|
Fuguing Tune
The fuguing tune (often spelled fuging tune) is a variety of Anglo-American vernacular choral music. Fuguing tunes form a significant number of the songs found in the American Sacred Harp singing tradition. They first flourished in the mid-18th century and continue to be composed today. Description Fuguing tunes are sacred music, specifically, Protestant hymns. They are written for a four-part chorus singing ''a cappella''. George Pullen Jackson has described the fuguing tune as follows: A well-known fuguing tune that is typical of the form is "Northfield", written in 1800 by Jeremiah Ingalls. The text is by Isaac Watts: Variety in fuguing tunes George Pullen Jackson's description above gives a common form for a fuguing tune, but there are variations. Jackson describes the entrance order of the four parts as "bottom to top" (Bass-Tenor-Alto-Treble), but this is not the only possible order. Indeed, in the fuguing tunes printed in '' The Sacred Harp, 1991 edition'', it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Jenks
Stephen Jenks (March 17, 1772 – June 3, 1856) was an Yankee tunesmith, teacher, and tunebook compiler. He was born in Glocester, Rhode Island and raised in Ellington, Connecticut. During his life he moved from town to town, living in Ridgefield and New Canaan, Connecticut, Pound Ridge, New York, and Providence, Rhode Island, finally settling in Thompson, Ohio in 1829. Between 1799 and 1810 he authored and coauthored more than ten printed collections of sacred and secular music; after moving to Ohio, he became a farmer and a maker of percussion instruments. The music Stephen Jenks' music is representative of the type of music being written at that time in rural New England America, a cappella and an interest in melodic writing. However, his music contains striking harmonic progressions, unusual dissonances and cross relations. In "Weeping Nature" (''The Delights of Harmony'', 1804), for example, Jenks seems to revel in the clash of the E major / minor chord or in the song "S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Music
Christian music is a genre of music that has been written to express either personal or a communal belief regarding Christianity, Christian life and faith. Common themes of Christian music include praise, worship, penitence and lament, and its forms vary widely around the world. Church music, hymnals, gospel music, gospel and worship music, worship music are a part of Christian media and also include contemporary Christian music which itself supports numerous Christian styles of music, including Christian hip hop, hip hop, Christian rock, rock, Contemporary worship music, contemporary worship and urban contemporary gospel. Like other forms of music the creation, performance, significance and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes or with a positive message as an entertainment product for the marketplace. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Gallery Music
West gallery music, also known as Georgian psalmody, refers to the sacred music ( metrical psalms, with a few hymns and anthems) sung and played in Church of England parish churches, as well as nonconformist chapels, from 1700 to around 1850. In the late 1980s, west gallery music experienced a revival and is now sung by several west gallery "quires" (choirs). The term "west gallery" derives from the wooden galleries which in the 18th century were constructed at the west end of typical churches, and from which gallery the choir would perform. Churches were built in a standard layouts, with the nave running from east-west away from the altar, so that the west gallery or choir, would face the altar, the same way as, but above, the church-goers. Victorians disapproved of the Georgian galleries, and most were removed during restorations in the 19th century. History By the 1700s, many church goers were unsatisfied by the state of congregational singing, which resulted in the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Psalter
A metrical psalter is a kind of Bible translation: a book containing a verse translation of all or part of the Book of Psalms in vernacular poetry, meant to be sung as hymns in a church. Some metrical psalters include melodies or harmonisations. The composition of metrical psalters was a large enterprise of the Protestant Reformation, especially in its Calvinist manifestation. Biblical basis During the Protestant Reformation, a number of Bible texts were interpreted as requiring reforms in the music used in worship. The Psalms were particularly commended for singing. In particular, John Calvin said, When we have looked thoroughly everywhere and searched high and low, we shall find no better songs nor more appropriate to the purpose than the Psalms of David which the Holy Spirit made and spoke through him Various Reformers interpreted certain scriptural texts as imposing strictures on sacred music. The psalms, especially, were felt to be commended to be sung by these t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, music theory, theorist, singer and organist of late Renaissance music. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, ''The New Grove Dictionary of Music and Musicians'' states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music." Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan era, Elizabethan England. He and Robert Johnson (English composer), Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral#Organists and directors o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Belknap
Daniel Belknap (February 9, 1771 – October 3, 1815) was a farmer, mechanic, militia captain, poet and singing teacher. Belknap was born in Framingham, Massachusetts, and was an American composerhttp://www.voxnovus.com/resources/American_Composer_Timeline.htm American Composer Timeline of the First New England School. He compiled four sacred tunebooks in the years 1797–1806, and also issued a book of secular songs with music. He died in Pawtucket, Rhode Island Rhode Island ( ) is a state in the New England region of the Northeastern United States. It borders Connecticut to its west; Massachusetts to its north and east; and the Atlantic Ocean to its south via Rhode Island Sound and Block Is .... Publications *''The Harmonist's Companion'' - Boston: printed by Thomas & Andrews, Oct. 1797 *''The Evangelical Harmony'' - Boston: Thomas & Andrews, Sept. 1800 *''The Middlesex Collection of Sacred Harmony''- Boston: Thomas & Andrews, Nov. 1802 *''The Village Compilat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justin Morgan
Justin Morgan (February 28, 1747 – March 22, 1798) was a U.S. horse breeder and composer. He was born in West Springfield, Massachusetts, and by 1788 had settled in Vermont. In addition to being a horse breeder and farmer, he was a teacher of singing; in that capacity he traveled considerably throughout the northeastern states. He died in Randolph, Vermont, where he also served as town clerk. Justin Morgan was the owner of a stallion named Figure, who became the sire of the Morgan horse breed. Morgan received Figure along with two other horses as payment of a debt. As Figure grew older, people began to recognize his skill in a variety of areas. Figure became a prolific breeding stallion; his descendants, still noted for their versatility and friendly personality, became the first American breed of horse to survive to the present. Figure's grave is marked by a stone in Tunbridge, Vermont. Justin Morgan's original 1798 gravestone is preserved in the Randolph Historical Societ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisha West
Elisha was, according to the Hebrew Bible, a Jewish prophet and a wonder-worker. His name is commonly transliterated into English as Elisha via Hebrew, Eliseus via Greek and Latin, Ełishe (Yeghishe/Elisha) via Armenian or Alyasa via Arabic, and Elyasa or Elyesa via Turkish. Also mentioned in the New Testament and the Quran, Elisha is venerated as a prophet in Judaism, Christianity and Islam and writings of the Bahá'í Faith refer to him by name. Before he settled in Samaria, Elisha passed some time on Mount Carmel. He served from 892 until 832 BCE as an advisor to the third through the eighth kings of Judah, holding the office of "prophet in Israel". He is called a patriot because of his help to soldiers and kings. In the biblical narrative, he is a disciple and protégé of Elijah, and after Elijah was taken up in a whirlwind, Elisha received a double portion of his power and he was accepted as the leader of the sons of the prophets. Elisha then went on to perform twice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
