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Erichthonius Discovered By The Daughters Of Cecrops (Rubens)
''Erichthonios discovered by the daughters of Cecrops'' is a 1616 painting by Peter Paul Rubens. It shows Erichthonius of Athens discovered by the daughters of Cecrops, first king of Attica. It is now in the Liechtenstein Museum The Liechtenstein Museum is a private art museum in Vienna, Austria. It contains much of the art collection of its owners, the Princely Family of Liechtenstein, rulers of the principality of Liechtenstein. It includes important European works of a .... In 1632, Rubens made another painting with the same theme; this painting is on display at the Nationalmuseum in Stockholm, Sweden. References External links * {{17C-painting-stub 1616 paintings Mythological paintings by Peter Paul Rubens Dogs in art Paintings of children ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erichthonius Of Athens
In Greek mythology, King Erichthonius (; grc, , Erikhthónios) was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous (born of the soil, or Earth) and adopted or raised by the goddess Athena. Early Greek texts do not distinguish between him and Erechtheus, his grandson, but by the fourth century BC, during Classical times, they are distinct figures. Etymology Erichthonius of uncertain etymology is possibly related to a pre-Greek form *''Erekteu-''. The connection of with ἐρέχθω, "shake" is a late folk-etymology; other folk-etymologies include , ''erion'', "wool" or ''eris'', "strife"+ ''chthôn or chthonos'', "earth". Mythology Birth According to the '' Bibliotheca'', Athena visited the smith-god Hephaestus to request some weapons, but Hephaestus was so overcome by desire that he tried to seduce her in his workshop. Determined to maintain her virginity, Athena fled, pursued by Hephaestus. He caught Athena and tried to rape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecrops I
Cecrops (; grc, Κέκροψ, ''Kékrops''; ''gen''.: Κέκροπος) was a mythical king of Attica which derived from him its name Cecropia, having previously borne the name of Acte or Actice (from Actaeus). He was the founder and the first king of Athens itself though preceded in the region by the earth-born king Actaeus of Attica. Cecrops was a culture hero, teaching the Athenians marriage, reading and writing, and ceremonial burial. Etymology and form The name of Cecrops is not of Greek origin according to Strabo. It was said that he was born from the earth itself (an autochthon) and was accordingly called a γηγενής (''gēgenḗs'' "native"), and described as having his top half shaped like a man and the bottom half in serpent or fish-tail form. Hence he was called διφυής (''diphuḗs'', "of two natures"). Diodorus rationalized that his double form was because of his double citizenship, Greek and barbarian. Some ancients referred the epithet διφυ� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liechtenstein Museum
The Liechtenstein Museum is a private art museum in Vienna, Austria. It contains much of the art collection of its owners, the Princely Family of Liechtenstein, rulers of the principality of Liechtenstein. It includes important European works of art, forming one of the world's leading private art collections. Its highlight used to be Leonardo da Vinci's portrait of '' Ginevra de' Benci'', which was acquired in 1967 by the National Gallery of Art in Washington, D.C. The museum, which was originally open to the public from the early 19th century until the Anschluss of 1938, had various locations, including the Liechtenstein Garden Palace (''Gartenpalais'') at Fürstengasse 1 in Vienna's 9th District ( Alsergrund), and the Liechtenstein City Palace (''Stadtpalais'') at Bankgasse 9 in Vienna's 1st District (Innere Stadt). The museum was reopened on 29 March 2004 in the Garden Palace, but after battling with low visitor numbers, it was closed for regular visiting by the public in Nove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Daughters Of Cecrops Discovering Erichtonius, 1632, By Peter Paul Rubens (1577-1640)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1616 Paintings
Events January–June * January ** Six-year-old António Vieira arrives from Portugal, with his parents, in Bahia (present-day Salvador) in Colonial Brazil, where he will become a diplomat, noted author, leading figure of the Church, and protector of Brazilian indigenous peoples, in an age of intolerance. ** Officials in Württemberg charge astronomer Johannes Kepler with practicing "forbidden arts" (witchcraft). His mother had also been so charged and spent 14 months in prison. * January 1 – King James I of England attends the masque ''The Golden Age Restored'', a satire by Ben Jonson on fallen court favorite the Earl of Somerset. The king asks for a repeat performance on January 6. * January 3 – In the court of James I of England, the king's favorite George Villiers becomes Master of the Horse (encouraging development of the thoroughbred horse); on April 24 he receives the Order of the Garter; and on August 27 is created Viscount Villiers and Baron Waddon, receiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythological Paintings By Peter Paul Rubens
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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