Fantasia And Fugue (other)
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Fantasia And Fugue (other)
Fantasia and Fugue may refer to several compositions attributed mainly to Johann Sebastian Bach: * Chromatic Fantasia and Fugue, for harpsichord * Fantasia and Fugue in C minor, BWV 537, for organ * Great Fantasia and Fugue in G minor, BWV 542, for organ * Fantasia and Fugue in A minor, BWV 561, for organ; see ''Bach-Werke-Verzeichnis'' * Fantasia and Fugue in C minor, BWV 562, for organ * Fantasia and Imitatio in B minor, BWV 563, for organ; see ''Bach-Werke-Verzeichnis'' * Fantasia and Fugue in C minor, BWV 906, for harpsichord * Fantasia and Fugue in A minor, BWV 944, for organ * Fantasy and Fugue on the Theme B-A-C-H, for organ (and later piano) by Franz Liszt * Fantasy No. 1 with Fugue (Mozart), for piano by Wolfgang Amadeus Mozart See also * List of compositions by Johann Sebastian Bach * Prelude and fugue * Toccata and Fugue (other) Toccata and Fugue may refer to several classical compositions attributed to Johann Sebastian Bach: * Toccata and Fugue in D minor, ...
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Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ...
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Chromatic Fantasia And Fugue
The ''Chromatic Fantasia and Fugue'' in D minor, , is a work for harpsichord by Johann Sebastian Bach. Bach probably composed it during his time in Köthen from 1717 to 1723. The piece was already regarded as a unique masterpiece during his lifetime. It is now often played on the piano. Sources An autograph of this work is not known. The musicologist Walther Siegmund-Schultze pinpoints the work to the "fermenting Köthen works" because of its improvisatory and expressive nature, using all keys.Cristoph Rueger (ed.): "Johann Sebastian Bach" in ''Harenberg Klaviermusikführer''. Harenberg, Dortmund 1984, , pp. 85–86 More than 30 different manuscript copies of the piece survive from the 18th and early 19th centuries. The earliest extant copy of the fantasia dates from before 1735, written by an unknown scribe - this is catalogued separately as BWV-903a. The earliest fully-developed version of the fantasia was written by Bach's pupil Johann Tobias Krebs, likely created while Kr ...
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Fantasia And Fugue In C Minor, BWV 537
The Fantasia and Fugue in C minor, BWV 537 is a piece for the organ written by Johann Sebastian Bach. It was composed during the composer's second period of residence in Weimar.Caldwell, JKeyboard music: the period of JS Bach Grove Music Online. Retrieved 5 Feb. 2022 (subscription required) Background of Composition During his life, Bach had two tenures in Weimar, then a town with a population of only about 5000, but possessing a strong cultural tradition. His second tenure began in 1708, when he left a post as a church organist in Mühlhausen to serve as an organist in the chapel of Weimar's ruling duke, Wilhelm Ernst. He composed many of his organ works at Weimar, including the ''Orgelbüchlein'', concerto transcriptions, and some fugues, although in the case of Bach's fugues it is often difficult to identify when they were composed. Analysis The combined length of the fantasia and the fugue is about eight minutes;Decca Publication No. 443 485-2 the fantasia is written in 6/4 t ...
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Great Fantasia And Fugue In G Minor, BWV 542
__NOTOC__ The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter. This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great". Bach's biographer Spitta and some later scholars think that the Fugue was improvised in 1720 during Bach's audition for an organist post at St. James' Church in Hamburg. Assuming this is correct, the theme or subject of the Fugue, a Dutch popular tune (called 'Ik ben gegroet van...'), would have been given to Bach for him to demonstrate his talents as an improviser. It has been suggested that the choice of a Dutch tune was in homage to Johann Adam Reincken, the long-serving organist at St. Catherine's Church, Hamburg, who was born in the Netherlands. During his 1720 trip to Hamburg Bach is believed to have met Reincken, whose musi ...
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Bach-Werke-Verzeichnis
The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in 2022.Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach, 3rd expanded edn. Edited by Christine Blanken, Christoph Wolff and Peter Wollny The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. In part this reflects that fact that some compositions cannot be dated. However, an approximate or precise date can be assigned to others: for example, BWV 992 was composed many years before BWV 1. Alternative classifications The BWV classification is open to criticism, and the Bach scholar Christoph Wolff was involved in the design of an alternative, the Bach Compendium. Publication of the Bach Compendiu ...
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Fantasia And Fugue In C Minor, BWV 562
The Fantasia and Fugue in C minor, BWV 562 is a relatively short piece written for the organ by Johann Sebastian Bach. Bach began the composition during his time in Weimar, and an unfinished fugue, probably by Bach, was added in his later life. The piece features a heavily appoggiatura-laden harmony.Decca Records Publication No. 443 485-2 Composition Bach was hired in 1708 by the ruling duke of Saxe-Weimar, Wilhelm Ernst, as an organist and member of the court orchestra; he was particularly encouraged to make use of his unique talents with the organ. During his tenure at Weimar his fame as an organist grew, and many students of the organ visited him to hear him play and to learn from his technique. The composer also wrote many of his greatest organ works during the period, including the Toccata and Fugue in D minor, BWV 565 and the Prelude and Fugue in E major, BWV 566. The ''Fantasia and Fugue in C minor'' was begun during this period, as a lone fantasia in the title key. The fug ...
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Fantasia And Fugue In C Minor, BWV 906
Fantasia and Fugue in C minor, BWV 906, is a keyboard piece, likely unfinished, composed by Johann Sebastian Bach sometime during his tenure in Leipzig (1723–1750). The work survives in two autograph scores, one with the fantasia alone, and the other, believed to have been penned around 1738 in which the fugue is incomplete.Fantasia and Fugue in C minor, BWV 906
at The piece is notable for being one of Bach's latest compositions in the format, and for being a showcase of ...
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Fantasia And Fugue In A Minor, BWV 944
Prelude and Fugue in A minor, BWV 543 is a piece of organ music written by Johann Sebastian Bach sometime around his years as court organist to the Duke of Saxe-Weimar (1708–1713). Extended footnote 1, with references in German. Versions and sources According to David Schulenberg, the main sources for BWV 543 can be traced to the Berlin circle around Carl Philipp Emanuel Bach and Johann Kirnberger. The copyist associated with C. P. E. Bach has only been identified as "Anonymous 303"; the manuscript is now housed in the Berlin State Library. Although less prolific than copyists like Johann Friedrich Agricola, from the many hand-copies circulated for purchase by Anon 303, including those from the Sing-Akademie zu Berlin recovered from Kyiv in 2001, commentators agree that the professional copyist must have enjoyed a close relationship with C. P. E. Bach. The other secondary source for BWV 543 came through the copyist Johann Gottfried Siebe and Kirnberger. The manuscript became ...
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