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Flight Of The Blue Jay
''Flight of the Blue Jay'' is an album by Paul Motian, released on the German Winter & Winter label in 1997 and containing performances of bebop jazz standards by Motian with the Electric Bebop Band. Retrieved August 8, 2011 The album is the group's third release following the 1992 album '''' and the 1995 album '' Reincarnation of a Love Bird''. The band consists of Motian and the saxophonists [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Bass
The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an electric but with a longer neck and scale length. The electric bass guitar most commonly has four strings, though five- and six-stringed models are also built. Since the mid-1950s, the bass guitar has replaced the double bass in popular music due to its lighter weight, smaller size, most models' inclusion of frets for easier intonation, and electromagnetic pickups for amplification. Another reason the bass guitar replaced the double bass is because the double bass is "acoustically imperfect" like the viola. For a double bass to be acoustically perfect, its body size would have to be twice as that of a cello rendering it unplayable, so the double bass is made smaller to make it playable. The electric bass with its pickups an amplifier addresses the compromises of a double bass by allow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external electric Guitar amplifier, sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickup (music technology), pickups to convert the vibration of its strings into Electrical signal, electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities via amplifier settings or knobs on the guitar. Often, this is done through the use of Effects unit, effects such as reverb, Distortion (music), distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock music, rock and Heavy metal music, heavy metal guitar playing. Designs also exist combining attributes of electric and acoustic guitars: the Semi-acoustic guitar, semi-acoustic and Acoustic-electric guitar, acoustic-electric guitars. Inven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing (13 August 191914 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 songs, including the jazz standards "Lullaby of Birdland" and "Conception (song), Conception", and had multiple albums on the Billboard charts, ''Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School, Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local public house, pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard School, Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milestones (composition)
"Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album ''Kind of Blue''. The song's modes consist of G Dorian for 16 bars, A Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats. Originally titled "Miles" on the initial album pressings, people soon began referring to the piece as "Milestones" rather than "Miles". On later editions of the album the title was changed. The musicians who performed on "Milestones" are: *Miles Davis – trumpet *Cannonball Adderley – alto saxophone *John Coltrane – tenor saxophone *Red Garland – piano *Paul Chambers – double bass *Philly Joe Jones – drums Only Adderley, Davis, and Coltrane solo. 1947 song "Milestones" is also the title of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway theatre, Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon"; " The Lady Is a Tramp"; "Manhattan"; " Bewitched, Bothered and Bewildered"; and " My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
