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Estrangement Effect
The distancing effect, also translated as alienation effect ( or ''V-Effekt''), is a concept in performing arts credited to German playwright Bertolt Brecht. Brecht first used the term in his essay "Alienation Effects in Chinese Acting" published in 1936, in which he described it as performing "in such a way that the audience was hindered from simply identifying itself with the characters in the play. Acceptance or rejection of their actions and utterances was meant to take place on a conscious plane, instead of, as hitherto, in the audience's subconscious". These remarks find their precedent in an essay largely devoted to the theory of Brecht’s epic theater, “ The Author as Producer,” written by Walter Benjamin in 1934. This way of formulating the technique would have been familiar to Brecht from his conversations with Benjamin before he met the Russian playwrights Shlovsky or Tretyakov (to whom he later attributed the coinage), insofar as Benjamin wrote the essay with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Model Of Stage Design For Mother Courage - Bert-Brecht-Haus - Augsburg - Germany
A model is an informative representation of an object, person, or system. The term originally denoted the plans of a building in late 16th-century English, and derived via French and Italian ultimately from Latin , . Models can be divided into physical models (e.g. a ship model or a fashion model) and abstract models (e.g. a set of mathematical equations describing the workings of the atmosphere for the purpose of weather forecasting). Abstract or conceptual models are central to philosophy of science. In scholarly research and applied science, a model should not be confused with a theory: while a model seeks only to represent reality with the purpose of better understanding or predicting the world, a theory is more ambitious in that it claims to be an explanation of reality. Types of model ''Model'' in specific contexts As a noun, ''model'' has specific meanings in certain fields, derived from its original meaning of "structural design or layout": * Model (art), a person ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Robinson (academic)
Douglas Robinson (born September 30, 1954) is an American academic scholar, translator, and fiction-writer who is best known for his work in Translation Studies, translation studies, but has published widely on various aspects of human communication and social interaction (American literature, literary theory, linguistics, linguistic theory, gender theory, Composition studies, writing theory, rhetorical theory). He has translated several Finnish novels, plays, and monographs into English, and his own novel was written in English but first published in Finnish translation. Robinson is currently Professor of Translating and Interpreting at the Chinese University of Hong Kong, Shenzhen and Emeritus Professor of Translation, Interpreting, and Intercultural Studies at Hong Kong Baptist University. Biography Robinson was born in Lafayette, Indiana, to Don and Berta Robinson; his younger brother is automobile designer Michael Vernon Robinson, Michael Robinson. He lived in the Whittier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Likay
Likay (, , ) is a form of popular folk theatre from Central Thailand (not in Bangkok, where Teochew opera are folk theatre.). Its uniqueness is found in the combination of extravagant costumes with barely equipped stages and vaguely determined storylines, so that the performances depend mainly on the actors' skills of improvisation and the audiences' imagination.http://www.siamese-heritage.org/jsspdf/1951/JSS_039_1d_Smithies_LikayOriginFormAndFutureOfSiameseFolkOpera.pdf Origin There are several competing ideas about the origins and development of likay. However, the most likely is that likay has roots in the Malay jikey, an Islamic chant. Since there is a wide gap between this religious performance and folk entertainment, it is also possible that Likay derives from India instead, especially as there are many Indian dance gestures found in the actors' performances. The lack of historic references also creates controversy about the first emergence of likay, but it is most l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Generation
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by members of the Silent Generation in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration. Allen Ginsberg's '' Howl'' (1956), William S. Burroughs' ''Naked Lunch'' (1959), and Jack Kerouac's ''On the Road'' (1957) are among the best-known examples of Beat literature.Charters (1992) ''The Portable Beat Reader''. Both ''Howl'' and ''Naked Lunch'' were the focus of obscenity trials that ultimately helped to liberalize publishing in the United State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saang
Saang, also known as Swang (meaning "imitation") or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. Swang incorporates suitable theatrics and mimicry (or ''naqal'') accompanied by song and dialogue. It is dialogue-oriented rather than movement-oriented. Religious stories and folk tales are enacted by a group of ten or twelve persons in an open area or an open-air theatre surrounded by the audience. Swang as an art of imitation means Rang-Bharna, Naqal-Karna. Swang can be considered as the most ancient folk theatre form in India. Nautanki, Saang, Tamasha originated from the Swang traditions. Old Swang traditions are: "EK MARDANA EK JANANA MANCH PAR ADE THE RAI" means one male and one female performers start the story. "EK SAARANGI EK DHOLAKIA SAATH MEIN ADE THE RAI" means one sarangi player and one dholak player joins the performance. This Swang/Saang performance was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi Theatre
Marathi theatre is theatre in the Marathi language, mostly originating or based in the state of Maharashtra in India, and elsewhere with Marathi diaspora. Starting in the middle of the 19th century, it flourished in the 1950s and 1960s. Today, it continues to have a marked presence in the State of Maharashtra with a loyal audience base, when most theatre in other parts of India have had tough time facing the onslaught of cinema and television. Its repertoire ranges from musicals, humorous social plays, farces, historical plays like 'Vedat Marathe Veer Daudale Saat'"लोककला जिवंत ठेवणारी लेखणी विसावली", ‘दै. लोकमत- पुणे’, दि. १४-नोव्हेंबर-२०२१ by Bashir Momin Kavathekar, to experimental plays and serious drama of the 1970s onwards, by Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar, which have influenced theatre throughout India. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ta'zieh
Ta'zieh (; ; ) means comfort, condolence, or expression of grief. It comes from the roots ''aza'' (عزو and عزى) which mean mourning. It commonly refers to passion plays about the Battle of Karbala and its prior and subsequent events. Sir Lewis Pelly began the preface of his book about Ta'ziyeh maintaining that "If the success of a drama is to be measured by the effects which it produces upon the people for whom it is composed, or upon the audiences before whom it is represented, no play has ever surpassed the tragedy known in the Mussulman world as that of Hasan and Husain." Years later Peter Chelkowski, professor of Iranian and Islamic studies at New York University, chose the same words for the beginning of his book Ta`ziyeh, Ritual and Drama in Iran. Depending on the region, time, occasion, religion, etc. the word can signify different cultural meanings and practices: *In Iranian cultural reference it is categorized as Condolence Theater or Passion Play inspired ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brendan Behan
Brendan Francis Aidan Behan (christened Francis Behan) ( ; ; 9 February 1923 – 20 March 1964) was an Irish poet, short story writer, novelist, playwright, and Irish Republican, an activist who wrote in both English and Irish. His widely acknowledged alcohol dependence, despite attempts to treat it, impacted his creative capacities and contributed to health and social problems which curtailed his artistic output and finally his life. An Irish republican, Irish Republican and a Volunteer (Irish republican), volunteer in the Irish Republican Army (1922–1969), Irish Republican Army (IRA), Behan was born in Dublin into a staunchly republican family, becoming a member of the IRA's youth organization Fianna Éireann at the age of fourteen. There was also a strong emphasis on Irish history and Culture of Ireland, culture in his home, which meant he was steeped in literature and patriotic ballads from an early age. At the age of 16, Behan joined the IRA, which led to his serving tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatre, theatrical entertainment that combines music, dance, and sketch comedy, sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, wikt:ribald, ribald publicity campaigns and the occasional use of wikt:prurient, prurient material, the revue was typically patronized by audience members who earned mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs and dances. Vaudeville became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and films. A vaudeville performer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Theatre
Epic theatre () is a theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is. History The term "epic theatre" comes from Erwin Piscator who coined it during his first year as director of Berlin's Volksbühne (1924–27).Wiles (1980). Piscator aimed to encourage playwrights to address issues related to "contemporary existence." This new subject matter would then be staged by me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Wall
The fourth wall is a performance dramatic convention, convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this "wall", the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism (theatre), realism and naturalism (theatre), naturalism of the Nineteenth-century theatre, theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium, proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a Box set (theatre), box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
