|
Fujiwara No Sanekata
was a Japanese ''waka'' poet of the mid-Heian period. One of his poems was included in the ''Ogura Hyakunin Isshu''. He left a private ''waka'' collection, the '' Sanekata-shū''. Biography Sanekata was a great-grandson of Fujiwara no Tadahira, "and commander of the bodyguard."McMillan 2010 : 140-141 (note 51). He was raised by his uncle, .''Daijirin'' entr"Fujiwara no Sanekata" Sanseidō. He was reportedly a lover of Sei Shōnagon, and exchanged love poems with many women. He was appointed governor of Mutsu Province, and he died while in service there. He died in 998. Poetry Sixty-seven of his poems were included in imperial anthologies from the ''Shūi Wakashū'' on, and he was listed as one of the Late Classical Thirty-Six Immortals of Poetry. The following poem by him was included as No. 51 in Fujiwara no Teika's ''Ogura Hyakunin Isshu'': A private collection of his poetry, the , survives. References Bibliography *McMillan, Peter. 2010 (1st ed. 2008). ''One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakuninisshu 051
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūi Wakashū
The , often abbreviated as ''Shūishū'', is the third imperial anthology of waka from Heian period Japan. It was compiled by Emperor Kazan in about 1005.Keene 1999 : 283 Its twenty volumes contain 1,351 poems. The details of its publication and compilation are unclear. believed to be a revision and enlargement by Kazan of Kintō's manuscript." Miner, Earl, Brower, Robert H. ''Japanese Court Poetry''. Stanford University Press, 1961. LCCN 61-10925 p483 They further describe it as conservative and "dominated by Kintō's preference for smooth, inoffensive style, by attenuation". --> The ''Shūishū'' was an expansion of Fujiwara no Kintō , also known as Shijō-dainagon, was a Japanese poet, admired by his contemporaries "... Fujiwara no Kinto (966–1008), the most admired poet of the day." pg 283 of Donald Keene's '' Seeds in the Heart''. and a court bureaucrat of the Heian ...'s earlier anthology, the , compiled between 996 and 999. Until the early nineteenth century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Nobility
The was the hereditary peerage of the Empire of Japan, which existed between 1869 and 1947. They succeeded the feudal lords () and court nobles (), but were abolished with the 1947 constitution. Kazoku ( 華族) should not be confused with ''"kazoku ( 家族)"'', which is pronounced the same in Japanese, but with a different character reading that means "immediate family" (as in the film ''Kazoku'' above). Origins Following the Meiji Restoration of 1868, the ancient court nobility of Kyoto, the , regained some of its lost status. Several members of the , such as Iwakura Tomomi and Nakayama Tadayasu, played a crucial role in the overthrow of the Tokugawa shogunate, and the early Meiji government nominated to head all seven of the newly established administrative departments. The Meiji oligarchs, as part of their Westernizing reforms, merged the with the former into an expanded aristocratic class on 25 July 1869, to recognize that the and former were a social cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara Clan
was a powerful family of imperial regents in Japan, descending from the Nakatomi clan and, as legend held, through them their ancestral god Ame-no-Koyane. The Fujiwara prospered since the ancient times and dominated the imperial court until the Meiji Restoration in 1868. They held the title of Ason. The abbreviated form is . The 8th century clan history ''Tōshi Kaden'' (藤氏家伝) states the following at the biography of the clan's patriarch, Fujiwara no Kamatari (614–669): "Kamatari, the Inner Palace Minister who was also called ‘Chūrō'',''’ was a man of the Takechi district of Yamato Province. His forebears descended from Ame no Koyane no Mikoto; for generations they had administered the rites for Heaven and Earth, harmonizing the space between men and the gods. Therefore, it was ordered their clan was to be called Ōnakatomi" The clan originated when the founder, Nakatomi no Kamatari (614–669) of the Nakatomi clan, was rewarded by Emperor Tenji with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Of Heian-period Japan
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th-century Japanese Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th-century Japanese People
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Research Center For Japanese Studies
The , or Nichibunken (日文研), is an inter-university research institute in Kyoto. Along with the National Institute of Japanese Literature, the National Museum of Japanese History, and the National Museum of Ethnology, it is one of the National Institutes for the Humanities. The center is devoted to research related to Japanese culture. History The official origins of the institute are traced to an early study carried out by the Japanese Ministry of Education, Science, and Culture in 1982 on "methods of comprehensive research on Japanese culture". After surveying the field of Japanese studies for several years, the ministry, under the administration of Prime Minister Nakasone Yasuhiro, established the International Research Center for Japanese Studies in 1987 in Kyoto with the prominent philosopher Umehara Takeshi as its first Director-General. Prominent Kyoto academics Umesao Nobuo and Kuwabara Takeo also played key roles in the founding of the center. In 1990 the cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kashū (poetry)
A , also called a or , is a private collection of '' waka'' poems compiled by the author of the poems included. The term is used in contrast to '' chokusenshū'', imperially-commissioned collections both written and compiled by multiple people, and , anthologies of poems by multiple poets privately compiled by a single editor. List of ''kashū'' *''Kakinomoto no Ason Hitomaro Kashū'' (before 759) *'' Saigū no Nyōgo Shū'' (after 985) *''Okikaze-shū'' (after the tenth century) *''Sankashū'' (c. 1180) *''Kojijū-shū'' (c. 1181) *''Nijōin no Sanuki Shū The ''Nijōin no Sanuki Shū'' (二条院讃岐集), also known as the ''Sanuki-shū'' (讃岐集) is a Japanese anthology of ''waka'' poetry. It is the personal anthology ('' kashū'') of Nijōin no Sanuki. The text dates to before 1187, probably ...'' (c. 1182) References Bibliography * *McMillan, Peter. 2010 (1st ed. 2008). ''One Hundred Poets, One Poem Each''. New York: Columbia University Press. External lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Teika
, better-known as Fujiwara no Teika"Sadaie" and "Teika" are both possible readings of ; "...there is the further problem, the rendition of the name in romanized form. Teika probably referred to himself as Sadaie, and his father probably called himself Toshinari, but the Sino-Japanese versions of their names were used by their contemporaries, and this practice is still observed." pg 681–692, note 2 of '' Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century'', Donald Keene. 1999, Columbia University Press, (1162 – September 26, 1241), was a Japanese anthologist, calligrapher, literary critic,"The high quality of poetic theory (''karon'') in this age depends chiefly upon the poetic writings of Fujiwara Shunzei and his son Teika. The other theorists of ''tanka'' writing, stimulated by father and son either to agreement or disagreement, contributed also toward the high level of poetic theory, but we may say that Shunzei and Teika were most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Classical Thirty-Six Immortals Of Poetry
The are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is '' Nishi Honganji Sanju-rokunin Kashu'' ("Nishi Honganji 36 poets collection") of 1113. Similar groups of Japanese poets include the Kamakura period ''Nyōbō Sanjūrokkasen'' (女房三十六歌仙), composed by court ladies exclusively, and the , or Thirty-Six Heian-era Immortals of Poetry, selected by (1107–1165). This list superseded an older group called the Six Immortals of Poetry. Sets of portraits (essentially imaginary) of the group were popular in Japanese painting and later woodblock prints, and often hung in temples. Kintō's Thirty-Six Immortals of Poetry # Kakinomoto no Hitomaro # Ki no Tsurayuki # Ōshikōchi Mitsune # Lady Ise # Ōtomo no Yakamochi # Yamabe no Akahito # Ariwara no Narihira # Henjō # Sosei # Ki no Tomonori # Sarumaru no Taifu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1938.jpg "Click for more on -> People Of Heian-period Japan")
