Divadlo Za Branou (opera)
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Divadlo Za Branou (opera)
''Divadlo za bránou'' (''The Theatre beyond the Gate'', H.251, sometimes translated as ''The Suburban Theatre'') is a 1936 stage work in three acts by Bohuslav Martinů with his own libretto; the first act is a ballet pantomime (with no words); acts two and three are entitled opera buffa.Smaczny, Jan. Bohuslav Martinů. In: ''The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. The work is a mixture of theatrical styles: ballet and pantomime, opera buffa and folk dance and music from Czechoslovakia. He aimed to employ texts "once the vehicle of genuine folk theatre" to emphasize the theatrical principle rather than what he described as "a musical libretto" where music simply accompanies the nuances of the drama. The title refers to a place of entertainment outside the gates of a city, such as where a travelling troupe might perform.Allison, John. CD review – Theatre Behind the Gate, Martinů. ''Opera'', March 2020, Volume 71 No. 3, p384-385. Background As well ...
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Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphony, symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber music, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk (composer), Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his ''La revue de cuisine, Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: Neoclassicism (music), neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a mo ...
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National Theatre (Prague)
The National Theatre () is a historic opera house in Prague, Czech Republic. It is known as the alma mater of Czech opera, and as the national monument of Czech history and art. The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition, which helped to preserve and develop the most important features of the nation–the Czech language and a sense for a Czech musical and dramatic way of thinking. Today the National Theatre consists of three artistic ensembles: opera, ballet and drama. They alternate in their performances in the historic building of the National Theatre, in the State Opera, in the Estates Theatre and in the Kolowrat Theatre. All three artistic ensembles select their repertoire both from classical heritage, and modern authors. Initial design and construction, 1844 to 1881 The cornerstone of the National Theatre was laid on 16 May 1868, but the idea of building a theatre dates back to the autumn of 1844 at ...
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Commedia Dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Theatre of Italy, Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by Theatre mask, masked "types", was responsible for the rise of actresses such as Isabella Andreini and Improvisational theatre, improvised performances based on Sketch comedy, sketches or scenarios. A , such as ''The Tooth Puller'', contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is Mime artist, pantomime, which is mostly used by the character Harlequin, Arlecchino, now better known as H ...
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Operas By Bohuslav Martinů
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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1936 Operas
Events January–February * January 20 – The Prince of Wales succeeds to the throne of the United Kingdom as King Edward VIII, following the death of his father, George V, at Sandringham House. * January 28 – Death and state funeral of George V, State funeral of George V of the United Kingdom. After a procession through London, he is buried at St George's Chapel, Windsor Castle. * February 4 – Radium E (bismuth-210) becomes the first radioactive element to be made synthetically. * February 6 – The 1936 Winter Olympics, IV Olympic Winter Games open in Garmisch-Partenkirchen, Germany. * February 10–February 19, 19 – Second Italo-Ethiopian War: Battle of Amba Aradam – Italian forces gain a decisive tactical victory, effectively neutralizing the army of the Ethiopian Empire. * February 16 – 1936 Spanish general election: The left-wing Popular Front (Spain), Popular Front coalition takes a majority. * February 26 – February 26 Incident (二・二六事件, ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Brno Philharmonic
The Brno Philharmonic (Czech: ''Filharmonie Brno'') is a Czech orchestra based in Brno, the Czech Republic. Its principal concert venue in Brno is the ''Besední dům''. The orchestra also performs regularly in the Janáček Opera House in Brno. The orchestra receives state support from the city of Brno, the Ministry of Culture of the Czech Republic and the South Moravian Region (''Jihomoravský kraj''). The orchestra's current ''Intendantin'' is Marie Kučerová. The precursor ensemble to the orchestra, the Czech Symphony Orchestra, began its existence in the 1870s and was resident at the ''Besední dům''. The orchestra had to vacate the ''Besední dům'' during the time of 1953–1957. During this period, the current Brno Philharmonic was formed in 1956 with the merger of the Radio Orchestra and the Brno Region Symphony Orchestra. Břetislav Bakala served as the newly formed orchestra's first principal conductor orchestra, from 1956 to 1958. The orchestra again vacated ...
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