Erik Van Schaaik
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Erik Van Schaaik
Erik van Schaaik (Maartensdijk, 24 July 1968) is a Dutch animator, screenwriter, film and television director, producer, production designer and composer. Biography Erik van Schaaik studied graphic design at the Academy of Art in Arnhem (ArtEZ). He created children's television programs for broadcasting companies VPRO and KRO and animated short films, including VENT which won the FIPRESCI award at the International Animated Film Festival in Annecy, and Under The Apple Tree which won a Golden Calf for Best Short Film at the Netherlands Film Festival. Erik worked with i.a. Il Luster Productions, The Drawing Room, Pedri Animation, Martin Fondse, Eric Vloeimans en Ernst Reijseger. Filmography * 1987 Side Effects – live action – 22 minutes * 1990 Tower Of Pizza's – tabletop animation – 5 x 4 minutes * 1991 Little Jerome – cutout animation – 3 X 4 minutes * 1992 The Night Watch – live action / documentary – 22,5 minutes * 1993 The Little Man In The Radio – live a ...
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Maartensdijk
Maartensdijk is a village in the Netherlands, Dutch province of Utrecht (province), Utrecht. It is a part of the municipality of De Bilt, and lies about 4 km north of Bilthoven. History Maartensdijk was a separate municipality until 2001, when it merged with De Bilt. Until 1812 Maartensdijk was called Oostveen which is pronounced as 'oastfain'. Oostveen means "east fen". A fen is a wetland characterized by Sphagnum, sphagnum moss, peat and an alkaline or neutral pH. Rendering this wetland into agricultural land was initiated by Bishop Godebald van Utrecht (1114–1127) when the Kromme Rijn ("Crooked Rhine") was dammed in 1122 at Wijk bij Duurstede. The same Bishop Godebald gave land development contracts to those who would completely drain this land and make it arable; Oostveen was a large section of this area. The oldest settlement in the area is the village of Voordorp, which gradually became known as Blauwkapel because the chapel's interior was entirely blue. The name Voo ...
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Cutout Animation
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations (made in Argentina by Quirino Cristiani), as is the world's earliest surviving animated feature '' Die Abenteuer des Prinzen Achmed'' (1926) by Lotte Reiniger. The technique of most cutout animation is comparable to that of shadow play, but with stop motion replacing the manual or mechanical manipulation of flat puppets. Some films, including ''Die Abenteuer des Prinzen Achmed'', also have much of their silhouette style in common with shadow plays. Cutout animation pioneer Lotte Reiniger studied the traditions of shadow play and created several shadow play film sequences, including a tribute to François Dominique Séraphin in Jean Renoir's film '' La Marseillaise'' (1938). W ...
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Annecy International Animated Film Festival
The Annecy International Animation Film Festival (, officially abbreviated in English as the Annecy Festival, or simply Annecy) was created in 1960 and takes place at the beginning of June in the town of Annecy, France. Initially occurring every two years, the festival became an annual event in 1998. It is one of the four international animated film festivals organised by the International Animated Film Association (ASIFA). History In the 1960s, the existence of a very active film club in the Savoy region, combined with the encounters of its organizers with the team from the Journées du Cinéma (Cinema Days), facilitated the establishment of the Journées Internationales du Cinéma d'Animation (JICA) in Annecy. Pierre Barbin, André Martin, and Michel Boschet were the founding members. Indeed, in 1956, the directors of the film club, present in Cannes to attend the first edition of the JICA alongside the major festival, realized that the festival wasn't working, as film stars m ...
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Fédération Internationale De La Presse Cinématographique
The International Federation of Film Critics (FIPRESCI, short for ''Fédération Internationale de la Presse Cinématographique'') is an association of national organizations of professional Film criticism, film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June 1930 in Brussels, Belgium. It has members in more than 50 countries worldwide. History In reaction to the 2022 Russian invasion of Ukraine, FIPRESCI announced that it will not participate in festivals and other events organized by the Russian government and its offices, and canceled a colloquium in St. Petersburg, that was to make it familiar with new Russian films. FIPRESCI Award The FIPRESCI often presents awards during film festivals to recognize examples of enterprising filmmaking. Some of these festivals include: the Berlin International Film Festival, the Cannes Film Festival, Vienna In ...
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55th Berlin International Film Festival
The 55th annual Berlin International Film Festival was held from 10 to 20 February 2005. '' Man to Man'' by Régis Wargnier served as opening night film. The festival closed with '' Kinsey'' by Bill Condon. The Golden Bear was awarded to ''U-Carmen eKhayelitsha'' directed by Mark Dornford-May. The retrospective was dedicated to the scene formers. It was titled ''Production Design + Film. Locations, Settings, Spaces'' and was divided into five sections and a total of 45 films were shown at the festival. Juries The following people were announced as being on the jury for the festival: Main Competition * Roland Emmerich, German filmmaker and producer – Jury President * Ingeborga Dapkunaite, Lithuanian actress * Bai Ling, Chinese actress * Franka Potente, German actress * Wouter Barendrecht, Dutch producer * Nino Cerruti, Italian stylist and entrepreneur * Andrey Kurkov, Ukrainian writer and screenwriter Short Films Competition * Gabriela Tagliavini, Argentinian fil ...
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Hieronymus Bosch
Hieronymus Bosch (; ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch people, Dutch painter from Duchy of Brabant, Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic art, fantastic illustrations of religious concepts and narratives. Within his lifetime, his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a highly individualistic pain ...
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CGI Animation
Computer animation is the process used for digitally generating moving images. The more general term computer-generated imagery (CGI) encompasses both still images and moving images, while computer animation refers to moving images. Modern computer animation usually uses 3D computer graphics. Computer animation is a digital successor to stop motion and traditional animation. Instead of a physical model or illustration, a digital equivalent is manipulated frame-by-frame. Also, computer-generated animations allow a single graphic artist to produce such content without using actors, expensive set pieces, or props. To create the illusion of movement, an image is displayed on the computer monitor and repeatedly replaced by a new similar image but advanced slightly in time (usually at a rate of 24, 25, or 30 frames/second). This technique is identical to how the illusion of movement is achieved with television and motion pictures. To trick the visual system into seeing a smoothl ...
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Animation
Animation is a filmmaking technique whereby still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Animation has been recognised as an artistic medium, specifically within the entertainment industry. Many animations are either traditional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms. Animation is contrasted with live action, although the two do not exist in isolation. Many moviemakers have produced films that are a hybrid of the two. As CGI increasingly approximates photographic imagery, filmmakers can easily composite 3D animations into their film rather than using practical effects for showy visual effects (VFX). General overview Computer animation can be very detailed 3D animation, while 2D c ...
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3D Animation
Computer animation is the process used for digitally generating moving images. The more general term computer-generated imagery (CGI) encompasses both still images and moving images, while computer animation refers to moving images. Modern computer animation usually uses 3D computer graphics. Computer animation is a digital successor to stop motion and traditional animation. Instead of a physical model or illustration, a digital equivalent is manipulated frame-by-frame. Also, computer-generated animations allow a single graphic artist to produce such content without using actors, expensive set pieces, or props. To create the illusion of movement, an image is displayed on the computer monitor and repeatedly replaced by a new similar image but advanced slightly in time (usually at a rate of 24, 25, or 30 frames/second). This technique is identical to how the illusion of movement is achieved with television and motion pictures. To trick the visual system into seeing a smoot ...
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2D Animation
Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation of the 20th century, until there was a shift to computer animation in the industry, such as digital ink and paint, a modern form of traditional animation methods, and 3D computer animation. Process Writing and storyboarding Animation production usually begins after a story is converted into an animation film script, from which a storyboard is derived. A storyboard has an appearance somewhat similar to comic book panels, and is a shot by shot breakdown of the staging, acting and any camera moves that will be present in the film. The images allow the animation team to plan the flow of the plot and the composition of the imagery. Storyboard artists will have regular meetings with the director and may redraw or "re-board" a sequence many times before it meets final approval. Voice ...
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Stop Motion
Stop-motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or clay figures (claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop-motion", relating to the animation technique, is often spelled without a hyphen as "stop motion"—either standalone or as a compound modifier. Both orthographic variants, with and without the hyphen, are correct, but the hyphenated one is th ...
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