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Five Years (1969–1973)
''Five Years (1969–1973)'' is a box set by English singer-songwriter David Bowie, released in September 2015. The period of Bowie's career from 1969 to 1973 is summarised over twelve discs and thirteen LPs. Exclusive to the box sets is ''Re:Call 1'', a new compilation of non-album singles, single versions and B-sides. The collection is the first in a series of box sets covering Bowie's entire career. It includes the albums ''David Bowie'' (more commonly known as ''Space Oddity''), '' The Man Who Sold the World'', '' Hunky Dory'', '' The Rise and Fall of Ziggy Stardust and the Spiders from Mars'', '' Aladdin Sane'' and the last Spiders album with Bowie, ''Pin Ups''. The albums cover the five years of Bowie's rise to stardom, with the box set also including ''Live Santa Monica '72'', the soundtrack album of the last Ziggy Stardust show (in its 2003 Tony Visconti mix) at the Hammersmith Odeon, and a 2003 Ken Scott stereo remix of ''Ziggy Stardust'' (previously available ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bowie
David Robert Jones (8 January 194710 January 2016), known as David Bowie ( ), was an English singer, songwriter and actor. Regarded as one of the most influential musicians of the 20th century, Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft have had a great impact on popular music. Bowie studied art, music and design before embarking on a professional career as a musician in 1963. He released a string of unsuccessful singles with local bands and David Bowie (1967 album), a self-titled solo album (1967) before achieving his first top-five entry on the UK singles chart with "Space Oddity" (1969). After a period of experimentation, he re-emerged in 1972 during the glam rock era with the alter ego Ziggy Stardust (character), Ziggy Stardust. The success of the single "Starman (song), Starman" and its album ''The Rise and Fall of Ziggy Star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Audio CD
Super Audio CD (SACD) is an optical disc format for audio storage introduced in 1999. It was developed jointly by Sony and Philips Electronics and intended to be the successor to the compact disc (CD) format. The SACD format allows multiple audio channels (i.e. surround sound or multichannel sound). It also provides a higher bit rate and longer playing time than a conventional CD. An SACD is designed to be played on an SACD player. A hybrid SACD contains a Compact Disc Digital Audio (CDDA) layer and can also be played on a standard CD player. History The Super Audio CD format was introduced in 1999, and is defined by the ''Scarlet Book'' standard document. Philips and Crest Digital partnered in May 2002 to develop and install the first SACD hybrid disc production line in the United States, with a production capacity of up to three million discs per year. SACD did not achieve the level of growth that compact discs enjoyed in the 1980s, and was not accepted by the mainstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Scott
Ken Scott (born 20 April 1947) is an English record producer and engineer known for being one of the five main engineers for the Beatles, as well as engineering Elton John, Pink Floyd, Procol Harum, the Mahavishnu Orchestra, Billy Cobham, David Bowie, Duran Duran, the Jeff Beck Group, Supertramp, and many more. As a producer, Scott is noted for his work with Bowie, Supertramp, Devo, Kansas, the Tubes, Ronnie Montrose, Level 42, Missing Persons, among others. Scott was also influential in the evolution of jazz rock, pioneering a harder rock sound through his work with Mahavishnu Orchestra, Stanley Clarke, Billy Cobham, Dixie Dregs, Happy the Man, and Jeff Beck. Career Early years Scott was born in London, and grew up listening to 78 rpm records of artists like Elvis Presley, Bill Haley, and Eddie Cochran on a wind-up gramophone. In 1959 at the age of 12, he received a tape recorder which he used to record material from the BBC Light Programme ''Pick of the Pops'', but it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammersmith Odeon
The Hammersmith Apollo, currently called the Eventim Apollo for sponsorship reasons, and formerly and still commonly known as the Hammersmith Odeon, is a live entertainment performance venue, originally built as a cinema called the Gaumont Palace. Located in Hammersmith, London, it is an art deco Grade II* listed building. History Designed by Robert Cromie, who also renovated the Prince of Wales Theatre, in the Art Deco style, it opened in 1932 as the Gaumont Palace, with a seating capacity of nearly 3,500 people, being renamed the Hammersmith Odeon in 1962. It has had a string of names and owners, most recently AEG Live and Eventim UK. It became a Grade II listed building in 1990. The venue was later refurbished and renamed Labatt's Apollo following a sponsorship deal with Labatt Brewing Company (1993 or 1994). In 2002, the venue was again renamed, this time to Carling Apollo after Carling brewery struck a deal with the owners, US-based Clear Channel Entertainment, no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Visconti
Anthony Edward Visconti (born April 24, 1944) is an American record producer, musician and singer. Since the late 1960s, he has worked with an array of performers. His first hit single was T. Rex's " Ride a White Swan" in 1970, the first of many hits in collaboration with Marc Bolan. Visconti's lengthiest involvement was with David Bowie: intermittently from the production and arrangement of Bowie's 1968 single "In the Heat of the Morning" / "London Bye Ta-Ta" to his final album '' Blackstar'' in 2016, Visconti produced and occasionally performed on many of Bowie's albums. Visconti's work on ''Blackstar'' was awarded the Grammy Award for Best Engineered Album, Non-Classical and his production of Angelique Kidjo's '' Djin Djin'' received the Grammy Award for Best Contemporary World Music Album. Early life Visconti was born in Brooklyn, New York, to parents of Italian descent. He started to play the ukulele when he was five years old and then learned guitar. He attended N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ziggy Stardust And The Spiders From Mars (film)
''Ziggy Stardust and the Spiders from Mars'' (sometimes called ''Bowie 1973'') is a 1979 British documentary/concert film by D. A. Pennebaker. It features English singer-songwriter David Bowie and his backing group the Spiders from Mars performing at the Hammersmith Odeon in London on 3 July 1973, the final date of his Ziggy Stardust Tour. At this show, Bowie made the sudden surprise announcement that the show would be "the last show that we'll ever do", later understood to mean that he was retiring his Ziggy Stardust persona. The full-length 90-minute film spent years in post-production before finally having its theatrical premiere at the Edinburgh Film Festival on 31 August 1979. Prior to the premiere, the 35 mm film had been shown in 16 mm format a few times, mostly in United States college towns. A shortened 60-minute version was broadcast once in the USA on ABC-TV in October 1974. In 1983, the film was finally theatrically released worldwide, corresponding with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Santa Monica '72
''Live Santa Monica '72'' is a live album by the English singer-songwriter David Bowie. It was released on in the United Kingdom and in the United States. It is the official release of KMET (FM), KMET FM's radio broadcast, then bootleg recording, bootleg album and – later – semi-legal release ''Santa Monica '72'', recorded at the Santa Monica Civic Auditorium during the Ziggy Stardust Tour. By November 2008 the album had sold 10,000 copies in US. Track listing All songs written by David Bowie except where noted.David Bowie. ''Live Santa Monica '72'' (EMI, 2008). Personnel Musicians *David Bowie – vocals, acoustic guitar, electric rhythm guitar on 'The Jean Genie' *Mick Ronson – lead guitar, backing vocals *Trevor Bolder – bass guitar *Mick Woodmansey, Mick "Woody" Woodmansey – drums *Mike Garson – keyboards Technical personnel *Mike Moran (music producer), Mike Moran – recording engineer *Grover Hesley – mixing engineer *B. Mitchel Reed – KMET (FM), KME ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pin Ups
''Pin Ups'' (also referred to as ''Pinups'' and ''Pin-Ups'') is the seventh studio album by the English musician David Bowie, released on 19October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring glam rock and proto-punk versions of songs by 1960s bands who were influential to Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd. The album was recorded from July to August 1973 at the Château d'Hérouville in Hérouville, France following the completion of the Ziggy Stardust Tour. It was Bowie's final album co-produced with Ken Scott. Two members of the Spiders from Mars backing band contributed, the guitarist Mick Ronson and the bassist Trevor Bolder, while Mick Woodmansey was replaced by Aynsley Dunbar on drums. Following a surprise announcement at the end of the tour that the Spiders were breaking up, tensions were high during the sessions, which was reflected in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aladdin Sane
''Aladdin Sane'' is the sixth studio album by the English musician David Bowie, released in the United Kingdom on 19April 1973 through RCA Records. The follow-up to his breakthrough '' The Rise and Fall of Ziggy Stardust and the Spiders from Mars'', it was the first album he wrote and released from a position of stardom. It was co-produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars— Mick Ronson, Trevor Bolder and Mick Woodmansey—with the pianist Mike Garson, two saxophonists and three backing vocalists. Recorded in London and New York City between legs of the Ziggy Stardust Tour, the record was Bowie's final album with the full Spiders lineup. Most of the tracks were written on the road in the US and are greatly influenced by America and Bowie's perceptions of the country. Due to the American influence and the fast-paced songwriting, the record features a tougher, heavier glam rock sound than its predecessor. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (often shortened to ''Ziggy Stardust'') is the fifth studio album by the English musician David Bowie, released on 16June 1972 in the United Kingdom through RCA Records. It was co-produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars, composed of Mick Ronson (guitar), Trevor Bolder (bass) and Mick Woodmansey (drums). It was recorded from November 1971 to February 1972 at Trident Studios in London. Described as a loose concept album and rock opera, ''Ziggy Stardust'' focuses on Bowie's titular alter ego Ziggy Stardust, a fictional androgynous and bisexual rock star who is sent to Earth as a saviour before an impending apocalyptic disaster. In the story, Ziggy wins the hearts of fans but suffers a fall from grace after succumbing to his own ego. The character was inspired by numerous musicians, including Vince Taylor. Most of the album's concept was developed after the songs w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
