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Gallican Chant
Gallican chant refers to the liturgical plainchant repertory of the Gallican rite of the Roman Catholic Church in Gaul, prior to the introduction and development of elements of the Roman rite from which Gregorian chant evolved. Although the music was largely lost, traces are believed to remain in the Gregorian corpus. History Several sources attest the existence of a distinctive Gallican rite in the Frankish lands between the 5th and 9th centuries. The Celtic Rite and Mozarabic rite, which are liturgically related to the Gallican, are sometimes collectively referred to as "Gallican" as opposed to the different structure of the Roman rite. Lack of a central authority led to the development of local traditions of the Gallican rite in Francia, sharing a basic structure but varying in details. These traditions endured until the Carolingian dynasty. During a papal visit in 752-3, Pope Stephen II had Mass celebrated using Roman chant. According to Charlemagne, his father Pepin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm, which is generally considered freer than the metered rhythms of later Western music. They are also traditionally sung without musical accompaniment, though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical borders. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church and the Eastern Orthodox churches did not split u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walahfrid Strabo
Walafrid, alternatively spelt Walahfrid, nicknamed Strabo (or Strabus, i.e. "squint-eyed") (c. 80818 August 849), was an Alemannic Benedictine monk and theological writer who lived on Reichenau Island in southern Germany. Life Walafrid Strabo was born about 805 in Swabia. He was educated at Reichenau Abbey, where he had for his teachers Tatto and Wetti, to whose visions he devotes one of his poems. Then he went on to the monastery of Fulda, where he studied for some time under Rabanus Maurus before returning to Reichenau, of which monastery he was made abbot in 838. For unclear reasons, he was expelled from his house and went to Speyer. According to his own verses, it seems that the real cause of his flight was that, notwithstanding the fact that he had been tutor to Charles the Bald, he espoused the side of his elder brother Lothair I on the death of Louis the Pious in 840. He was, however, restored to his monastery in 842, and died in 849 on an embassy to his former pupil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Chants
A Christian () is a person who follows or adheres to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. Christians form the largest religious community in the world. The words ''Christ'' and ''Christian'' derive from the Koine Greek title (), a translation of the Biblical Hebrew term ''mashiach'' () (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." According to a 2011 Pew Research Center survey, there were 2.3 billion Christians around the world, up from about 600 million in 1910. Today, about 37% of all Christians live in the Americas, about 26% live in Europe, 24% live in sub-Saharan Africa, ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Forms
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Music
Catholic music may refer to: *Gregorian chant *Contemporary Catholic liturgical music Contemporary Catholic liturgical music encompasses a comprehensive variety of styles of music for Catholic liturgy that grew both before and after the reforms of the Second Vatican Council (Vatican II). The dominant style in English-speaking Canad ... * List of Catholic musicians {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosian Chant
Ambrosian chant (also known as Milanese chant) is the liturgical plainsong, plainchant repertory of the Ambrosian rite of the Roman Catholic Church, distinct from the more widely known Gregorian chant. It is primarily associated with the Roman Catholic Archdiocese of Milan, Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church. History The history of Milan as a centre for religious music goes back to St. Ambrose, who is not known to have composed any of the Ambrosian chant repertory, much as Gregory the Great is not known to have composed any Gregorian chant. However, during his 4th-century tenure as bishop of Milan, he is credited with introducing hymnody from the Eastern Church to the West. Ambrose composed original hymns as well, four of which still survive, along with music that may not have ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozarabic Chant
Mozarabic chant (also known as the Hispanic chant, Old Hispanic chant, Old Spanish chant, or Visigothic chant) is the liturgical plainchant repertory of the Visigothic/ Mozarabic rite of the Catholic Church, related to the Gregorian chant. It is primarily associated with Hispania under Visigothic rule and later with the Mozarabs (Hispanic Catholic Christians living under Islamic rule and speaking Arabic) and was replaced by the chant of the Roman rite following the Christian Reconquest of the Iberian Peninsula. Although its original medieval form is largely lost, a few chants have survived with readable musical notation, and the chanted rite was later revived in altered form and continues to be used in a few isolated locations in Spain, primarily in Toledo. Terminology Dissatisfaction with the Islamic term "Mozarabic chant" has led to the use of several competing names for the music to which it refers. The Islamic term ''Mozarabic'' was used by the Islamic rulers of Hispania (Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centonization
In music centonization (from Latin ''cento'' or patchwork) is musical composition via the combination of pre-existing motivic units, typically in reference to Christian liturgical chant. A piece created using centonization is known as a "centonate". The concept of centonization was borrowed from literary theory, and first applied to Gregorian chant in 1934 by Dom ; it has since also been applied to Byzantine chant. Overview Centonization, according to Ferretti's theory, is a very old and widespread technique. The musical modes used in Gregorian chant are supposed to reflect this use; according to the theory, the modes were more collections of appropriate melodic formulas than a set of pitches. Similar ideas appear in the music theory of other cultures; for example, the maqam of Arab music, the raga of Indian music, or the pathet of Indonesian music. These do not designate merely scales, but sets of appropriate melodies and specific ornaments on certain tones (they are s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a chord progression, progression of two or more chord (music), chords that conclusion (music), concludes a phrase, section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit
The incipit ( ) of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of Musical note, notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the Explicit (text), explicit. Before the development of title (publishing), titles, texts were often referred to by their incipits, as with for example ''Agnus Dei (liturgy), Agnus Dei''. During the medieval period in Europe, incipits were often written in a different Typeface, script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with Illuminated manuscript, illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Chant
Byzantine music () originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticheron#History of the notated chant book Sticherarion, Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Ecumenical Patriarchate of Constantinople, Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted Millet (Ottoman Empire), administrative responsibilities over all Eastern Orthodox Church, Eastern Orthodox Christians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neume
A neume (; sometimes spelled neum) is the basic element of Western and some Eastern systems of musical notation prior to the invention of five-line staff (music), staff notation. The earliest neumes were inflective marks that indicated the general shape but not necessarily the exact Musical note, notes or rhythms to be sung. Later developments included the use of heightened neumes that showed the relative Pitch (music), pitches between neumes, and the creation of a four-line musical staff that identified particular pitches. Neumes do not generally indicate rhythm, but additional symbols were sometimes juxtaposed with neumes to indicate changes in Articulation (music), articulation, duration (music), duration, or tempo. Neumatic notation was later used in medieval music to indicate certain patterns of rhythm called rhythmic modes, and eventually evolved into Modern musical symbols, modern musical notation. Neumatic notation remains standard in modern editions of plainchant. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
