|
Emma Romer
Emma Romer, afterwards Emma Almond (1814–1868) was a leading British soprano of the 19th century, and for three years a theatre manager and producer. Biography Emma Romer, born in 1813, was the daughter of John Romer and his wife, Elizabeth Cooper. The Romers were a theatrical family - "uncles! aunts! cousins! brothers! sisters! - all have "smelt the lamp"', as a contemporary publication puts it. She was a pupil of James Elliot, and later of Sir George Smart (according to the Dictionary of National Biography. Another source indicates she was first taught by a Mr. Watson, and then for a short period by Smart, and afterwards - Smart's fees being more than the family could afford - by Elliot). Her first theatrical appearance was announced at Covent Garden Theatre for 16 October 1830, when, as Clara in '' The Duenna'', she exhibited a soprano voice of great volume and compass, together with considerable dramatic talent. But the faultiness of her voice-production, and failure in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Malibran
Maria Felicia Malibran (; 24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Early life María Felicitas García Sitches was born into a famous Spanish musical family in Paris. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between two powerful egos. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Field (magazine)
''The Field'' is a British monthly magazine about country matters and field sports. It was started as a weekly magazine in 1853, and has remained in print since then; Robert Smith Surtees was among the founders. In the nineteenth century, it was known as ''Field: The Country Gentleman's Newspaper''. The magazine is one of the earliest hobby magazines. It is published by Future plc. Editors of ''The Field'' * 1853–1857: Mark Lemon Mark Lemon (30 November 1809, in London – 23 May 1870, in Crawley) was the founding editor of both ''Punch (magazine), Punch'' and ''The Field (magazine), The Field''. He was also a writer of Play (theatre), plays and verses. Biography ... * 1857–1888: John Henry Walsh * 1888–1899: Frederick Toms * 1900–1910: William Senior * 1910–1928: Sir Theodore Andrea Cook * 1931–1937: Eric Parker * 1938–1946: Brian Vesey-Fitzgerald * 1947–1950: Leonard V. Dodds * 1951–1977: Wilson Stephens * 1977–1984: Derek Bingham * 1984–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch (magazine)
''Punch, or The London Charivari'' was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Artists at ''Punch'' included John Tenniel who, from 1850, was the chief cartoon artist at the magazine for over 50 years. The editors took the anarchic puppet Mr Punch, of Punch and Judy, as their mascot—the character appears in many magazine covers—with the character also an inspiration for the magazine's name. With its satire of the contemporary, social, and political scene, ''Punch'' became a household name in Victorian Britain. Sales of 40,000 copies a week by 1850 rose above 100,000 by 1910. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002. History ''Punch'' was found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Lemon
Mark Lemon (30 November 1809, in London – 23 May 1870, in Crawley) was the founding editor of both ''Punch (magazine), Punch'' and ''The Field (magazine), The Field''. He was also a writer of Play (theatre), plays and verses. Biography Lemon was born in Marylebone, Westminster, Middlesex, on 30 November 1809. He was the son of Martin Lemon, a hop merchant, and Alice Collis. His parents married on 26 December 1808 at St Marylebone Parish Church, St Mary, Marylebone, Westminster. His father died in Hendon in 1818, and between 1817 and 1823 Lemon lived at Church Farmhouse Museum, Church Farmhouse, where a blue plaques, blue plaque commemorates him. Lemon was educated at Cheam School, then in Surrey. This was then strictly for the sons of gentlemen only, and a boy had to leave when his father was found to be a tradesman, with a shop in London selling cutlery. It seems that the family background of young Lemon was not discovered.Arthur A. Adrian, ''Mark Lemon: First Editor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Laban Conservatoire Of Music And Dance
Trinity Laban Conservatoire of Music and Dance is a music, dance, and musical theatre conservatoire based in South East London. It was formed in 2005 as a merger of two older institutions – Trinity College of Music and Laban Dance Centre. Trinity Laban provides training in all aspects of classical music, jazz, popular music, composition, musical theatre, contemporary dance, dance science, choreography, and music education. The conservatoire has undergraduate and postgraduate students based at three campuses in Greenwich, Deptford and New Cross. Trinity Laban also runs a Centre for Advanced Training programme for young dancers aged 12 to 17 and a junior music department (Junior Trinity), designed for young musicians aged 3 to 19. The conservatoire has formed academic partnerships with institutions including Beijing Dance Academy, KM Music Conservatory, and the University of Melbourne and industry partnerships include Trinity College London, Studio Wayne McGregor, and the Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brompton Cemetery
Brompton Cemetery (originally the West of London and Westminster Cemetery) is since 1852 the first (and only) London cemetery to be Crown Estate, Crown property, managed by The Royal Parks, in West Brompton in the Royal Borough of Kensington and Chelsea. It is one of the Magnificent Seven cemeteries. Established by Act of Parliament and laid out in 1839, it opened in 1840. Consecrated by Charles James Blomfield, Bishop of London, in June 1840, it is one of Britain's oldest and most distinguished Garden cemetery, garden cemeteries. Some 35,000 monuments, from simple headstones to substantial mausolea, mark more than 205,000 resting places. The site includes large plots for family mausolea, and common graves where coffins are piled deep into the earth. It also has a small columbarium, and a secluded Garden of Remembrance at the northern end for cremated remains. The cemetery continues to be open for burials. It is also known as an urban haven for nature. In 2014, it was awarded a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margate
Margate is a seaside resort, seaside town in the Thanet District of Kent, England. It is located on the north coast of Kent and covers an area of long, north-east of Canterbury and includes Cliftonville, Garlinge, Palm Bay, UK, Palm Bay and Westbrook, Kent, Westbrook. In 2011 it had a population of 61,223. The town has been a significant maritime port since the Middle Ages, and was associated with Dover as part of the Cinque Ports in the 15th century. It became a popular place for holidaymakers in the 18th century, owing to easy access via the Thames, and later with the arrival of the railways. Popular landmarks include the sandy beaches and the Dreamland Margate, Dreamland amusement park. During the late 20th century, the town went into decline along with other British seaside resorts, but attempts are being made to revitalise the economy. History Margate was listed in the Domesday Book of 1086 as lying within the hundred of Thanet and the county of Kent. Margate was rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrey Theatre
The Surrey Theatre, London began life in 1782 as the Royal Circus and Equestrian Philharmonic Academy, one of the many circuses that provided entertainment of both horsemanship and drama ( hippodrama). It stood in Blackfriars Road, near the junction with Westminster Bridge Road, just south of the River Thames in what is now the London Borough of Southwark. History The ''Royal Circus'' was opened on 4 November 1782 by the composer and songwriter, Charles Dibdin (who coined the term "circus" for that usage), aided by Charles Hughes, a well-known equestrian performer. The entertainments were at first performed by children with the goal of its being a nursery for young actors. Delphini, a celebrated buffo, became manager in 1788 and produced a spectacle including a real stag-hunt. Other animal acts followed, including the popular dog act ''Gelert and Victor'', lecture pieces, pantomimes and local spectacles. The popular comedian John Palmer then managed the theatre until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maritana
''Maritana'' is a three-act opera including both spoken dialogue and some recitatives, composed by William Vincent Wallace, with a libretto by Edward Fitzball (1792–1873). The opera is based on the 1844 French play ''Don César de Bazan'' by Adolphe d'Ennery and Philippe François Pinel ( Dumanoir), which was also the source material for Jules Massenet's opéra comique '' Don César de Bazan'' (the character of Don César de Bazan first appeared in Victor Hugo's ''Ruy Blas''). The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845. The first of six operas by Wallace, the work is often cited as an inspiration for a plot device in Gilbert and Sullivan's comic opera ''The Yeomen of the Guard'' in which a man weds a woman while awaiting execution in prison, escapes and, while he is disguised, the couple fall in love. Performance history ''Maritana'' was first produced at the Theatre Royal, Drury Lane under Alfred Bunn's management on 15 November 1845, conduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bohemian Girl
''The Bohemian Girl'' is an English language Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes' tale, ''La gitanilla''. The best-known aria from the piece is "I Dreamt I Dwelt in Marble Halls" in which the main character, Arline, describes her vague memories of her childhood. It has been recorded by many artists, most famously by Dame Joan Sutherland, and also by the Norwegian soprano Sissel Kyrkjebø and Irish singer Enya. Performance history The opera was first produced in London at the Theatre Royal, Drury Lane, Drury Lane Theatre on 27 November 1843. The production ran for more than 100 nights and enjoyed many revivals worldwide including: New York City (25 November 1844), Dublin (1844) and Philadelphia (1844).Loewenberg, columns 832-833. Loewenberg's listing of a production in Madrid on 9 April 1845 in an Italian translation by R. Paderni is evidently incorrect. No such performance can be t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written in French by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
