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Euryale And Stheno
In Greek mythology, Stheno (; ) and Euryale ( ; ) were two of the three Gorgons, along with Medusa, sisters who were able to turn anyone who looked at them to stone. When Perseus beheaded Medusa, the two Gorgons pursued him but were unable to catch him. Family According to Hesiod, and Apollodorus, Stheno and Euryale, along with Medusa, were daughters of the primordial sea-god Phorcys and the sea-monster Ceto, while, according to Hyginus, they were daughters of "the Gorgon", an offspring of Typhon and Echidna, and Ceto. Mythology The Gorgons Stheno and Euryale were immortal, whereas their Gorgon sister Medusa was mortal. The only story involving them is their pursuit of Perseus after he has beheaded Medusa. The Hesiodic ''Shield of Heracles'' (c. late seventh–mid sixth century BC) describes the two Gorgons' pursuit of Perseus, as depicted on Heracles' shield: While the "great Fear" rioting upon the heads of the Gorgon, in the passage from the ''Shield'' quoted above ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve Olympians
upright=1.8, Fragment of a relief (1st century BC1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff), Artemis (bow and quiver) and Apollo (lyre) from the Walters Art Museum. In ancient Greek religion and Greek mythology, mythology, the twelve Olympians are the major Deity, deities of the Greek mythology, Greek pantheon, commonly considered to be Zeus, Hera, Poseidon, Demeter, Aphrodite, Athena, Ares, Artemis, Apollo, Hephaestus, Hermes, and either Hestia or Dionysus. They were called ''Olympians'' because, according to tradition, they resided on Mount Olympus. Although Hades was a major ancient Greek god and was the brother of the first generation of Olympians (Zeus, Poseidon, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvard University Press
Harvard University Press (HUP) is a publishing house established on January 13, 1913, as a division of Harvard University, and focused on academic publishing. It is a member of the Association of American University Presses. After the retirement of William P. Sisler in 2017, the university appointed as Director George Andreou. The press maintains offices in Cambridge, Massachusetts near Harvard Square, and in London, England. The press co-founded the distributor TriLiteral LLC with MIT Press and Yale University Press. TriLiteral was sold to LSC Communications in 2018. Notable authors published by HUP include Eudora Welty, Walter Benjamin, E. O. Wilson, John Rawls, Emily Dickinson, Stephen Jay Gould, Helen Vendler, Carol Gilligan, Amartya Sen, David Blight, Martha Nussbaum, and Thomas Piketty. The Display Room in Harvard Square, dedicated to selling HUP publications, closed on June 17, 2009. Related publishers, imprints, and series HUP owns the Belknap Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of Medusa And Gorgons
The mythological monster Medusa, her sisters, and the other Gorgons, have been featured in art and culture spanning from the days of ancient Greece to present day. Medusa has been variously portrayed as a monster, a protective symbol, a rallying symbol for liberty, and a sympathetic victim of rape and/or a curse. She is perhaps best recognized by her hair of living snakes and ability to turn living creatures to stone. Medusa is an ancient icon that remains one of the most popular and enduring figures of Greek mythology. She continues to be recreated in pop culture and art, surpassing the popularity of many other mythological characters. Her likeness has been immortalized by artists including Leonardo da Vinci, Peter Paul Rubens, Caravaggio, Pablo Picasso, Auguste Rodin, and Benvenuto Cellini.Wilk, ''Medusa: Solving the Mystery of the Gorgon'', pg. 200 Ancient times to the Renaissance The Gorgoneion, or Gorgon head, was used in the ancient world as a protective apotropaic sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysiaca
The ''Dionysiaca'' {{IPAc-en, ˌ, d, aɪ, ., ə, ., n, ᵻ, ˈ, z, aɪ, ., ə, ., k, ə ( grc-gre, Διονυσιακά, ''Dionysiaká'') is an ancient Greek epic poem and the principal work of Nonnus. It is an epic in 48 books, the longest surviving poem from Greco-Roman antiquity at 20,426 lines, composed in Homeric dialect and dactylic hexameters, the main subject of which is the life of Dionysus, his expedition to India, and his triumphant return to the west. Composition The poem is thought to have been written in the 5th century AD. The suggestion that it is incomplete misses the significance of the birth of Dionysus' one son (Iacchus) in the final Book 48, quite apart from the fact that 48 is a key number as the number of books in the ''Iliad'' and ''Odyssey'' combined. The older view that Nonnus wrote this poem before conversion to Christianity and the writing of his other long poem, a verse paraphrase of St John's Gospel, is now discredited, since a host of indications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonnus
Nonnus of Panopolis ( grc-gre, Νόννος ὁ Πανοπολίτης, ''Nónnos ho Panopolítēs'', 5th century CE) was the most notable Greek epic poet of the Imperial Roman era. He was a native of Panopolis (Akhmim) in the Egyptian Thebaid and probably lived in the 5th century CE. He is known as the composer of the ''Dionysiaca'', an epic tale of the god Dionysus, and of the ''Metabole'', a paraphrase of the ''Gospel of John''. The epic Dionysiaca describes the life of Dionysus, his expedition to India, and his triumphant return. It was written in Homeric Greek and in dactylic hexameter, and it consists of 48 books at 20,426 lines. Life There is almost no evidence for the life of Nonnus. It is known that he was a native of Panopolis ( Akhmim) in Upper Egypt from his naming in manuscripts and the reference in epigram 9.198 of the ''Palatine Anthology''. Scholars have generally dated him from the end of the 4th to the central years of the 5th century CE. He must have liv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Bound
''Prometheus Bound'' ( grc, Προμηθεὺς Δεσμώτης, ''Promētheús Desmṓtēs'') is an Ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. C. J. Herington claims that Aeschylus certainly did not mean ''Prometheus Bound'' to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that ''Prometheus Bound'' was followed by a work with the title ''Prometheus Lyomenos (Prometheus Unbound)''. Herington adds that "some very slight evidence" indicates that ''Prometheus Unbound'' "may have been followed by a third play", ''Prometheus Pyrphoros (Prometheus the Fire-Bearer)''; the latter two survive only in fragments. Some scholars hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cap Of Invisibility
In classical mythology, the Cap of Invisibility (Ἅϊδος κυνέη ''(H)aïdos kyneē'' in Greek, lit. dog-skin of Hades) is a helmet or cap that can turn the wearer invisible, also known as the Cap of Hades or Helm of Hades. Wearers of the cap in Greek myths include Athena, the goddess of wisdom, the messenger god Hermes, and the hero Perseus. Those wearing the Cap become invisible to other supernatural entities, akin to a cloud of mist sometimes used to remain undetectable. Origins One ancient source that attributes a special helmet to the ruler of the underworld is the '' Bibliotheca'' (2nd/1st century BC), in which the Uranian Cyclops give Zeus the lightning bolt, Poseidon the trident, and a helmet ''(kyneê)'' to Hades (or Pluto) in their war against the Titans. In classical mythology the helmet is regularly said to belong to the god of the underworld. Rabelais calls it the Helmet of Pluto, and Erasmus the Helmet of Orcus. The helmet becomes proverbial for those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet hims ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Shield Of Heracles
The ''Shield of Heracles'' ( grc, Ἀσπὶς Ἡρακλέους, ''Aspis Hērakleous'') is an archaic Greek epic poem that was attributed to Hesiod during antiquity. The subject of the poem is the expedition of Heracles and Iolaus against Cycnus, the son of Ares, who challenged Heracles to combat as Heracles was passing through Thessaly. It has been suggested that this epic might reflect anti-Thessalian feeling after the First Sacred War (595–585 BCE): in the epic, a Thessalian hero interfering with the Phocian sanctuary is killed by a Boeotian hero (Heracles), whose mortal father Amphitryon had for allies Locrians and Phocians. This was a pastiche made to be sung at a Boeotian festival at midsummer at the hottest time of the dogstar '' Sirios''. To serve as an introduction, fifty-six lines have been taken from the Hesiodic '' Catalogue of Women''. The late 3rd- and early 2nd-century BCE critic Aristophanes of Byzantium, who considered the ''Catalogue'' to be the work o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shield Of Heracles
The ''Shield of Heracles'' ( grc, Ἀσπὶς Ἡρακλέους, ''Aspis Hērakleous'') is an archaic Greek epic poem that was attributed to Hesiod during antiquity. The subject of the poem is the expedition of Heracles and Iolaus against Cycnus, the son of Ares, who challenged Heracles to combat as Heracles was passing through Thessaly. It has been suggested that this epic might reflect anti-Thessalian feeling after the First Sacred War (595–585 BCE): in the epic, a Thessalian hero interfering with the Phocian sanctuary is killed by a Boeotian hero (Heracles), whose mortal father Amphitryon had for allies Locrians and Phocians. This was a pastiche made to be sung at a Boeotian festival at midsummer at the hottest time of the dogstar '' Sirios''. To serve as an introduction, fifty-six lines have been taken from the Hesiodic ''Catalogue of Women''. The late 3rd- and early 2nd-century BCE critic Aristophanes of Byzantium, who considered the ''Catalogue'' to be the work of He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
