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Expressive Timing
Expressive timing refers to the musical phenomenon whereby a performer introduces subtle temporal nuances to an otherwise metronomic ("perfectly" timed) interpretation. This is also referred to as ''microtiming'' or ''microrhythm''. For instance, a pianist might introduce a slight ritardando (not called for explicitly in the musical score) at the end of a phrase to convey a structural event (in this case, a phrase ending). Expressive timing has been shown to operate in different musical styles. In jazz, expressive timing plays an important role in how " swing" notes are timed. It has also been shown empirically that simple rhythms are often performed differently from how they are notated. This aspect of rhythm production is at odds with a feature of rhythm perception—namely, that rhythms made up of complex ratios are simplified by listeners to consist of simple ratios. For example, when presented with a sequence of sounds whose interonset intervals (IOIs) are 700 – 300 – 40 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome () is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light. Musicians—and others including dancers, athletes, and health professionals—often practise with a metronome to improve their timing, especially the ability to maintain a steady tempo with a regular beat or pulse. Composers and conductors often use numerical metronome markings to communicate their preferred tempos to musicians preparing for a performance. A type of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented a mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritardando
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". The term swing feel, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs in such a rhythmically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Point
In music a time point or ''timepoint'' ( point in time) is "an instant, analogous to a geometrical point in space". Because it has no duration, it literally cannot be heard, but it may be used to represent "the point of initiation of a single pitch, the repetition of a pitch, or a pitch simultaneity", therefore the beginning of a sound, rather than its duration. It may also designate the release of a note or the point within a note at which something changes (such as dynamic level). Other terms often used in music theory and analysis are '' attack point''Lejaren Hiller and Ramon Fuller, "Structure and Information in Webern's Symphonie, Op. 21", ''Journal of Music Theory'' 11, no. 1 (Spring 1967): 60–115. Citation on p. 94. and ''starting point''. Milton Babbitt calls the distance from one time point, attack, or starting point to the next a ''time-point interval'', independent of the durations of the sounding notes which may be either shorter than the time-point interval (re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quantization (music)
In digital music processing technology, quantization is the studio-software process of transforming performed musical notes, which may have some imprecision due to expressive performance, to an underlying musical representation that eliminates the imprecision. The process results in notes being set on beats and exact fractions of beats. The purpose of quantization in music processing is to provide a more beat-accurate timing of sounds. Quantization is frequently applied to a record of MIDI notes created by the use of a musical keyboard or drum machine. Additionally, the phrase "pitch quantization" can refer to pitch correction used in audio production, such as using Auto-Tune. Description A frequent application of quantization in this context lies within MIDI application software or hardware. MIDI sequencers typically include quantization in their manifest of edit commands. In this case, the dimensions of this timing grid are set beforehand. When one instructs the music applic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, after graduating from high school Coltrane moved to Philadelphia, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a Pulitzer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Like Someone In Love
"Like Someone in Love" is a popular song composed in 1944 by Jimmy Van Heusen, with lyrics by Johnny Burke. It was written (along with "Sleigh Ride in July") for the 1944 film, '' Belle of the Yukon'', where it was sung by Dinah Shore. It was a hit for Bing Crosby in March 1945, reaching number 15 in the charts, and has since become a jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List .... References {{authority control Real Book Song Songs with music by Jimmy Van Heusen Songs with lyrics by Johnny Burke (lyricist) 1944 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, ... and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," '' Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the '' Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay precedin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
