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Father And Son (novel)
"Father and Son" is a popular song written and performed by English singer-songwriter Cat Stevens (now known as Yusuf/Cat Stevens) on his 1970 album ''Tea for the Tillerman''. The song frames a heartbreaking exchange between a father not understanding a son's desire to break away and shape a new life, and the son who cannot really explain himself but knows that it is time for him to seek his own destiny. Stevens sings in a deeper register for the father's lines, while using a higher one for those of the son. Additionally, there are backing vocals provided by Stevens' guitarist and friend Alun Davies beginning mid-song, singing an unusual chorus of simple refrains. In 2021, it was listed at No. 408 on ''Rolling Stone'''s " Top 500 Best Songs of All Time". Origins Cat Stevens originally wrote "Father and Son" as part of a proposed musical project starring Nigel Hawthorne, called ''Revolussia'', that was set during the Russian Revolution, and could also have become a film; the son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Stevens
Yusuf Islam (born Steven Demetre Georgiou; ), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and musician. He has sold more than 100 million records and has more than two billion streams. His musical style consists of folk, rock, pop, and, later in his career, Islamic music. Following two decades in which he performed only music which met strict religious standards, he returned to making Secular music, secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014. He has received two honorary doctorates and awards for promoting peace as well as other humanitarian awards. His 1967 Matthew and Son (album), debut album and its title song "Matthew and Son" both reached top 10 in the UK charts. Stevens' albums ''Tea for the Tillerman'' (1970) and ''Teaser and the Firecat'' (1971) were certified RIAA certification, triple platinum in the US. His 1972 album ''Catch Bull at Four'' went to No. 1 on the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuberculosis
Tuberculosis (TB), also known colloquially as the "white death", or historically as consumption, is a contagious disease usually caused by ''Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, in which case it is known as inactive or latent tuberculosis. A small proportion of latent infections progress to active disease that, if left untreated, can be fatal. Typical symptoms of active TB are chronic cough with hemoptysis, blood-containing sputum, mucus, fever, night sweats, and weight loss. Infection of other organs can cause a wide range of symptoms. Tuberculosis is Human-to-human transmission, spread from one person to the next Airborne disease, through the air when people who have active TB in their lungs cough, spit, speak, or sneeze. People with latent TB do not spread the disease. A latent infection is more likely to become active in those with weakened I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fight Test
''Fight Test'' is an extended play (EP) released by the Flaming Lips released on Warner Bros. Records in 2003. The single version of "Fight Test" was released on June 23, 2003, peaking at number 28 on the UK Singles Chart. It is the third single to be picked from the album ''Yoshimi Battles the Pink Robots''. It is an enhanced CD, containing covers of Radiohead's "Knives Out", Kylie Minogue's "Can't Get You Out of My Head", and Beck's "The Golden Age". In addition, the EP includes two original songs. The UK version was a normal CD single, which also featured some previously unreleased songs. ''Fight Test'' was nominated for Best Alternative Album at the 46th Annual Grammy Awards. The opening of "Fight Test" ("The test begins...now") was sampled from one of the sync tests from the Flaming Lips' own Boombox Experiments. The song was also the theme song for the short-lived MTV cartoon '' 3-South''. It was furthermore used in a season 2 episode of the long-running TV series ''Sma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flaming Lips
The Flaming Lips are an American psychedelic rock band formed in 1983 in Oklahoma City, Oklahoma. The band currently consists of Wayne Coyne (vocals, guitars, bass, keyboards), Steven Drozd (guitars, bass, keyboards, drums, vocals), Derek Brown (keyboards, guitars, percussion), Matt Duckworth Kirksey (drums, percussion, keyboards) and Tommy McKenzie (bass). Coyne and Drozd have remained the band's only consistent members since 1991, with Coyne being the only remaining founding member following the departure of bassist and keyboardist Michael Ivins in 2021. However, since 2025, Drozd has not been touring with the band for the first time since joining. It remains uncertain if he is still part of the band or has left permanently. The group recorded several albums and Extended play, EPs on an indie label, Restless Records, Restless, in the 1980s and early 1990s. After signing to Warner Bros. Records, Warner Brothers they released ''Hit to Death in the Future Head'' (1992), followed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federazione Industria Musicale Italiana
The Federazione Industria Musicale Italiana (FIMI) or the Federation of the Italian Music Industry is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani (AFI). During the following years, most of the remaining Italian record labels left AFI to join the new organisation. As of 2011, FIMI represents 2,500 companies operating in the music business. FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers' federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry. Starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart. Due to the decrease of CD singles sales in Italy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea For The Tillerman 2
''Tea for the Tillerman 2'' (stylised as ''Tea for the Tillerman²'') is the sixteenth studio album by singer-songwriter Yusuf / Cat Stevens, released on 18 September 2020 by Cat-O-Log Records through Island. It is a re-imagining of his hit 1970 album '' Tea for the Tillerman''. Track listing Personnel * Yusuf / Cat Stevens – Spanish guitar, acoustic guitar, electric guitar, 12-string guitar, grand piano, keyboards, harpsichord, lead vocals * Alun Davies – acoustic guitar, backing vocals, vocals on "Father and Son" * Jim Cregan – acoustic guitar, electric guitar, backing vocals * Eric Appapoulay – acoustic guitar, electric guitar, Spanish guitar, backing vocals * Bruce Lynch – double bass, electric bass * Martin Allcock - bass on (3), piano (3) * Peter-John Vettese – keyboards, organ, synth horns, backing vocals, string arrangements * Andreas Andersson - clarinet on "Wild World" * Kwame Yeboah– drums, percussion, keyboards, backing vocals * John Ashton Tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alun Davies (guitarist)
Alun Davies (born 27 July 1942) is a Welsh guitarist, studio musician, recording artist, and composer who rose to fame primarily with his supporting guitar work and backing vocals as accompanist for English musician Cat Stevens from early 1970 to 1977. Prior to his association with Stevens, Davies co-wrote, sang, and played on two albums: in 1963, with Jon Mark (known then as John Michael Burchell), and in 1968, as a member of the band Sweet Thursday with Mark, keyboardist Nicky Hopkins, Harvey Burns and Brian Odgers, when folk-rock music was still in its infancy. When their label declared bankruptcy, Davies was invited to join Cat Stevens as a session musician, who was attempting to change his sound and advance in the music world. Davies' experience, similar tastes in the emerging folk-rock genre, and capabilities with guitar and voice placed him in a pivotal role in Stevens' career, resulting in hit songs and a string of RIAA platinum certified breakthrough albums. Two s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disc (magazine)
''Disc'' was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into ''Record Mirror''. It was also known for periods as ''Disc Weekly '' (1964–1966) and ''Disc and Music Echo '' (1966–1972). Background The magazine was first published on 8 February 1958, with the main competition being ''Record Mirror''. It gained a reputation for its emphasis on pop music as reflected in the music charts, in comparison with its more music-industry-focused rivals ''Melody Maker'' and ''New Musical Express''.Jon Savage, ''The magazine explosion'' '''', 6 September 2009 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moon Shadow (song)
"Moonshadow" is a song written and performed by Cat Stevens (known since 1978 as Yusuf Islam), first released as a single in the UK in 1970 on the Island label and in the US in 1971 on the A&M label. It also appears on Stevens' 1971 album ''Teaser and the Firecat''. History Stevens considers this his favourite of his old songs. When Yusuf appeared on ''The Chris Isaak Hour'' in 2009, he said of this song: "I was on a holiday in Spain. I was a kid from the West End f London– bright lights, et cetera. I never got to see the moon on its own in the dark, there were always streetlamps. So there I was on the edge of the water on a beautiful night with the moon glowing, and suddenly I looked down and saw my shadow. I thought that was so cool, I'd never seen it before." ''Cash Box'' said that this "softly tailored folderol from Cat Stevens shows his whimsical side." ''Billboard'' called it a "super rhythm ballad." ''Record World'' called it an "interesting song." An animated short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album-oriented Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the late 1960s that focuses on the full repertoire of rock albums and is currently associated with classic rock. US radio stations dedicated to playing album tracks by rock artists from the hard rock and progressive rock genres initially established album-oriented radio. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. The AOR format achieved tremendous popularity in the late 1960s to the early 1980s through research and formal programming to create an album rock format with great commercial appeal. From the early 1980s onward, the abbreviation AOR transitioned from "album-oriented radio" to "album-oriented rock", meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated with " adult-or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock (radio Format)
Progressive rock (sometimes known as underground rock) is a radio station programming format that emerged in the late 1960s,Thomas Staudter"On the Radio With a Mix Very Distinctly His Own" ''The New York Times'', March 24, 2002. Accessed March 23, 2008. in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played.Fritz E. Froehlich, Allen S. Kent, Carolyn M. Hall (eds.), "FM Commercialization in the United States", ''The Froehlich/Kent Encyclopedia of Telecommunications'', CRC Press, 1991. . p. 179. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head and discussing social issues in between records.Mike Olszewski, ''Radio Daze: Stories from the Front in Cleveland's FM Air Wars'', Kent State University Press, 2003. . p. xi. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
