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Genealogia Deorum Gentilium
''Genealogia deorum gentilium'', known in English as ''On the Genealogy of the Gods of the Gentiles'', is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio. History According to the Preface, Boccaccio undertook the project at the request of Hugh IV of Cyprus. The first version was completed in 1360, and he continuously corrected and revised the work until his death in 1375, so that various redactions of the works were copied in different manuscript traditions. In his lifetime and for two centuries afterwards it was considered his most important work.Bull, op cit p.22 Overview The work is "humanist in spirit and medieval in structure". The full range of genealogies of the classical Gods are described in the fifteen books, drawing on the standard earlier works, especially the '' Liber imaginum deo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Castagno Giovanni Boccaccio C 1450
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrey, Andrej and Andrew. Origin of the name The name derives from the Greek language, Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronicus (other), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is part of the Italian male names ending in ''a'', some others being Elia (other), Elia (Elias), Enea (Aeneas (other), Aeneas), Luca (given name), Luca (Lucas (given name), Lucas), Mattia (other), Mattia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The History Of The Decline And Fall Of The Roman Empire
''The History of the Decline and Fall of the Roman Empire'', sometimes shortened to ''Decline and Fall of the Roman Empire'', is a six-volume work by the English historian Edward Gibbon. The six volumes cover, from 98 to 1590, the peak of the Roman Empire, the history of early Christianity and its emergence as the Roman state religion, the Fall of the Western Roman Empire, the rise of Genghis Khan and Tamerlane and the fall of Byzantium, as well as discussions on the ruins of Ancient Rome. Volume I was published in 1776 and went through six printings. Volumes II and III were published in 1781; volumes IV, V, and VI in 1788–1789. The original volumes were published in quarto sections, a common publishing practice of the time. Conception and writing Gibbon's initial plan was to write a history "''of the decline and fall of the ''city'' of Rome''", and only later expanded his scope to the whole Roman Empire. Although he published other books, Gibbon devoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fates
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology. These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets, on the other hand, typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan(god)
Pan or PAN may refer to: Food * Pan (cooking), a piece of cooking equipment * Harina P.A.N., a pre-cooked corn meal * Pan or Paan, a North Indian term for betel Prefix * ''Pan-'', a prefix meaning "all", "of everything", or "involving all members" of a group People * Pan (surname), Chinese family name (潘 or 盤) * Pen Ran (), Cambodian singer and songwriter whose name is sometimes Romanized as Pan Ron Arts, entertainment, and media Card games * Pan (game), a shedding card game of Polish origin * Panguingue or Pan, a gambling card game Fictional characters * Pan (''Dragon Ball''), in ''Dragon Ball'' media * Peter Pan, created by James Barrie Films * ''Pan'' (1922 film), Norwegian film * ''Pan'' (1995 film), a Danish/Norwegian/German film * ''Pan'' (2015 film), film Literature and publishing * ''Pan'' (novel), by Knut Hamsun * ''Pan'' (magazine) an arts and literary review * Pan Books, a publisher Music Musical instruments * Pan, short for steel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse Tree
The Tree of Jesse is a depiction in art of the ancestors of Jesus Christ, shown in a branching tree which rises from Jesse (biblical figure), Jesse of Bethlehem, the father of King David. It is the original use of the family tree as a schematic representation of a genealogy. The Tree of Jesse originates in a passage in the biblical Book of Isaiah which describes metaphorically the descent of the Messiah and is accepted by Christians as referring to Jesus. The various figures depicted in the lineage of Jesus are drawn from those names listed in the Gospel of Matthew and the Gospel of Luke. The subject is often seen in Christian art, particularly in that of the Medieval art, medieval period. The earliest example is an illuminated manuscript that dates from the 11th century. There are many examples in medieval psalters, because of the relation to King David, son of Jesse, and writer of the Psalms. Other examples include stained glass windows, stone carvings around the portals of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Family Tree
A family tree, also called a genealogy or a pedigree chart, is a chart representing family relationships in a conventional tree structure. More detailed family trees, used in medicine and social work, are known as genograms. Representations of family history Genealogical data can be represented in several formats, for example, as a pedigree chart, pedigree or . Family trees are often presented with the oldest generations at the top of the tree and the younger generations at the bottom. An ancestry chart, which is a tree showing the ancestors of an individual and not all members of a family, will more closely resemble a tree in shape, being wider at the top than at the bottom. In some ancestry charts, an individual appears on the left and his or her ancestors appear to the right. Conversely, a descendant chart, which depicts all the descendants of an individual, will be narrowest at the top. Beyond these formats, some family trees might include all members of a particular surna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Bysshe Shelley
Percy Bysshe Shelley ( ; 4 August 1792 – 8 July 1822) was an English writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." Shelley's reputation fluctuated during the 20th century, but since the 1960s he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his bes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant. His 1667 epic poem ''Paradise Lost'' was written in blank verse and included 12 books, written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan, and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' elevated Milton's reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Milton achieved fame and recognition during his lifetime. His celebrated '' Areopagitica'' (1644) condemning pre-publication censorship is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended beyond his philosophy and was reflected in his style, which included his introduction of new words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demiurge
In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the Demiurge () is an artisan-like figure responsible for fashioning and maintaining the physical universe. Various sects of Gnostics adopted the term ''demiurge''. Although a fashioner, the demiurge is not necessarily the same as the creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered consequences of something else. Depending on the system, they may be considered either uncreated and eternal or the product of some other entity. Some of these systems are monotheistic, while others are henotheistic or polytheistic. The word ''demiurge'' is an English word derived from ''demiurgus'', a Latinised form of the Greek or . It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator." The philosophical usage and the proper nou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scholion
Scholia (: scholium or scholion, from , "comment", "interpretation") are grammatical, critical, or explanatory comments – original or copied from prior commentaries – which are inserted in the margin of the manuscript of ancient authors, as glosses. One who writes scholia is a scholiast. The earliest attested use of the word dates to the 1st century BC. History Ancient scholia are important sources of information about many aspects of the ancient world, especially ancient literary history. The earliest scholia, usually anonymous, date to the 5th or 4th century BC (such as the ''scholia minora'' to the ''Iliad''). The practice of compiling scholia continued to late Byzantine times, outstanding examples being Archbishop Eustathius' massive commentaries to Homer in the 12th century and the ''scholia recentiora'' of Thomas Magister, Demetrius Triclinius and Manuel Moschopoulos in the 14th. Scholia were altered by successive copyists and owners of the manuscript, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demogorgon
Demogorgon is a deity or demon associated with the underworld. Although often ascribed to Greek mythology, the name probably arises from an unknown copyist's misreading of a commentary by a fourth-century scholar, Lactantius Placidus. The concept itself can be traced back to the original misread term demiurge. Etymology The origins of the name ''Demogorgon'' are not entirely clear, though the most prevalent scholarly view now considers it to be a misreading of the Greek δημιουργόν (''dēmiourgón'', accusative case form of δημιουργός, 'demiurge') based on the manuscript variations in the earliest known explicit reference in Lactantius Placidus (Jahnke 1898, Sweeney 1997, Solomon 2012). Boccaccio, in his influential ''Genealogia Deorum Gentilium'', cites a now-lost work by Theodontius and that master's acknowledged Byzantine source " Pronapides the Athenian" as authority for the idea that Demogorgon is the antecedent of all the gods. Art historian Jean Seznec co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
