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Franz Xaver Glöggl
Franz Xaver Glöggl (21 February 1764 – 16 June 1839) was an Archduchy of Austria, Austrian musician and musical entrepreneur. He was appointed Kapellmeister of the Old Cathedral, Linz, Cathedral of Linz in about 1797. He was an important figure in the cultural life of Linz. He corresponded with Haydn, Mozart and Georg Joseph Vogler, and was a friend of Beethoven. Life Glöggl was born on 21 February 1764 in Linz, which at that time was in the Archduchy of Austria. He was the son of the Austrian musician, composer and conductor Johann Joseph Glöggl. Glöggl was a musician at the of Linz from 1780 to 1783. Between 1784 and 1786 he was in Vienna, where he studied violin under Anton Hofmann and trombone with Clemens Messerer. From 1787 he conducted the theatre orchestra of Linz, and in 1790 he took over his father's position as Turnermeister, director of the tower music of the city of Linz. He was appointed Kapellmeister of the Old Cathedral, Linz, Old Cathedral of Linz in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linz
Linz ( , ; cs, Linec) is the capital of Upper Austria and third-largest city in Austria. In the north of the country, it is on the Danube south of the Czech border. In 2018, the population was 204,846. In 2009, it was a European Capital of Culture. Geography Linz is in the centre of Europe, lying on the Paris–Budapest west–east axis and the Malmö– Trieste north–south axis. The Danube is the main tourism and transport connection that runs through the city. Approximately 29.27% of the city's wide area is grassland. A further 17.95% are covered with forest. All the rest areas fall on water (6.39%), traffic areas and land. Districts Since January 2014 the city has been divided into 16 statistical districts: Before 2014 Linz was divided into nine districts and 36 statistical quarters. They were: #Ebelsberg #Innenstadt: Altstadtviertel, Rathausviertel, Kaplanhofviertel, Neustadtviertel, Volksgartenviertel, Römerberg-Margarethen #Kleinmünchen: Kleinmünchen, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tower Music
Tower music is a musical performance from the top of a tower. It can also designate the music composed for or played in such a performance. In the early European Middle Ages, musical instruments on towers were used to warn of danger and mark the passage of time. At first this was done by a tower watchman, later by ensembles of instrumentalists employed by the city. The music became more choral, and came to by played on specific days of the week, and to mark specific dates (feast days such as Christmas and Easter, for instance). The practice largely died out in the late 19th century, but was revived in the early twentieth, and continues to this day. Modern tower music is often played by volunteers. The tower used would often be a church tower, but the tower or balcony of a civic building might also be used. The instruments had to be audible to someone not on the tower. This eliminated the quieter (''basse'') instruments, leaving the louder (''haut'') instruments. Apart from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oesterreichisches Musiklexikon
The ''Oesterreichisches Musiklexikon''''Oesterreichisch'' with ''Oe'' is the spelling of the print and online output. is a five-volume music encyclopedia founded by the Austrian Academy of Sciences' Commission for Music Research. It was officially launched on 19 May 2002 with a concert in the main broadcasting hall of Österreichischer Rundfunk (ORF) in Vienna.Feichtinger, Johannes and Uhl, Heidemarie (2016)''Habsburg neu denken: Vielfalt und Ambivalenz in Zentraleuropa'' p. 11. Böhlau Verlag. s.n. (19 May 2002)"Österreichisches Musiklexikon als Buch und im Web" '' Wiener Zeitung''. Retrieved 22 March 2019 . Contents The ''Oesterreichisches Musiklexikon'' consists of five volumes with almost 2800 pages and 7474 keywords on all current and historical topics of Austrian music and musical life. In addition to biographies of composers, librettists, conductors, instrumentalists, singers, dancers, choreographers, theatre directors, instrument makers, music publishers, musicologis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Flotzinger
Rudolf Flotzinger (born 22 September 1939) is an Austrian musicologist. Career Born in Vorchdorf (Austria), Flotzinger graduated from the where he was a student from 1951 to 1958.OeML Flotzinger, Rudolf in ''Oesterreichisches Musiklexikon''. Online-edition, Vienna 2002, ; Print edition: volume 1, Austrian Academy of Sciences edition, Vienna 2002, He then pursued concurrent studies at the Academy of Fine Arts Vienna (1958–1964) and the University of Vienna (1959–19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesellschaft Der Musikfreunde
The Gesellschaft der Musikfreunde in Wien (), also known as the Wiener Musikverein (German for 'Viennese Music Association'), is an Austrian music organization that was founded in 1812 by Joseph Sonnleithner, general secretary of the Court Theatre in Vienna, Austria. Overview Its official charter, drafted in 1814, stated that the purpose of the Gesellschaft was to promote music in all its facets. In early 1818, Franz Schubert was rejected for membership in the Gesellschaft as a professional musician, something that might have furthered his musical career. The Gesellschaft accomplished its goals by sponsoring concerts, founding the Vienna Conservatory in 1819, founding the Wiener Singverein in 1858, constructing the Musikverein building in 1870, and by systematically collecting and archiving noteworthy music-history documents. It is now one of the world's leading music archives. The first music director of the Gesellschaft was Carl Heissler, who was followed by Anton Rubi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Trombone
The soprano trombone (sometimes called a slide trumpet, especially in jazz) is the soprano instrument in the trombone family of brass instruments. It is usually pitched in B an octave above the tenor trombone, and has a bore, bell and mouthpiece similar to the B trumpet. Although modern instruments are made, the soprano remains a rare trombone seldom written for, compared to the tenor, bass, or even the uncommon alto trombone. History Whether the soprano trombone was ever widely used in history is still a matter for debate. The earliest surviving instrument was made in 1677, held by the Kremsegg musical instrument museum. Johann Sebastian Bach composed three cantatas (BWV 2, 21 & 38) around 1723, where four trombones are required; the highest part was written in soprano clef, for a (). The soprano trombone was used in German-speaking countries to play the treble part in chorales, and this tradition survives in the trombone choirs of Moravian Church music. Outside of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equale
An equale or aequale (from lat, voces aequales, equal voices or parts) is a musical idiom. It is a piece for equal voices or instruments. In the 18th century the equale became established as a generic term for short, chordal pieces for trombone choirs, usually quartets or trios. The instruments were not necessarily equal in pitch, but formed a closed consort. Commemoration of the dead Aequales were conventionally used in Austria to commemorate the dead. They were performed from towers on All Souls' Day (2 November), and on the previous evening. They were also performed at funerals. While aequales might be played by other instruments, the sound of trombones was thought to be especially solemn and noble. Trombones had also already acquired an association with death and the afterlife. Finally, the theological symbolism of the trombone, representing divine presence, the voice of the angels, and the instrument of judgment, was thereby underscored. Examples Notable examples of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias Haslinger
Tobias Haslinger (1 March 1787 - 18 June 1842) was an Austrian composer and music publisher. He published works by composers including, among others, Beethoven, Bendel, Mozart, Schubert, Hummel, Weber Weber (, or ; German: ) is a surname of German origin, derived from the noun meaning " weaver". In some cases, following migration to English-speaking countries, it has been anglicised to the English surname 'Webber' or even 'Weaver'. Notable pe ..., Strantz,and Chopin. References 1787 births 1842 deaths 19th-century Austrian people 18th-century Austrian musicians 18th-century Austrian male musicians 19th-century Austrian musicians 19th-century Austrian male musicians {{Austria-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
