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Drum And Bass
Drum and bass (commonly abbreviated as DnB, D&B, or D'n'B) is a genre of electronic dance music characterised by fast Break (music)#Breakbeat (element of music), breakbeats (typically 165–185 Tempo, beats per minute) with heavy Bass (music), bass and sub-bass lines, Sampling (music), samples, and synthesizers. The genre grew out of the UK's Jungle music, jungle scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub music, dub and reggae sound that influenced Jungle music, jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' break (music), breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (also known as liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced other genres such a ...
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Jungle Music
Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origins The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992 and 1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial-style stabs had emerged from late ...
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Neurofunk
Neurofunk (also known informally as neuro) is a dark subgenre of drum and bass which emerged between 1997 and 1998 in London, England as a progression of techstep. It was further developed by juxtaposing elements of darker, heavier, and harder forms of funk with multiple influences ranging from techno, house and jazz, distinguished by consecutive stabs over the bassline; razor-sharp backbeats; scarce or nonexistent traditional melodies; a hyper focus on sub sound design; the use of modulated, distorted and filtered synthesizers and audio capture from samplers such as the Akai S1000 and Emu E6400. History The first sounds of neurofunk emerged from techstep within the larger musical genre of drum and bass and jungle during the late nineties. Neurofunk's early evolution – when diverging from techstep – can be heard on Ed Rush and Optical's ''Funktion'' (1997) single for V Recordings, as well as on their first album ''Wormhole'' (1998) for Virus Recordings. The fi ...
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Glitch (music)
Glitch is a genre of experimental electronic music that emerged in the 1990s, which is distinguished by the deliberate use of glitches in audio media and other sonic artifacts. The sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors, as well as abstract sound design produced from the intended use of these technologies. Devices that were already broken are often used, while other times devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance ...
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Junglist
Junglist is a slang term which first referred to a person living in an area of West Kingston, Jamaica, called Jungle. It was later used as a term to refer to someone who is a dedicated listener of jungle and/or drum & bass music. Tracks from this genre often contain calls and references to the "original junglists" and "jungle soldiers". History The term itself is connected with the origin of the name jungle. During the time of junglists, they were sometimes referred to as "rude bwoii", a slang term originally used by Jamaicans (as rude boy), meaning "gangsta" or "badbwoy" ("bad boy"). The term refers to an inner city area of West Kingston, Jamaica, called Jungle (the subject of the Bob Marley song "Concrete Jungle", from the Wailers album ''Catch a Fire''). 'Junglist' developed into a slang term for outlaw toughs who have ostensibly survived- or operate according to the 'law of the jungle'. Certain tracks made references to the "original rudebwoys" or "original gangstas" as d ...
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History Of Drum And Bass
Drum and bass (commonly abbreviated to DnB, D&B, Drum n Bass and Drum & Bass) is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore (and its derivatives of darkcore, and hardcore jungle). The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres. United Kingdom Drum and bass began as a musical paradigm shift of the United Kingdom breakbeat hardcore and rave scene of the mid 1990s; and over the first decade and a half of its existence there have been many permutations in its style, incorporating elements from dancehall, Electro music, electro, funk, hip hop, House music, house, jazz, pop music, pop-created fusion of hardcore, house and techno (also including new beat). This scene existed briefly from approximately 1989-1993, a period of cross-pollination in the UK hardcore sound. This sound did survive in variou ...
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:Category:Drum And Bass Record Labels
This category lists record labels that publish drum and bass music. {{Commons category, Drum and bass record labels Record labels "Big Three" music labels A record label or record company is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and t ... Drum and bass ...
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List Of Jungle And Drum And Bass Artists
This is a list of jungle and drum and bass artists/DJs. This includes notable artists who have either been very important to the genre or have had a considerable amount of exposure (such as those who have been on a major label). This list does not include little-known local artists. Artists are listed by the first letter of their pseudonym (not including the words "a", "an", or "the"), and individuals are listed by last name. __NOTOC__ 0–9 * 4hero A * AK1200 * Adam F * Alex Reece * Alix Perez * Amon Tobin * Andy C * Aphex Twin * Aphrodite * Aquasky * Audio B * B-Complex * Bachelors of Science * Bad Company * Billain * Black Sun Empire * Blame (music producer) * Blu Mar Ten * Blanke * Blue Stahli * Michiel van den Bos * Boymerang * Breakbeat Era * Justin Broadrick * Brookes Brothers * Danny Byrd C *Calibre * Calyx * Camo & Krooked * Davide Carbone * Cause 4 Concern * Celldweller * Chase & Status * Commix * Concord Dawn * Corrupt Souls * Counterstrike ...
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Sambass
Sambass, drum 'n' bossa or drum 'n' sambass (a portmanteau of "samba" and "bass") is a regional subgenre of drum and bass music mostly native to Brazil, which combines drum and bass rhythms with influences from Latin American music. Popular artists in the genre include DJ Marky Marco Antonio da Silva, known professionally as DJ Marky, is a Brazilian drum and bass DJ. Together with DJ Patife, XRS Land and Drumagick, Brazilians were forging a new sound in drum and bass that became popular around the world with release ..., DJ Patife, XRS Land, Drumagick, Marcelinho da Lua, Kaleidoscopio and DJ Roots. Four compilation albums titles ''Sambass Vol. 1'' through ''Sambass Vol. 4'' were released to international acclaim, by the Italian record label Cuadra. References External linksLe News di UTS.IT: "The New Brazilian Sound" (Italian) Brazilian styles of music Drum and bass genres Samba music genres {{DnB-stub ...
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Raggacore
Breakcore is a style of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me Wood, featuring local acts such ...
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Digital Hardcore
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal, industrial and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or leftist lyrical themes. Characteristics Digital hardcore music is typically fast and abrasive, combining the speed, heaviness and attitude of hardcore punk, thrash metal, and riot grrrl with electronic music such as hardcore techno, gabber, jungle, drum and bass, glitch, and industrial rock. Some bands, like Atari Teenage Riot, incorporate elements of hip-hop music, such as freestyle rap. According to Jeff Terich of ''Treble Media'', digital hardcore is "on the verge of reaching speeds incompatible with popular music, as if the rapid acceleration of BPMs would render the ide ...
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Breakcore
Breakcore is a style of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me Wood, featuring local acts such ...
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Drill 'n' Bass
Drill 'n' bass is a subgenre of drum and bass which developed in the mid-1990s as intelligent dance music, IDM artists began experimenting with elements of jungle music, jungle and breakbeat hardcore, breakbeat music. Artists utilized powerful digital audio workstation, audio software to program frenzied, irregular beats that often discouraged dancing. The style was often interpreted as having a lightly Parody, parodic relationship with the Dance music, dance styles that inspired it.Simon Reynolds. ''Energy Flash: A Journey Through Rave Music and Dance Culture''. Soft Skull Press, 2012. p. 382-383 Characteristics ''AllMusic'' referred to the genre as "a spastic form of jungle music, breakbeat jungle that relied on powerful audio software and patient programming to warp old midtempo beats and breaks into a frenzied, experimental potpourri of low-attention-span electronic music." Critic Simon Reynolds described it as "jungle by non-junglists for non-junglists," stating that produc ...
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