Die Schwarze Spinne (opera)
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Die Schwarze Spinne (opera)
''The Black Spider'' is a novella by the Swiss writer Jeremias Gotthelf written in 1842. Set in an idyllic frame story, old legends are worked into a Christian-humanist allegory about ideas of good and evil. Though the novel is initially divided, what is originally the internal story later spills over into the frame story as well. The story is characterized by its complex narrative structure, its conservative Christian motifs and symbolism and its precise descriptions of the social dynamics of the village. Plot The novella begins with a christening party at a farm, during the course of which a few of the guests in front of the house go for a walk. It catches the godmother's eye that although the house is newly built, an old black post is built into it. At her inquiry, the grandfather tells everyone the story of the post. First internal narrative The grandfather tells how a few centuries before, the village had been ruled by a Teutonic Knight named Hans von Stoffeln, who wor ...
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Franz Karl Basler-Kopp
Franz Karl Basler-Kopp (1879–1937) was a Swiss painter. In addition to works with historic and biblical scenes, symbolic portrayals of the phases of life, he created, most famously, illustrations of legends and fairy tales. He was educated at the Lucerne University of Applied Sciences and Arts. He became known as a "fairy tale painter" ("Märchenmaler") through his illustrations of Arnold Büchli's three-volume work ''Schweizersagen'' (Swiss legends) (1926, 1928 and 1931) as well as through his illustration and cover design of several books, some of which were written for literary and musical education in schools, such as ''Osterhas, Sankt Nicolas, Weihnacht und Neujahr'' by Eduard Fischer (1926) and the book of fairy tales ''Am Märchenbrunnen'' by Helene Kopp. Life Franz Karl Basler was born in Basel on February 17, 1879
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Lindau
Lindau (, ''Lindau am Bodensee''; ; Low Alemannic German, Low Alemannic: ''Lindou'') is a major Town#Germany, town and Lindau (island), island on the eastern side of Lake Constance (''Bodensee'' in German) in Bavaria, Germany. It is the capital of the county (''Landkreis'') of Lindau (district), Lindau, Bavaria and is near the borders of the Austrian state of Vorarlberg, and the Switzerland, Swiss cantons of Canton of St. Gallen, St. Gallen and Canton of Thurgau, Thurgau. The coat of arms of Lindau town is a linden tree, referring to the supposed origin of the town's name. The historic town of Lindau is located on the island of the same name, which is connected with the mainland by a road bridge and a railway causeway leading to Lindau Hauptbahnhof, Lindau station. Lindau is located near the meeting point of the Austrian-German-Swiss tripoint and is nestled on the lake in front of Austria's Pfänder mountain. Lindau is popular with sightseers and vacationers for its medieval tow ...
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The Black Spider (1921 Film)
''The Black Spider'' () is a 1921 German silent horror film directed by Siegfried Philippi and starring Olga Engl, Hugo Flink, and Charles Willy Kayser. It is based on the novella ''The Black Spider'' by Jeremias Gotthelf. It premiered in Berlin on 8 August 1921. Cast In alphabetical order *Olga Engl *Hugo Flink Hugo Flink (16 August 1879 – 2 May 1947) was an Austrian stage and film actor. Flink was one of the earliest actors to play Sherlock Holmes on screen. Flink was born in Vienna and died in Berlin. Selected filmography * '' The Onyx Head'' (1 ... * Charles Willy Kayser * Rudolf Klein-Rhoden *Marga Köhler *Lissi Lind * Max Ruhbeck *Joseph Römer *Ortrud Wagner References External links * Films of the Weimar Republic German silent feature films Films directed by Siegfried Philippi 1921 horror films German black-and-white films Adaptations of works by Jeremias Gotthelf Silent German horror films 1920s German films {{1920s-Germany-silent-film-st ...
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Peter Jones (department Store)
Peter Jones & Partners (formerly and still colloquially Peter Jones) is a Listed building, Grade II listed department store in Sloane Square in Chelsea, London, Chelsea, London, England. It was designed by William Crabtree (architect), William Crabtree for John Spedan Lewis, and opened in 1936; it replaced the first store on the grounds founded by Peter Rees Jones, Peter Jones in 1877. It is owned by the John Lewis Partnership, which also owns the John Lewis & Partners, John Lewis department store and the Waitrose supermarket chains. History The shop is named after Peter Rees Jones (1842–1905), the son of a Carmarthenshire hat manufacturer. After serving an apprenticeship with a draper in Cardigan, Ceredigion, Cardigan, Jones moved to London and established a small shop in Marylebone Lane. He then moved to central London, and in 1877, he moved to 4–6 King's Road, the current site of the store. The business flourished, soon expanding to cover most of the block, occupied on ...
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Silvio Varviso
Silvio Varviso (26 February 1924 – 1 November 2006) was a Swiss conductor who spent most of his career devoted to conducting opera. He began his conducting career working in minor opera houses in Switzerland in the mid-1940s. He became the principal conductor of the opera house in Basel in 1956 where he served for six years. In the late 1950s he began appearing with major opera houses on the international stage as a guest conductor. During the 1960s, he became a fixture at the Metropolitan Opera in New York City and at the Royal Opera House in London. In 1965 he became the music director of the Royal Swedish Opera, and later in his career served as the music director of the Staatsoper Stuttgart and the Paris Opera. During the early 1990s he became a permanent guest conductor at the Vlaamse Opera where he remained active up until his death. Early life and career Although Silvio Varviso's father was a voice teacher, Varviso avoided this art. While attending the Zurich C ...
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Radio Opera
Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. Radio operas were generally shorter than staged operas and some occupied less than fifteen minutes. Plots were usually more straightforward than those of stage operas. Lionel Salter: ''Radio'' in Sadie, vol. 3, pp. 1212-1214. The earliest radio operas were broadcast in the 1920s and followed earlier broadcasts of plays with incidental music. The first radio opera seems to have been '' The Red Pen'', composed by Geoffrey Toye to a libretto by A. P. Herbert. It was originally aired by the British Broadcasting Corporation on March 24, 1925."Broadcasting", ''The Times'', 20 March 1925, p. 6 Germany followed with Gustav Kneip's Christmas opera for children, ''Christkinds Erdenreise'' (The Christ-child's journey on Earth), 24 December 192 ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Heinrich Sutermeister
Heinrich Sutermeister (12 August 1910 – 16 March 1995) was a Swiss composer, most famous for his opera '' Romeo und Julia''. Life and career Sutermeister was born in Feuerthalen. During the early 1930s he was a student at the Akademie der Tonkunst in Munich, where Carl Orff was his teacher. Orff thereafter remained a powerful influence on his music. Returning to Switzerland in the mid-1930s, Sutermeister devoted his life to composition. He wrote some works for the radio, starting with '' Die schwarze Spinne'' in 1936, before turning later to television opera. His most successful stage work was '' Romeo und Julia'', premiered in Dresden in 1940 under Karl Böhm. Sutermeister's penultimate stage work, ''Madame Bovary'', first given in Zurich in 1967, is loosely based on Flaubert's novel. With many characters cut, it consists largely of monologues for Emma Bovary, who was sung by Anneliese Rothenberger. For his final opera, he adapted Ionesco's play '' Exit the King'' (''Le R ...
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Terrence Rafferty
Terrence Rafferty is a film critic who wrote regularly for ''The New Yorker'' during the 1990s. His writing has also appeared in ''Slate'', ''The Atlantic Monthly'', ''The Village Voice'', ''The Nation'', and ''The New York Times''. For a number of years he served as critic at large for '' GQ''. He has a particular penchant for horror fiction and has reviewed collections by Richard Matheson, Joe Hill, and the Spanish author Cristina Fernández Cubas. Bibliography Books * ''Unnatural Acts'' (1992) * ''The Thing Happens: Ten Years of Writing About the Movies'' (1993) * ''Elmore Leonard Elmore John Leonard Jr. (October 11, 1925August 20, 2013) was an American novelist, short story author and screenwriter. He was, according to British journalist Anthony Lane, "hailed as one of the best crime writers in the land". His earliest no ...: Westerns'' (2018, editor) Essays and reporting * Online version is titled "The lovable idealism of 'Big Night'". Originally published in ...
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Clark Ashton Smith
Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an influential American writer of fantasy, horror, and science fiction stories and poetry, and an artist. He achieved early recognition in California (largely through the enthusiasm of George Sterling) for traditional verse in the vein of Algernon Charles Swinburne, Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". Additional writers influenced by Smith include Leigh Brackett, Harlan Ellison, Stephen King, Fritz Lieber, George R. R. Martin, and Donald Sidne ...
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Lord Dunsany
Edward John Moreton Drax Plunkett, 18th Baron Dunsany (; 24 July 1878 – 25 October 1957), commonly known as Lord Dunsany, was an Anglo-Irish writer and dramatist. He published more than 90 books during his lifetime, and his output consisted of hundreds of short stories, plays, novels, and essays; further works were published posthumously. Having gained a name in the 1910s as a writer in the English-speaking world, he is best known today for the 1924 fantasy novel ''The King of Elfland's Daughter'', and his first book, ''The Gods of Pegāna'', which depicts a fictional pantheon. Many critics feel his early work laid grounds for the fantasy genre. Born in London as heir to one of the oldest Irish peerages, he was raised partly in Kent, but later lived mainly at Ireland's possibly longest-inhabited home, Dunsany Castle and Demesne, Dunsany Castle near Tara, Ireland, Tara. He worked with W. B. Yeats and Lady Gregory, and supported the Abbey Theatre and some fellow writers. He ...
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Weird Fiction
Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European Gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft. Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous. Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resur ...
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