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Essence Of Life (dance Group)
Essence of Life is a performing art group based in Bangalore, established by Dega Deva Kumar Reddy in 2012 to promote teachings of Jiddu Krishnamurti. Essence of Life is a synergy of five Indian classical dance forms - Bharatanatyam, Kuchipudi, Odissi, Kathak and Mohiniyattam. The group organized several dance performances across India in the past decade. Naming The name ''"Essence of Life"'' is inspired from Jiddu Krishnamurti's quote "Meditation is not a separate thing from life; it is the very essence of life, the very essence of daily living". Philosophy Inspired by Jiddu Krishnamurti's teachings, Dega Deva Kumar Reddy conceptualized and produced 'Essence of Life'. The dance form is based on basic human problems and emotions that Jiddu Krishnamurti often addressed in his talks and books - fear, suffering, jealousy, violence, hurt, love and death. Prominent artists from established music and dance traditions across India came together to communicate Krishnamurti's teac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sooraj Santhosh
Sooraj Santhosh (born 19 September 1987) is an Indian playback singer who sings mainly in Telugu, Tamil and Malayalam languages and has also sung in Hindi, Kannada and Badaga. He has sung around 200 songs in 8 Indian languages. He was the former lead vocalist of the band Masala Coffee. Personal life Sooraj Santhosh was born in Paravur in Kollam and then moved to Trivandrum. He attended Government Model Boys Higher Secondary School, Thiruvananthapuram for schooling. He pursued his B.Com. at MG College and his M.Com. at Mar Ivanious College. Singing career He won the 2004 School Youth Festival and 2004–2005 Kerala State Higher Secondary Youth Festival. He represented Kerala University in the South Zone Inter-University Youth Festival and was declared the winner three years in a row – 2009, 2010 and 2011, and participated in the National Inter University Youth Festival. In 2009 he shifted his base from Trivandrum to Chennai. He says that if it was not for his guru, profes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idakka
The ''idakka'' (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name idaykka or idakka is originated from the Sanskrit word श्रीढक्का (Śrīḍhakkā). In Sanskrit, a ḍhakkā is described as a double drum which makes ''ḍhak'' sound. ढक् इति गभीरशब्देन कायतीति (ḍhak iti gabhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanda
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, and each had its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is a subst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial '' tandava'' dance, causing a divine rhythm to resound acros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shehnai
The ''shehnai'' is a musical instrument, originating from the Indian subcontinent. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end.Shehnai Britannica.com. Its sound is thought to create and maintain a sense of auspiciousness and sanctity and as a result, is widely used during s, processions and in s although it is also played in |
Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend ( glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from '' Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the '' Rudra veena'', the '''', the '''' and others. The North Indian ''rudra veena'', u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottuvadhyam
The chitravina ( sa, चित्रवीणा) (also known as chitra veena, chitraveena, chitra vina, hanumad vina, or mahanataka vina) is a 20 or 21-string fretless lute-style veena in Carnatic music. Around the late 19th and early 20th centuries, it started to be known by another name, Gotuvadyam (often mis-spelt as gottuvadyam, and kottuvadyam etc.), which was bestowed upon it by Sakha Rama Rao from Tiruvidaimarudur, who was responsible for bringing it back to the concert scene. Today it is played mainly in South India, though its origins can be traced back to Bharata's Natya Shastra (200 BCE-200 CE), where it is mentioned as a seven string fretless instrument. Sarangadeva (1210–47) also made a similar reference to the chitravina in his work, Sangita Ratnakara. Recent history The ''chitravina'' was popularised in South India by Sakha Rama Rao before his disciple Gotuvadyam Narayana Iyengar (1903 - 1959), who was a palace musician of the erstwhile states of Trav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
