Elemental (Dungeons
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Elemental (Dungeons
An elemental is a mythic supernatural being that is described in occult and alchemical works from around the time of the European Renaissance, and particularly elaborated in the 16th century works of Paracelsus. According to Paracelsus and his subsequent followers, there are four categories of elementals, which are gnomes, undines, sylphs, and salamanders. These correspond to the four Empedoclean elements of antiquity: earth, water, air, and fire, respectively. Terms employed for beings associated with alchemical elements vary by source and gloss. History The Paracelsian concept of elementals draws from several much older traditions in mythology and religion. Common threads can be found in folklore, animism, and anthropomorphism. Examples of creatures such as the Pygmy were taken from Greek mythology. The elements of earth, water, air, and fire, were classed as the fundamental building blocks of nature. This system prevailed in the Classical world and was highly influenti ...
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Undine Rising From The Waters, Front
Undines (; also ondines) are a category of elemental beings associated with water, stemming from the alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's 1837 "The Little Mermaid" and the 1811 novella '' Undine'' by Friedrich de la Motte Fouqué. Etymology The term ''Undine'' first appears in the alchemical writings of Paracelsus, a Renaissance alchemist and physician. It derives from the Latin word ''unda'', meaning "wave", and first appears in Paracelsus' ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'', published posthumously in 1566. ''Ondine'' is an alternative spelling, and has become a female given name. Elementals Paracelsus believed that each of the four classical elementsearth, water, air and fireis inhabited by different categories of elemental spirits, liminal cr ...
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Animism
Animism (from meaning 'breath, spirit, life') is the belief that objects, places, and creatures all possess a distinct spiritual essence. Animism perceives all things—animals, plants, rocks, rivers, weather systems, human handiwork, and in some cases words—as being animated, having agency and free will. Animism is used in anthropology of religion as a term for the belief system of many Indigenous peoples in contrast to the relatively more recent development of organized religions. Animism is a metaphysical belief which focuses on the supernatural universe: specifically, on the concept of the immaterial soul. Although each culture has its own mythologies and rituals, animism is said to describe the most common, foundational thread of indigenous peoples' "spiritual" or "supernatural" perspectives. The animistic perspective is so widely held and inherent to most indigenous peoples that they often do not even have a word in their languages that corresponds to "animism" (o ...
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Salamander (legendary Creature)
The salamander is an amphibian of the order Urodela which once, like many real creatures, often was suppositiously ascribed fantastic and sometimes occult qualities by pre-modern authors, as in the allegorical descriptions of animals in medieval bestiaries. The legendary salamander is often depicted as a typical salamander in shape, with a lizard-like form, but is usually ascribed an affinity with fire, sometimes specifically elemental fire. European lore This legendary creature embodies the fantastic qualities that ancient and medieval commentators ascribed to the natural salamander. Many of these qualities are rooted in verifiable traits of the natural creature but often exaggerated. A large body of legend, mythology, and symbolism has developed around this creature over the centuries. Carl Linnaeus in the 10th edition of ''Systema Naturae'' of 1758 established the scientific description of the salamander and noted the chief characteristics described by the ancients: the ...
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Sylph
A sylph (also called sylphid) is an air spirit stemming from the 16th-century works of Paracelsus, who describes sylphs as (invisible) beings of the air, his elementals of air. A significant number of subsequent literary and occult works have been inspired by Paracelsus's concept: Robert Alfred Vaughan noted that "the wild but poetical fantasies" of Paracelsus had probably exercised a larger influence over his age and the subsequent one than is generally supposed, particularly on the Rosicrucians, but that through the 18th century they had become reduced to "machinery for the playwright" and "opera figurantes with wings of gauze and spangles". Etymology "Sylph" is possibly a blend of from Latin '' sylvestris'' and '' nympha'', ''sylvestris'' being a common synonym for sylph in Paracelsus. Anthon and Trollope note a similar usage in the ''Aeneid'', where ''silvestris'' is taken as an elliptical form of ''nympha silvestris'' ("forest nymph"). Jacob Grimm uses this phrase as a glos ...
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Undine (alchemy)
Undines (; also ondines) are a category of elemental beings associated with water, stemming from the alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's 1837 "The Little Mermaid" and the 1811 novella '' Undine'' by Friedrich de la Motte Fouqué. Etymology The term ''Undine'' first appears in the alchemical writings of Paracelsus, a Renaissance alchemist and physician. It derives from the Latin word ''unda'', meaning "wave", and first appears in Paracelsus' ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'', published posthumously in 1566. ''Ondine'' is an alternative spelling, and has become a female given name. Elementals Paracelsus believed that each of the four classical elementsearth, water, air and fireis inhabited by different categories of elemental spirits, liminal cr ...
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Gnome
A gnome () is a mythological creature and diminutive spirit in Renaissance magic and alchemy, introduced by Paracelsus in the 16th century and widely adopted by authors, including those of modern fantasy literature. They are typically depicted as small humanoids who live underground. Gnome characteristics are reinterpreted to suit various storytellers and artists. Paracelsus's gnome is recognized to have derived from the German miners' legend about or , the "metallurgical or mineralogical demon", according to Georg Agricola (1530), also called (literal Latinization of ''Bergmännlein'', "mountain manikin") by Agriocola in a later work (1549), and described by other names such as (sing. ; Latinization of German ). Agricola recorded that, according to the legends of that profession, these mining spirits acted as miming and laughing pranksters who sometimes threw pebbles at miners, but could also reward them by depositing a rich vein of silver ore. Paracelsus also called ...
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A Book On Nymphs, Sylphs, Pygmies, And Salamanders, And On The Other Spirits
''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'' () is a treatise by the Swiss lay theologian and philosopher Paracelsus, published posthumously in 1566. It is about elemental beings and their place in a Christian cosmology. Background ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'' was written by Paracelsus (1493/1494 – 1541) late in his life, but it is not known what exact year it is from. The descriptions of elemental beings are based on various ancient and traditional sources, which the author adapted and reinterpreted. Summary Paracelsus argues from his reading of the Biblical creation narrative that man needs to use philosophy to gain knowledge about the natural world, or he will not be able to understand Christ and appreciate the Bible. The natural world contains many strange things, including elemental beings corresponding to the four classical elements: undines (water), sylphs ( air), gnomes (ea ...
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Homunculus
A homunculus ( , , ; "little person", : homunculi , , ) is a small human being. Popularized in 16th-century alchemy and 19th-century fiction, it has historically referred to the creation of a miniature, fully formed human. The concept has roots in preformationism as well as earlier folklore and alchemic traditions. The term lends its name to the cortical homunculus, an image of a person with the size of the body parts distorted to represent how much area of the cerebral cortex of the brain is devoted to it. History Alchemy file:Paracelsus219.jpg, upParacelsus is credited with the first mention of the homunculus in ''De homunculis'' (c. 1529–1532), and ''De natura rerum'' (1537). During medieval and early modern times, it was thought that homunculus, an artificial humanlike being, could be created through alchemy. The homunculus first appears by name in alchemical writings attributed to Paracelsus (1493–1541). ''De natura rerum'' (1537) outlines his method for c ...
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Natural Philosophy
Natural philosophy or philosophy of nature (from Latin ''philosophia naturalis'') is the philosophical study of physics, that is, nature and the physical universe, while ignoring any supernatural influence. It was dominant before the development of modern science. From the ancient world (at least since Aristotle) until the 19th century, ''natural philosophy'' was the common term for the study of physics (nature), a broad term that included botany, zoology, anthropology, and chemistry as well as what is now called physics. It was in the 19th century that the concept of science received its modern shape, with different subjects within science emerging, such as astronomy, biology, and physics. Institutions and communities devoted to science were founded. Isaac Newton's book '' Philosophiæ Naturalis Principia Mathematica'' (1687) (English: ''Mathematical Principles of Natural Philosophy'') reflects the use of the term ''natural philosophy'' in the 17th century. Even in the 1 ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empireâ ...
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Classical Antiquity
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural History of Europe, European history between the 8th century BC and the 5th century AD comprising the interwoven civilizations of ancient Greece and ancient Rome, Rome known together as the Greco-Roman world, centered on the Mediterranean Basin. It is the period during which ancient Greece and Rome flourished and had major influence throughout much of Europe, North Africa, and West Asia. Classical antiquity was succeeded by the period now known as late antiquity. Conventionally, it is often considered to begin with the earliest recorded Homeric Greek, Epic Greek poetry of Homer (8th–7th centuries BC) and end with the fall of the Western Roman Empire in 476 AD. Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vision among later people of what was, in Ed ...
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Classical Elements
The classical elements typically refer to earth, water, air, fire, and (later) aether which were proposed to explain the nature and complexity of all matter in terms of simpler substances. Ancient cultures in Greece, Angola, Tibet, India, and Mali had similar lists which sometimes referred, in local languages, to "air" as "wind", and to "aether" as "space". These different cultures and even individual philosophers had widely varying explanations concerning their attributes and how they related to observable phenomena as well as cosmology. Sometimes these theories overlapped with mythology and were personified in deities. Some of these interpretations included atomism (the idea of very small, indivisible portions of matter), but other interpretations considered the elements to be divisible into infinitely small pieces without changing their nature. While the classification of the material world in ancient India, Hellenistic Egypt, and ancient Greece into air, earth, fir ...
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