Fantasia (musical Form)
A fantasia (; also English language, English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', , ''Phantasie'', ) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "''idea''" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most important composers in the devel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic ( Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alfonso Ferrabosco The Younger
Alfonso Ferrabosco the younger (c. 1575 – March 1628) was an English composer and viol player of Italian descent. He straddles the line between the Renaissance and Baroque eras. Biography Ferrabosco was born at Greenwich, the illegitimate son of the Italian composer Alfonso Ferrabosco the elder. His mother might have been Susanna Symons, whom Alfonso the elder later married. Ferrabosco the younger was left under the guardianship of Gomer van Awsterwyke, a member of Queen Elizabeth I's court. Although Alfonso the elder asked for Alfonso the younger to be sent to him in Italy, where he had moved with his wife, the Queen insisted that he stay in England. Ferrabosco remained in Gomer van Awsterwyke's care until Awsterwyke's death in 1592. At this time he started a long career as a court musician. After the Union of the Crowns he became the private music tutor of Prince Henry and a groom of privy chamber, with a salary of £50. Ferrabosco was paid for "making the songs" for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which like the accordion and mouth organs (both Eastern and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Great Fantasia And Fugue In G Minor, BWV 542
__NOTOC__ The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter. This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great". Bach's biographer Spitta and some later scholars think that the Fugue was improvised in 1720 during Bach's audition for an organist post at St. James' Church in Hamburg. Assuming this is correct, the theme or subject of the Fugue, a Dutch popular tune (called 'Ik ben gegroet van...'), would have been given to Bach for him to demonstrate his talents as an improviser. It has been suggested by musicologist Christoph Wolff that the choice of a Dutch tune was in homage to Johann Adam Reincken, the long-serving organist at St. Catherine's Church, Hamburg, who was born in the Netherlands. During his 1720 trip to Hamburg Bach is belie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a Sound board (music), soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard Manual (music), manual, and even a #Pedal harpsichord, pedal board. Harpsichords may also have Organ stop, stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) editi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chromatic Fantasia And Fugue
The ''Chromatic Fantasia and Fugue'' in D minor, , is a work for harpsichord by Johann Sebastian Bach. Bach probably composed it during his time in Köthen from 1717 to 1723. The piece was already regarded as a unique masterpiece during his lifetime. It is now often played on piano. Sources An autograph of this work is not known. The musicologist Walther Siegmund-Schultze pinpoints the work to the "fermenting Köthen works" because of its improvisatory and expressive nature, using all keys.Cristoph Rueger (ed.): "Johann Sebastian Bach" in ''Harenberg Klaviermusikführer''. Harenberg, Dortmund 1984, , pp. 85–86 At least 16 different handwritten copies of the score are extant, including five from Bach's lifetime. The oldest copy is only an early, two-bar shorter variant of the fantasia. It was written by Bach's pupil Johann Tobias Krebs and was created after 1717, close to the time of origin. Two other copies emerged around 1730 that include the fugue; they were possibly writte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Prot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matthew Locke (composer)
Matthew Locke (c. 1621 – August 1677) was an English Baroque composer and music theorist. Biography Locke was born in Exeter and was a chorister in the choir of Exeter Cathedral, under Edward Gibbons, the brother of Orlando Gibbons. At the age of eighteen Locke travelled to the Netherlands, possibly converting to Roman Catholicism at the time. Locke, with Christopher Gibbons (the son of Orlando), composed the score for '' Cupid and Death,'' the 1653 masque by Caroline-era playwright James Shirley. Their score for that work is the sole surviving score for a dramatic work from that era. Locke was one of the quintet of composers who provided music for '' The Siege of Rhodes'' (1656), the breakthrough early opera by Sir William Davenant. Locke wrote music for subsequent Davenant operas, '' The Cruelty of the Spaniards in Peru'' (1658) and ''The History of Sir Francis Drake'' (1659). He wrote the music for the processional march for the coronation of Charles II. In 16 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Cranford
William is a masculine given name of Norman French origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Liam, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Jenkins (composer)
John Jenkins (1592–1678), was an English composer who was born in Maidstone, Kent and who died at Kimberley, Norfolk. Biography Little is known of his early life. The son of Henry Jenkins, a carpenter who occasionally made musical instruments, he may have been the "Jack Jenkins" employed in the household of Anne Russell, Countess of Warwick in 1603. The first positive historical record of Jenkins is amongst the musicians who performed the masque ''The Triumph of Peace'' in 1634 at the court of King Charles I. Jenkins was considered a virtuoso on the lyra viol. Charles commented that Jenkins did "wonders on an inconsiderable instrument." When the English Civil War broke out in 1642 it forced Jenkins, like many others, to migrate to the rural countryside. During the 1640s he was employed as music-master to two Royalist families, the Derham family at West Dereham and Hamon le Strange of Hunstanton. He was also a friend of the composer William Lawes (1602–1645), who was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |