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Free Time (music)
Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: # There is simply no time signature displayed. This is common in old vocal music such as Gregorian Chant. # There is no time signature but the direction 'Free time' is written above the stave. # There is a time signature (usually ) and the direction 'Free time' written above. # The word is written downwards across the stave. This is mostly used when the piece changes to free time after having had a time signature. # Instead of a time signature, a large is written on the stave. # Note heads alone are used, without time values (typically black note heads without stems) # The passage is marked " recitativo" or "parlando" Examples of musical genres employing free time include Gregorian chant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bar (music), bars and Beat (music), beats. Unlike rhythm (music), rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Music of India, Indian system of ''Tala (music), tala'' and similar systems in Rhythm in Arabic music, Arabic and Rhythm in Sub-Saharan Africa, African music. Western culture, Western music inherited the concept of metre from poetry, where it denotes the number of lines in a Verse (poetry), verse, the number of syllables in each line, and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of Chord chart, rhythmic notation in modern Western music was based on rhythmic modes derived from the Foot (prosod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isibongo
Izibongo is a genre of oral literature among various Bantu peoples of Southern Africa, including the Zulu and the Xhosa. While it is often considered to be poetry of praise, Jeff Opland and others consider the term "praise" (for "bonga") to be too limiting, since it can contain criticism also. Subject matter Noleen Turner distinguished four different categories: the praise of ordinary people (''izibongo zabantu kumbe izihasho''), of inanimate things (''izibongo zezinto ezingaphili''); of kings, and of great people (''nezibongo zamakhosi/izibongo zabantu abakhulu abagqamile''); and of clans (''izithakazelo kanye nezibongo''). Opland recognized three topics: people, animals, and objects, and noted that ''izibongo'' "is a poetry rooted, in subject and imagery, in the concrete", and that it does not treat landscape or emotion "in the manner of romantic or lyric poetry". Somadoda Fikeni points out that regarding ''izibongo'' as pertaining only to famous people (a Eurocentric paradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Crimson
King Crimson were an English progressive rock band formed in London in 1968 by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald (musician), Ian McDonald and Peter Sinfield. Guitarist Fripp remained the only constant member throughout the band's long history. The band drew inspiration from a wide variety of music, incorporating elements of classical music, classical, jazz, folk music, folk, heavy metal music, heavy metal, gamelan, blues, industrial (music), industrial, electronic music, electronic, and experimental music. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes (band), Yes and Genesis (band), Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century. The band's debut album, ''In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release. The ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st Century Schizoid Man
"21st Century Schizoid Man" is a song by the progressive rock band King Crimson, released in October 1969 as the opening track on their debut album ''In the Court of the Crimson King''. Often regarded as the group's signature song, it was described by ''Rolling Stone'' as "a seven-and-a-half-minute statement of purpose: rock power, jazz spontaneity, and classical precision harnessed in the service of a common aim" and as an early example of heavy metal. Lyrical content The lyrics of "21st Century Schizoid Man" were written by Peter Sinfield and consist chiefly of disconnected phrases which present a series of images in a fixed pattern. The first line of each verse consists of two short phrases, while the second line is a single, more specific image, and the third is a longer phrase or a full sentence. The fourth and last line of each verse is the song's title. The song criticizes the Vietnam War with the lyrics "Politicians' funeral pyre/Innocents raped with napalm fire" and "de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radiohead
Radiohead are an English rock band formed in Abingdon-on-Thames, Abingdon, Oxfordshire, in 1985. The band members are Thom Yorke (vocals, guitar, piano, keyboards); brothers Jonny Greenwood (guitar, keyboards, other instruments) and Colin Greenwood (bass); Ed O'Brien (guitar, backing vocals); and Philip Selway (drums, percussion). They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's Experimental music, experimental approach is credited with advancing the sound of alternative rock. Radiohead signed to EMI in 1991 and released their debut album, ''Pablo Honey'', in 1993. Their debut single, "Creep (Radiohead song), Creep", was a worldwide hit, and their popularity and critical standing rose with ''The Bends (album), The Bends'' in 1995. Their third album, ''OK Computer'' (1997), is acclaimed as a landmark record and one of the greatest albums in popular music, with complex production and themes of social alienation, modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunting Bears
''Amnesiac'' is the fifth studio album by the English rock band Radiohead, released on 30 May 2001 by EMI. It was recorded with the producer Nigel Godrich in the same sessions as Radiohead's previous album ''Kid A'' (2000). Radiohead split the work in two as they felt it was too dense for a double album. As with ''Kid A, Amnesiac'' incorporates influences from electronic music, 20th-century classical music, jazz and krautrock. The final track, "Life in a Glasshouse", is a collaboration with the jazz trumpeter Humphrey Lyttelton and his band. After having released no singles for ''Kid A'', Radiohead promoted ''Amnesiac'' with the singles "Pyramid Song" and "Knives Out", accompanied by music videos. Videos were also made for "Pulk/Pull Revolving Doors" and "Like Spinning Plates", as well as "I Might Be Wrong", which was released as a promotional single. In June 2001, Radiohead began the ''Amnesiac'' tour, incorporating their first North American tour in three years. ''Amnesiac' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaikhosru Shapurji Sorabji
Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as ''Gulistān'' and ''Villa Tasca'', and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, '' Sequentia cyclica'' and ''100 Transcendental Studies''. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concord Sonata
The Piano Sonata No. 2, ''Concord, Mass., 1840–60'' (commonly known as the ''Concord Sonata'') is a piano sonata by Charles Ives. It is one of the composer's best-known and most highly regarded pieces. A typical performance of the piece lasts around 45 minutes. History Some material in the ''Concord Sonata'' dates back as far as 1904, but Ives did not begin substantial work on it until around 1909 and largely completed the sonata by 1915. The ''Concord Sonata'' was first published in 1920 with a second, revised, edition appearing in 1947. It is this version which is usually performed today. In 2012, a reprint of the original, uncorrected 1920 edition was published, including ''Essays before a Sonata'' and with an added introductory essay by the New England Conservatory's Stephen Drury (musician), Stephen Drury. Ives recalled performing parts of the (then incomplete) sonata as early as 1912. However, the earliest known public performances of the sonata following its publication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnossienne
The '' Gnossiennes'' () are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form was invented by Satie but the term itself existed in French literature before Satie's usage. Etymology The etymology of the word ''gnossienne'' is contentious, but the word existed in French literature before Satie's usage, and is in the 1865 Larousse Dictionary, referring to the ritual labyrinth dance created by Theseus to celebrate his victory over the Minotaur, first described in the "Hymn to Delos" by Callimachus. Another explanation is that the word appears to derive from ''gnosis''. Satie was involved in gnostic sects and movements at the time that he began to compose the ''Gnossiennes''. Characteristics The ''Gnossiennes'' were composed by Satie in the decade following the composition of the '' Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
