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For The Blue Notes
''For the Blue Notes'' is a live album by the Louis Moholo-Moholo Unit, led by drummer Moholo-Moholo, and featuring saxophonists Ntshuks Bonga and Jason Yarde, trumpeter Henry Lowther, trombonist Alan Tomlinson, vocalist Francine Luce, pianist Alexander Hawkins, and double bassist John Edwards. It was recorded on March 4, 2012, at Theatre Manzoni in Milan, Italy, and was released in 2014 by Ogun Records. The album pays tribute to The Blue Notes, the South African jazz ensemble of which Moholo-Moholo is the only surviving member. Reception In a review for ''The Guardian'', John Fordham called the album a "fiery jazz tribute" and a "raucous, rousing set" that "fizzes with powerful themes." He commented: "Wild but still songlike collective thrashes swell out of catchy hooks...; the street-brass sound of the old Brotherhood of Breath big band is echoed in struts like 'Irmite is Right'; the sonorous chant 'Dikelelu' has a rumbling, Coltranesque undertow; and bassist John Edwards' cru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Moholo-Moholo
Louis Tebogo Moholo (10 March 1940 – 13 June 2025) was a South African jazz drummer. He was a member of several notable bands, including The Blue Notes, the Brotherhood of Breath and Assagai. Biography Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. In 1966, he toured Buenos Aires, Argentina, where he performed at the Theatron with Steve Lacy, Johnny Dyani and Enrico Rava and recorded the album ''The Forest and the Zoo'' with the same musicians. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and was the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, ''Spirits R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fordham (jazz Critic)
John Fordham is a British jazz critic and writer. As well as being the main jazz critic for ''The Guardian'', he publishes a monthly column for the newspaper. He is the author of several books on jazz, and has reported on it for publications including '' Time Out'', ''City Limits'', '' Sounds'', ''Jazz UK'' and ''The Wire''. He is a former editor of ''Time Out'', ''City Limits'' and ''Jazz UK''. He has contributed to documentaries for radio and television, as well as regularly to BBC Radio 3's programme ''Jazz on 3''. Awards Fordham has won the Parliamentary Jazz Awards "Jazz Journalist of the Year" award three times since 2005. Selected bibliography *1986: ''Let's Join Hands and Contact The Living'' (Elm Tree Books) *1989: ''The Sound of Jazz'' (Hamlyn) *1991: ''Jazz on CD: the essential guide'' (Kyle Cathie) *1993: ''Jazz'' (Dorling Kindersley Dorling Kindersley Limited (branded as DK) is a British multinational publishing company specialising in illustrated reference bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2014 Live Albums
Fourteen or 14 may refer to: * 14 (number), the natural number following 13 and preceding 15 * one of the years 14 BC, AD 14, 1914, 2014 Music * 14th (band), a British electronic music duo * ''14'' (David Garrett album), 2013 *''14'', an unreleased album by Charli XCX * "14" (song), a 2007 song by Paula Cole from ''Courage'' * "Fourteen", a 2000 song by The Vandals from '' Look What I Almost Stepped In...'' Other uses * ''Fourteen'' (film), a 2019 American film directed by Dan Sallitt * ''Fourteen'' (play), a 1919 play by Alice Gerstenberg * ''Fourteen'' (manga), a 1990 manga series by Kazuo Umezu * ''14'' (novel), a 2013 science fiction novel by Peter Clines * ''The 14'', a 1973 British drama film directed by David Hemmings * Fourteen, West Virginia, United States, an unincorporated community * Lot Fourteen, redevelopment site in Adelaide, South Australia, previously occupied by the Royal Adelaide Hospital * "The Fourteen", a nickname for NASA Astronaut Group 3 * Fourteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Dyani
Johnny Mbizo Dyani (30 November 1945 – 24 October 1986) was a South African jazz double bassist, vocalist and pianist, who, in addition to being a key member of The Blue Notes, played with such international musicians as Don Cherry, Steve Lacy, David Murray, Finnish guitar player Jukka Syrenius, Pierre Dørge, Peter Brötzmann, Mal Waldron, fellow South African Dollar Brand (Abdullah Ibrahim), and Leo Smith, among many other prominent players. Biography Dyani was born (3 years before the establishment of Apartheid) and grew up in Duncan Village, East London, in the Buffalo City Metropolitan Municipality, eastern Cape Province of South Africa. In the early 1960s, he was a member of South Africa's first integrated jazz band, The Blue Notes, with Mongezi Feza on trumpet, Dudu Pukwana on alto saxophone, Nikele Moyake on tenor saxophone, Chris McGregor on piano, and Louis Moholo on drums. In 1964, the band fled South Africa to seek musical and political freedom. Moholo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongezi Feza
Mongezi Feza (11 May 1945 – 14 December 1975) was a South African jazz trumpeter and flautist. Biography Feza was born in Queenstown, Cape Province, Union of South Africa, into a family of musicians, His elder brother, Sandi Feza, who taught him how to play the trumpet in the dusty streets of Mlungisi township in Queenstown. A member of The Blue Notes, Feza left South Africa in 1964 and settled in Europe, living in London and Copenhagen. As a trumpeter, his influences included hard bopper Clifford Brown and free jazz pioneer Don Cherry. After The Blue Notes splintered in the late 1960s, he played with British rock musician Robert Wyatt, progressive rock band Henry Cow, and most extensively with fellow ex-Blue Notes musicians Johnny Dyani, Chris McGregor and Dudu Pukwana. Feza's compositions "Sonia" and "You Ain't Gonna Know Me ('Cos You Think You Know Me)" remained in the repertoire of his colleagues long after his death. In the early 1970s, Feza was also member of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dudu Pukwana
Mthutuzeli Dudu Pukwana (18 July 1938 – 30 June 1990) was a South African saxophonist and composer. Early years in South Africa Dudu Pukwana was born in Walmer, Port Elizabeth, Walmer Township, Port Elizabeth, South Africa. He grew up studying piano in his family, but in 1956 he switched to alto saxophone after meeting tenor saxophone player Nikele Moyake."Mtutuzeli Dudu Pukwana" South African History online. In 1962, Pukwana won first prize at the Johannesburg Jazz Festival with Moyake's Jazz Giants (1962 Gallo/Teal). In his early days he also played with Kippie Moeketsi. Chris McGregor then invited him to join the pioneering The Blue Notes, Blue Notes sextet, where he played along with Mongezi Feza, Nikele Moyake, Johnny Dyani and Louis Moholo. Although the Blue Notes are often consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris McGregor
Christopher McGregor (24 December 1936 – 26 May 1990) was a South African jazz pianist, bandleader and composer born in Somerset West, South Africa. Early influences McGregor grew up in the then Transkei (now part of the Eastern Cape Province), where his father was headmaster at a Church of Scotland mission institution called Blythswood. Here McGregor was exposed to the music of the local amaXhosa people. This music, as explained in Dave Dargie's book ''Xhosa Music'', is complex. Dargie mentions the following as examples of this complexity which might be seen to have influenced McGregor in his own music, both as composer/arranger and as band leader: "...a great number of style characteristics are to be found: relating not only to harmony and scale, but to melody, structure and phrasing, form, rhythm, instrumentation, singing techniques, and so on." In his book ''Chasing the Vibration'' Graham Lock quotes McGregor saying: "I have this strong imaginative reference to Afric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Miller (jazz Bassist)
Harold Simon Miller (25 April 194116 December 1983) was a South African jazz double bassist, who lived for most of his adulthood in England. Biography A native of Cape Town, South Africa, Miller began his career playing bass for the rock group Manfred Mann. After settling in London, he became part of a groups of musicians in the 1960s and 1970s who combined free jazz with the music of South Africa. He recorded with Elton Dean, Chris McGregor, Louis Moholo, John Surman, Keith Tippett, and Mike Westbrook, and also led his own band, Isipingo, named after a vacation spot in South Africa. At the end of the 1970s, he moved to the Netherlands for economic reasons and worked with musicians in Willem Breuker's circle. In 1971, he made a guest appearance on the album ''Islands (King Crimson album), Islands'', by the progressive rock band King Crimson. He and his wife founded Ogun Records. Miller died in a car crash in the Netherlands in 1983. Discography * ''Chris McGregor's Brotherhood o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (journalist)
Richard Williams (born 13 March 1947) is a British music and sports journalist. As a writer, then deputy editor, of the weekly music newspaper ''Melody Maker'' (''MM''), he became an influential commentator on the rise of new forms of rock music at the end of the 1960s. Williams and ''MM'', as it was known, helped promote and contextualise the progressive in pop music. In particular, Williams wrote several key articles around 1970 that increased UK attention to the (then disintegrating) Velvet Underground. ''Melody Maker'' still covered jazz and Williams wrote about the more progressive developments in this field also. The magazine's serious approach to rock music and culture, under the editorship of Ray Coleman, secured ''MM'' a huge circulation by the close of the 1960s and the start of the 1970s. It left ''New Musical Express'', a more pop-orientated weekly, in its wake as ''MM'' caught the mood of rock followers at a time when the music had transcended its Top 40 roots to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and films, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as ''Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, current BBC Radio 6 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Education Hull attended Wichita State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
