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Elisa E Claudio
''Elisa e Claudio, ossia L'amore protetto dall'amicizia'' (''Elisa and Claudio, or Love Protected by Friendship'') is a two-act melodramma semiseria by the 19th Century Italian composer Saverio Mercadante from a libretto by Luigi Romanelli based on the play, ''Rosella'' by Filipo Casari. It received its premiere performance at La Scala in Milan on 30 October 1821. Mercadante began to compose operas in 1819, and ''Elisa'' was his seventh. It "was his first great success, and his only comedy to maintain its place alongside the serious works of his later years. Performance history Initially successful, the opera was presented at His Majesty's Theatre in London in April 1823, followed a month later at the then-named Théâtre royal italien in Paris on 22 November. The US premiere occurred on 18 October 1832 in New York City.Rose 2001, p. 565 ''Elisa'' is the only Mercadante comic opera to have been presented in recent years. In fact, very few revivals of any of the composer's ...
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Saverio Mercadante By Cefaly
Saverio is a given name of Italian people, Italian origin. It is a cognate of Xavier (given name), Xavier and Javier (name), Javier, both of which originate from ''Xabier'', the Basque language, Basque name for the Spanish town Javier, Spain, Javier. ''Xabier'' is itself the Aragonese language, romanization of ''etxe berri'' meaning "new house" or "new home". Retrieved 28 October 2015 People ; Given name *Sav Rocca (Saverio Giovanni Rocca) (born 1973), Australian professional American football player in the USA *Saverio Bettinelli (1718–1808), Italian writer *Saverio Costanzo (born 1975), Italian film director *Saverio Fava (1832–1913), first Italian ambassador to the USA *Saverio Gandini (1729–1796), Italian painter of the late-Baroque and Neoclassic periods *Saverio Mammoliti (born 1942), Italian 'Ndrangheta boss from Oppido Mamertina and Castellace in Calabria *Saverio Mercadante (1795–1870), Italian composer *Savério, Savério Romano (born 1925), Brazilian footballer ; ...
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Wexford Festival
Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. Festival origins, growth and development Tom Walsh, 1951 to 1966 Tom Walsh, an avid opera lover, dreamt of staging an opera production in his hometown Wexford. He started the Wexford Opera Study Circle in 1950, and invited Sir Compton Mackenzie, the founder of the magazine '' The Gramophone'' and a writer on music, for the inaugural lecture for the circle. Mackenzie and Walsh discussed the idea of a local opera festival, and Mackenzie became the first President of the Wexford Festival of Music and the Arts. The result was that a group of opera lovers (including Dr. Tom Walsh who was to become the festival's first artistic director) planned a "Festival of Music and the Arts" (as the event was first called) from 21 October to 4 November 1951. The highlight was a production of the 19t-century Irish composer Michael William Ba ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ...
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Virginia Zeani
Virginia Zeani (born Virginia Zehan; 21 October 1925 – 20 March 2023) was a Romanian-born opera singer who sang leading soprano roles in the opera houses of Europe and North America. As a singer, she was known for her dramatic intensity and the beauty, wide range, and suppleness of her voice, which allowed her to sing a repertoire of 69 roles ranging from the heroines in belcanto operas by Rossini and Donizetti to those of Wagner, Puccini and Verdi. She also created roles in several 20th-century operas, including Blanche in Poulenc's '' Dialogues of the Carmelites''. Zeani made her professional debut in 1948 as Violetta in '' La traviata'', which would become one of her signature roles; she performed this role over 640 times. After her retirement from the stage in 1982, she became a well-known voice teacher. She was married to the Italian bass Nicola Rossi-Lemeni from 1957 until his death in 1991. They both taught at Indiana University's Jacobs School of Music for many year ...
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Julian Budden
Julian Medforth Budden (9 April 1924 in Hoylake, Wirral – 28 February 2007 in Florence, Italy) was a British opera scholar, radio producer and broadcaster. He is particularly known for his three volumes on the operas of Giuseppe Verdi (published in 1973, 1978, and 1981), a single-volume biography in 1982 and a single-volume work on Giacomo Puccini and his operas in 2002. He is also the author of numerous entries in the ''Grove Dictionary of Music and Musicians''. Personal life His parents were the then professor of architecture at Liverpool University, Lionel Budden, and a poet, writer and journalist Maud, (née Fraser) who from 1938 until 1964 provided the rhymes for the strip ''Curly Wee and Gussie Goose'', which was syndicated in newspapers throughout the world. Neither of his parents was especially musical and were not interested in what little opera was available locally. His operatic awakening occurred at school when a touring company with piano accompaniment and spoken ...
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Alessandro Sanquirico - Sotterraneo (set Design For Opera 'Elisa E Claudio' By Saverio Mercadante, 1821) (cropped)
Alessandro is both a given name and a surname, the Italian form of the name Alexander. Notable people with the name include: People with the given name Alessandro * Alessandro Allori (1535–1607), Italian portrait painter * Alessandro Baricco (born 1958), Italian novelist * Alessandro Bastoni (born 1999), Italian footballer * Alessandro Bega (born 1991), Italian tennis player * Alessandro Bordin (born 1998), Italian footballer * Alessandro Botticelli (1445–1510), Italian painter * Alessandro Bovo (born 1969), Italian water polo player * Alessandro Cagliostro (1743–1795), alias of occultist and adventurer Giuseppe Balsamo * Alessandro Calcaterra (born 1975), Italian water polo player * Alessandro Calvi (born 1983), Italian swimmer * Alessandro Cattelan (born 1980), Italian television preesenter * Alessandro Cortini (born 1976), Italian musician * Alessandro Criscuolo (1937–2020), Italian judge * Alessandro Del Piero (born 1974), Italian footballer * Alessandro Di Munno ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Luigi Lablache
Luigi Lablache (6 December 1794 – 23 January 1858) was an Italian opera singer of French and Irish ancestry. He was most noted for his comic performances, possessing a powerful and agile bass voice, a wide range, and adroit acting skills: Leporello in ''Don Giovanni'' was one of his signature roles. Biography Luigi Lablache was born in Naples, the son of Nicolas Lablache, a merchant from Marseille, France, to an Irish lady Rose Anne Maguire. He was educated from 1806 at the Conservatorio della Pietà de' Turchini in Naples, where Gentili taught him the elements of music, and Giovanni Valesi instructed him in singing, while at the same time he studied the violin and cello. He fled the Conservatorio five times in order to pursue an acting career, but each time he was brought back in disgrace.Grove Dictionary of Music and Musicians, 5th ed., 1954, Eric Blom, ed. His voice was a beautiful contralto, and just before it broke he sang the solos in Mozart's ''Requiem'' on the dea ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Domenico Donzelli
Domenico Donzelli (2 February 1790 – 31 March 1873) was an Italian tenor with a robust voice who enjoyed an important career in Paris, London and his native country during the 1808-1841 period. Biography Donzelli can be regarded as an offshoot of the so-called Bergamo tenor school which had originated with Giacomo David and Gaetano Crivelli, and which also included Giovanni David, Andrea Nozzari, Marco Bordogni, and Giovanni Battista Rubini. Donzelli made his debut in his home town, in 1808, as a second tenor in an opera by Johann Simon Mayr. He soon moved to Naples and performed many roles there, including that of Cinna in a revival of Gaspare Spontini's '' La Vestale''. He became well known in 1815 when Rossini wrote for him the role of Torvaldo in ''Torvaldo e Dorliska'', and when, the following year, he made his first appearance at the ''Teatro alla Scala'' as the protagonist of Ferdinando Paër's ''Achille''. His career made subsequent headway in major Itali ...
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