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Fujiwara No Sadayori
was a Japanese '' waka'' poet of the mid- Heian period. One of his poems was included in the '' Ogura Hyakunin Isshu''. He produced a private collection. Biography He was the eldest son of Fujiwara no Kintō and, on his mother's side, a grandson of Emperor Murakami. He served director for military affairs before becoming middle councilor. He was well known as both a poet and a calligrapher. Poetry Forty-five of his poems were included in imperial anthologies, and he was listed as one of the . The following poem by him was included as No. 64 in Fujiwara no Teika's '' Ogura Hyakunin Isshu'': References Bibliography * *McMillan, Peter. 2010 (1st ed. 2008). ''One Hundred Poets, One Poem Each''. New York: Columbia University Press. *Suzuki Hideo, Yamaguchi Shin'ichi, Yoda Yasushi. 2009 (1st ed. 1997). ''Genshoku: Ogura Hyakunin Isshu''. Tokyo: Bun'eidō. External links List of Fujiwara no Sadayori's poemsin the International Research Center for Japanese Studies's onli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakuninisshu 064
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the '' Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogura Hyakunin Isshu
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of '' uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kashū (poetry)
A , also called a or , is a private collection of '' waka'' poems compiled by the author of the poems included. The term is used in contrast to '' chokusenshū'', imperially-commissioned collections both written and compiled by multiple people, and , anthologies of poems by multiple poets privately compiled by a single editor. List of ''kashū'' *''Kakinomoto no Ason Hitomaro Kashū'' (before 759) *'' Saigū no Nyōgo Shū'' (after 985) *''Okikaze-shū'' (after the tenth century) *''Sankashū'' (c. 1180) *''Kojijū-shū'' (c. 1181) *''Nijōin no Sanuki Shū The ''Nijōin no Sanuki Shū'' (二条院讃岐集), also known as the ''Sanuki-shū'' (讃岐集) is a Japanese anthology of ''waka'' poetry. It is the personal anthology ('' kashū'') of Nijōin no Sanuki. The text dates to before 1187, probably ...'' (c. 1182) References Bibliography * *McMillan, Peter. 2010 (1st ed. 2008). ''One Hundred Poets, One Poem Each''. New York: Columbia University Press. External lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Kintō
, also known as Shijō-dainagon, was a Japanese poet, admired by his contemporaries "... Fujiwara no Kinto (966–1008), the most admired poet of the day." pg 283 of Donald Keene's '' Seeds in the Heart''. and a court bureaucrat of the Heian period. His father was the regent Fujiwara no Yoritada and his son Fujiwara no Sadayori.pg 602 of ''Seeds in the Heart''. An exemplary calligrapher and poet, he is mentioned in works by Murasaki Shikibu, Sei Shōnagon and in a number of other major chronicles and texts. Biography Kintō wrote a great many poems, as well as many poetry anthologies including the '' Shūi Wakashū'' and the ''Wakan rōeishū''. He also established the grouping of "Thirty-Six Poetic Geniuses" or "Thirty-Six Immortals of Poetry", the "Anthology of Poems by the Thirty-Six Poets" (''Sanjūrokkasen''), frequently seen in Ukiyo-e art; he first assembled in 1009–1011 which Fujiwara no Teika would later recommend to study by aspiring poets. The anthology: :"...c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Murakami
was the 62nd emperor of Japan,Imperial Household Agency (''Kunaichō'') 村上天皇 (62)/ref> according to the traditional order of succession. Murakami's reign spanned the years from 946 to his death in 967. Biography Before he ascended to the Chrysanthemum Throne, his personal name ('' imina'') was Nariakira''-shinnō'' (成明親王). Nariakira''-shinnō'' was the 14th son of Emperor Daigo, and the younger brother of Emperor Suzaku by another mother. Murakami had ten Empresses and Imperial consorts and 19 Imperial sons and daughters. Events of Murakami's reign In 944, he was appointed crown prince and ascended the throne two years later. * 16 May 946 (''Tengyō 9, 13th day of the 4th month''): In the 16th year of the reign of Emperor Suzaku (朱雀天皇十六年), the emperor abdicated; and the succession (the ''senso'') was received by his younger brother, Nariakira-shinnō. * 31 May 946 (''Tengyō 9, 28th day of the 4th month''): Shortly thereafter, Emperor Muraka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-Six Immortals Of Poetry
The are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is '' Nishi Honganji Sanju-rokunin Kashu'' ("Nishi Honganji 36 poets collection") of 1113. Similar groups of Japanese poets include the Kamakura period ''Nyōbō Sanjūrokkasen'' (女房三十六歌仙), composed by court ladies exclusively, and the , or Thirty-Six Heian-era Immortals of Poetry, selected by (1107–1165). This list superseded an older group called the Six Immortals of Poetry. Sets of portraits (essentially imaginary) of the group were popular in Japanese painting and later woodblock prints, and often hung in temples. Kintō's Thirty-Six Immortals of Poetry # Kakinomoto no Hitomaro # Ki no Tsurayuki # Ōshikōchi Mitsune # Lady Ise # Ōtomo no Yakamochi # Yamabe no Akahito # Ariwara no Narihira # Henjō # Sosei # Ki no Tomonori # Sarumaru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Teika
, better-known as Fujiwara no Teika"Sadaie" and "Teika" are both possible readings of ; "...there is the further problem, the rendition of the name in romanized form. Teika probably referred to himself as Sadaie, and his father probably called himself Toshinari, but the Sino-Japanese versions of their names were used by their contemporaries, and this practice is still observed." pg 681–692, note 2 of '' Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century'', Donald Keene. 1999, Columbia University Press, (1162 – September 26, 1241), was a Japanese anthologist, calligrapher, literary critic,"The high quality of poetic theory (''karon'') in this age depends chiefly upon the poetic writings of Fujiwara Shunzei and his son Teika. The other theorists of ''tanka'' writing, stimulated by father and son either to agreement or disagreement, contributed also toward the high level of poetic theory, but we may say that Shunzei and Teika were most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia University Press
Columbia University Press is a university press based in New York City, and affiliated with Columbia University. It is currently directed by Jennifer Crewe (2014–present) and publishes titles in the humanities and sciences, including the fields of literary and cultural studies, history, social work, sociology, religion, film A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere ..., and international studies. History Founded in May 1893, In 1933 the first four volumes of the ''History of the State of New York'' were published. In early 1940s revenues rises, partially thanks to the ''Encyclopedia'' and the government's purchase of 12,500 copies for use by the military. Columbia University Press is notable for publishing reference works, such as '' The Columbia Encyclopedia'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Research Center For Japanese Studies
The , or Nichibunken (日文研), is an inter-university research institute in Kyoto. Along with the National Institute of Japanese Literature, the National Museum of Japanese History, and the National Museum of Ethnology, it is one of the National Institutes for the Humanities. The center is devoted to research related to Japanese culture. History The official origins of the institute are traced to an early study carried out by the Japanese Ministry of Education, Science, and Culture in 1982 on "methods of comprehensive research on Japanese culture". After surveying the field of Japanese studies for several years, the ministry, under the administration of Prime Minister Nakasone Yasuhiro, established the International Research Center for Japanese Studies in 1987 in Kyoto with the prominent philosopher Umehara Takeshi as its first Director-General. Prominent Kyoto academics Umesao Nobuo and Kuwabara Takeo also played key roles in the founding of the center. In 1990 the cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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