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Fabula Praetexta
The ''praetexta'' or ''fabula praetexta'' was a genre of Latin tragedy introduced at Rome by Gnaeus Naevius in the third century BC. It dealt with historical Roman figures, in place of the conventional Greek myths. Subsequent writers of ''praetextae'' included Ennius, Pacuvius and Lucius Accius. The name refers to the '' toga praetexta'', purple striped, that was the official dress of Roman magistrates and priests. It was mainly a Roman garment. The ''toga praetexta'' was also worn by Roman freeborn girls before they came of age. All Roman Republican tragedies are now lost. From the Imperial era only one play has survived, the ''Octavia''. See also *'' Fabula atellana'' *'' Fabula crepidata'' *''Fabula palliata'' *'' Fabula saltata'' *'' Fabula togata'' *Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Crepidata
A ''fabula crepidata'' or ''fabula cothurnata'' is a Latin tragedy with Greek subjects. The genre probably originated in adaptations of Greek tragedy (hence the names, coming from ''crepida'' = ''sandal'' and ''cothurnus'') beginning in the early third century BC. Only nine have survived intact, all by Seneca. Of the plays written by Lucius Livius Andronicus, Gnaeus Naevius, Quintus Ennius, Marcus Pacuvius, Lucius Accius, and others, only titles, small fragments, and occasionally brief summaries are left. Ovid's ''Medea'' also did not survive. See also *'' Fabula atellana'' *''Fabula palliata'' *'' Fabula praetexta'' *'' Fabula saltata'' *''Fabula togata'' *Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took ... Sources * Bernhard Zimmermann and Thomas Baier " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Leisure
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500, ending with the expansion of Islam in late antiquity. The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was exponentially increasing due to the Neolithic Revolution, which was in full prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin-language Literature
Latin ( or ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally spoken by the Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, including English, having contributed many words to the English lexicon, particularly after the Christianization of the Anglo-Saxons and the Norman Conquest. Latin roots appear frequently in the technical vocabulary used by fields such as theology, the sciences, medicine, and law. By the late Roman Republic, Old Latin had evolved into standardized Classical Latin. Vulgar Latin refers to the less prestigious colloquial registers, attested in inscriptions and some literary works such as those of the comic playwrights Plautus and Terence and the author Petronius. While often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Togata
A ''fabula togata'' is a Latin comedy in a Roman setting, in existence since at least the second century BC. Lucius Afranius and Titus Quinctius Atta are known to have written ''fabulae togatae''. It is also treated as an expression that functioned as the overall description of all Roman types of drama in accordance with a distinction between Roman ''toga'' and ''pallium''. There are recorded sources that cite how this drama could be obscene and moralistic. By mid-second century BC the ''fabula togata'' had become one of the two types of drama that constituted a bifurcated Roman comedy along with ''fabula palliata''. The ''fabula togata'' was distinguished from the ''palliata'' primarily by its use of Roman or Italian characters, transferring the comic situations of the bourgeois ''palliata'' to the lower-class citizens of the country towns of Italy. The ''palliata'' was based on originals of Greek New Comedy, tragedies from Attic sources as well as the grand dramatization of Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Saltata
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre developed in England in the 18th century, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. The origins of pantomime reach back to ancient Greek classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy and partly from other European and British stage traditions, such as 17th-century masques and music hall. An important part of the pantomime, until the late 19th century, was the harlequinade. Modern pantomime is performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Palliata
''Fabula palliata'' is a genre of Theatre of ancient Rome, Roman drama that consists largely of Romanized versions of Theatre of ancient Greece, Greek plays.''OCD'', sv. palliata The name ''palliata'' comes from ''Pallium (Roman cloak), pallium'', the Latin word for a Greek-style cloak (''himation''). It is possible that the term ''fabula palliata'' indicates that the actors who performed wore such cloaks. Another possibility is that the ''fabula'' itself is metaphorically "cloaked" in a Greek style.''OCD'', sv palliata As in all Roman drama, the actors wore masks that easily identified which of the stock characters they represented. Style The only complete, extant ''fabulae palliatae'' are the Roman comedy, comedies of Terence and Plautus. Plautus introduced Roman manners and customs to the plays and filled the plays with boisterous humour and musical performances, while Terence kept his plays close to their Greek originals and sometimes combined two plays into one (''contaminati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnaeus Naevius
Gnaeus Naevius (; c. 270 – c. 201 BC) was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul. After a sojourn in prison he recanted and was set free by the tribunes (who had the tribunician power, in essence the power of habeas corpus). After a second offense he was exiled to Tunisia, where he wrote his own epitaph and committed suicide. His comedies were in the genre of Palliata Comoedia, an adaptation of Greek New Comedy. A soldier in the Punic Wars, he was highly patriotic, inventing a new genre called '' Praetextae Fabulae'', an extension of tragedy to Roman national figures or incidents, named after the '' Toga praetexta'' worn by high officials. Of his writings there survive only fragments of several poems preserved in the citations of late ancient grammarians ( Charisius, Aelius Donatus, Sextus Pompeius Festus, Aulus Gell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octavia (play)
''Octavia'' is a Roman tragedy that focuses on three days in the year 62 AD during which Nero divorced and exiled his wife Claudia Octavia and married another (Poppaea Sabina). The play also deals with the irascibility of Nero and his inability to take heed of the philosopher Seneca's advice to rein in his passions. The play was attributed to Seneca, but modern scholarship generally discredits this, since it contains accurate prophecies of both his and Nero's deaths. While the play closely resembles Seneca's plays in style, it was probably written some time after Seneca's death in the Flavian period by someone influenced by Seneca and aware of the events of his lifetime.H J Rose, A Handbook of Latin Literature (London 1967) p. 375 Characters * Octavia. *Octavia's Nurse. *Chorus of Romans. * Seneca. *Prefect. * Poppaea. * Agrippina (ghost). *Nero. *Messenger. Plot Act I Octavia, weary of her existence, bewails her misery. Her nurse curses the drawbacks which beset life i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
