Festive Procession With A Song. Kolyada
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Festive Procession With A Song. Kolyada
''Festive Procession with a Song. Kolyada'' ''(Russian language, Russian: Праздничное шествие с песней. Коляда;'' usually called ''Kolyada'') is a painting by Russian Empire, Russian and Soviet artist Efim Chestnyakov. It is one of the artist's most significant and famous works, and some art historians date it to the period immediately after the October Revolution of 1917. It shows an ancient Slavs, Slavic custom called koledari. Some researchers think that the painting is connected to Chestnyakov's work with teenagers. This was part of a programme called ''Universal Culture'' that he created. The artist was involved in many different ways in the theatre, including writing the script, directing, composing music and performing. The audience, who were villagers, also took part in the show. These researchers suggested that the painting does not show the ritual itself, but a play based on it, created, set up and designed by Chestnyakov. The painting is ...
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Efim Chestnyakov
Efim Vasilievich Chestnyakov (Russian language, Russian: Ефи́м Васи́льевич Честняко́в; December 19 [31], 1874, Shablovo, Kostroma province — June 27, 1961, Shablovo, Kostroma Oblast, Kostroma region) was a Russian Painting, painter (created portraits and fairy tale subjects), writer (known for his fairy tales, stories, a novel in verse, poems, reflections), Sculpture, sculptor (worked in clay plastic), and the creator of the children's theater in Shablovo. Biography Efim Chestnyakov was born on December 19 (31), 1874 in the village of Shablovo, Kologrivsky uyezd, Kostroma Governorate, in the peasant family of Samoilovs. He was the only son of three children, and charged with family's support (such children, on whom the support of the family fell, were called ''chestnyak,'' from Russian "an honest person", and that's where his surname comes from).Ignatyev, V. YaВеликий сказочник-художник ХХ века – Честняков Еф� ...
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Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ...
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Domovoy
In the Slavic religious tradition, Domovoy (, literally " he oneof the household"; also spelled ''Domovoi'', ''Domovoj'', and known as , (''Domovik''), (''Domovyk'') and (''Damavik'')) is the household spirit of a given kin. According to the Russian folklorist E. G. Kagarov, the Domovoy is a personification of the supreme Rod in the microcosm of kinship. Sometimes he has a female counterpart, Domania, the goddess of the household, though he is most often a single god. The Domovoy expresses himself as a number of other spirits of the household in its different functions. Etymology and belief The term ''Domovoy'' comes from the Indo-European root *''dom'', which is shared by many words in the semantic field of "abode", "domain" in the Indo-European languages (cf. Latin ''domus'', "house"). The Domovoy have been compared to the Roman '' Di Penates'', the '' genii'' of the family. Helmold ( 1120–1177), in his '' Chronica Slavorum'', alluded to the widespread worship of ''pen ...
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Parapet
A parapet is a barrier that is an upward extension of a wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of the wall, sometimes with a coping at the top and corbel below. *Embattled parapets may be panelled, but are pierced, if not ...
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Bardiche
A bardiche , berdiche, bardische, bardeche, or berdish is a type of polearm used from the 14th to 17th centuries in Europe. Ultimately a descendant of the medieval sparth axe or Dane axe, the bardiche proper appears around 1400, but there are numerous medieval manuscripts that depict very similar weapons beginning c. 1250. The bardiche differs from the halberd in having neither a hook at the back nor a spear point at the top. The use of bardiches started in early 14th-century Austria. In the 16th century the bardiche was associated with the streltsy, arquebusiers of Imperial Russia established by Ivan the Terrible. Description The blade varied greatly in shape, but was most often a long, cleaver-type blade. The distinction was in how the blade was attached to the pole. The bardiche blade was attached to the pole either via two sockets (one at the top of the pole and one lower, at the base of the blade) or one socket at the top and one surface mount at the base, effectively m ...
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Rynda
A ''rynda'' (, ) was a bodyguard or squire of the Russian grand princes and tsars in the 16th and 17th centuries; the position was abolished by Peter I in 1698. History and appearance The term ''rynda'' first appears in around 1380 and are mentioned to have been present at the Battle of Kulikovo, though did not exist as a unit it seems until the 16th century. ''Ryndy'' were selected from young men of noble origin. ''Ryndy'' acted as bodyguards to the Russian court and accompanied the tsar on journeys and diplomatic missions, and would carry his weapons and armour and accompany him into battle. They were not court officials and were not paid for their service, being accommodated in the royal household. The position was abolished by reforms of Peter the Great in 1698. The ''ryndy'' wore white damask kaftans trimmed with ermine and embroidered with silver lacing, white boots and tall gorlatnayas made of white fox fur. Their status was indicated by silk and gold sashes worn around ...
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Sunflower
The common sunflower (''Helianthus annuus'') is a species of large annual forb of the daisy family Asteraceae. The common sunflower is harvested for its edible oily seeds, which are often eaten as a snack food. They are also used in the production of cooking oil, as food for livestock, as bird food, and as plantings in domestic gardens for aesthetics. Wild plants are known for their multiple flower heads, whereas the domestic sunflower often possesses a single large flower head atop an unbranched stem. Description The plant has an erect rough-hairy stem, reaching typical heights of . The tallest sunflower on record achieved . Sunflower leaves are broad, coarsely toothed, rough and mostly alternate; those near the bottom are largest and commonly heart-shaped. Flower The plant flowers in summer. What is often called the " flower" of the sunflower is actually a "flower head" ( pseudanthium), wide, of numerous small individual five-petaled flowers (" florets"). The out ...
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Squeezebox
The term squeezebox (also squeeze box, squeeze-box) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows-driven free reed aerophones such as the accordion Accordions (from 19th-century German language, German ', from '—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a Reed (mou ... and the concertina. The term is so applied because such instruments are generally in the shape of a rectangular prism or box, and the bellows is operated by squeezing in and drawing out. Accordions (including piano accordions and button accordions) typically have right-hand buttons or keys that play single notes (melody) and left hand buttons that play chords and bass notes. The bandoneon is a type of concertina particularly popular in South America and Lithuania, frequently featuring in tango ensembles.Piazzolla, Ast ...
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Florus And Laurus
Saints Florus and Laurus are venerated as Christian martyrs of the 2nd century. According to a Greek tale, they were twin brothers who worked as stonemasons. They were originally from Byzantium but settled in Ulpiana, Dardania, south of modern Pristina, Kosovo in the district of Illyricum. They were educated in the art of masonry by two men named Maximus and Proculus, who were Christians. According to their legend, Likaion, the prefect of Illyricum, employed the brothers in the construction of a pagan temple. The brothers gave their salaries to the poor. When the son of a local pagan priest named Mamertin was injured by a chip of stone from the saints' temple, Florus and Laurus cured the boy after the boy converted to Christianity. Mamertin also decided to convert to Christianity as a result of his son's recovery. After the temple was built, Florus and Laurus brought together many local Christians there. The group smashed all of the statues of the pagan gods, and a cross wa ...
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Martyrs
A martyr (, ''mártys'', 'witness' Word stem, stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In colloquial usage, the term can also refer to any person who suffers a significant consequence in protest or support of a cause. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an individual by an oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious b ...
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