Court, The New Theatre at Lincoln's Inn Fields in 1714, which he managed until he built the Royal Opera House#First theatre, Theatre Royal, Covent Garden in 1732. He managed Covent Garden until 1761, putting on ever more lavish productions. He popularised pantomime on the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, dishevelled, loud, and crude character, to a colourfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. Rich's decision to be a silent character was influenced by his unappealing voice, of which he was well aware, and the British idea of the Harlequin character was heavily inspired by Rich's performances. Biography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
