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Diarmuid And Grania
''Diarmuid and Grania'' is a play in poetic prose co-written by George Moore and W. B. Yeats in 1901, with incidental music by the English composer Edward Elgar. Play George Moore wrote a novel based on a translation by Lady Gregory of the Fenian tale ''The Pursuit of Diarmuid and Gráinne''. W. B. Yeats then collaborated with Moore in writing the play. The play, in three acts, was dedicated to Henry Wood, and its first performance was by Frank Benson's English Shakespearean Company at the Gaiety Theatre, Dublin on 21 October 1901; it appeared in a double bill, being followed by Douglas Hyde's ''Casadh an tSugáin'' (''The Twisting of the Hay Rope'') performed by Irish-speaking amateurs supplied by the Gaelic League (the first Irish-language play ever seen on a regular stage). The part of Diarmuid was played by Benson, Grania by his wife Constance, and Laban by Lucy Franklein. Although the collaboration had been difficult – Yeats and Moore disagreed frequently, mainly abou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Moore (novelist)
George Augustus Moore (24 February 1852 – 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola. His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann,Gilcher, Edwin (September 2004; online edn, May 2006"Moore, George Augustus (1852–1933)" ''Oxford Dictionary of National Biography'', Oxford University Press, , retrieved 7 January 2008 (Subscription required) and, although Moore's work is sometimes seen as outside the mainstream of both Irish and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Edward Elgar
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1901 Plays
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By W
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Boult
Sir Adrian Cedric Boult, CH (; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later. Forced to leave the BBC in 1950 on reaching retirement age, Boult took on the chief conductorship of the LPO. The orchestra had declined from its peak of the 1930s, but under his guidance its fortunes were revived. He retired as its chief conductor in 1957, and later accepted the post of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomp And Circumstance Marches
The ''Pomp and Circumstance Marches'' (full title ''Pomp and Circumstance Military Marches''), Op. 39, are a series of five (or six) marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions. Title The title is taken from Act III, Scene 3 of Shakespeare's ''Othello'': Farewell the neighing steed and the shrill trump, The spirit-stirring drum, th'ear-piercing fife, The royal banner, and all quality, Pride, ''pomp, and circumstance'' of glorious war! But also, on the score of the first march, Elgar set as a motto for the whole set of marches a verse from Lord de Tabley's poem "The March of Glory",Maine: ''Works'' pp. 196–7 which (as quoted by Elgar's biographer Basil Maine) begin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen's Hall
The Queen's Hall was a concert hall in Langham Place, London, Langham Place, London, opened in 1893. Designed by the architect Thomas Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. From 1895 until 1941, it was the home of the The Proms, promenade concerts ("The Proms") founded by Robert Newman (impresario), Robert Newman together with Henry Wood. The hall had drab decor and cramped seating but superb acoustics. It became known as the "musical centre of the [British] British Empire, Empire", and several of the leading musicians and composers of the late 19th and early 20th centuries performed there, including Claude Debussy, Edward Elgar, Maurice Ravel and Richard Strauss. In the 1930s, the hall became the main London base of two new orchestras, the BBC Symphony Orchestra and the London Philharmonic Orchestra. These two ensembles raised the standards of orchestral playing in London to new heights, and the hall's resident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There Are Seven That Pull The Thread
”There are seven that pull the thread” is a song with words by W. B. Yeats, and music written by the English composer Edward Elgar in 1901. The song is from Act I of a play '' Grania and Diarmid'' co-written in poetic prose by Yeats and the Irish novelist George Moore. This song and the incidental music that Elgar wrote for the play form his Op. 42. The play was dedicated to Henry Wood, and its first performance was at the Gaiety Theatre, Dublin in October 1901. The tiny song is for one of the characters, Laban, to sing in her spinning-wheel. Elgar accompanies Yeats' prose with delicate and imaginative orchestration: he employs muted strings, a harp, flute, clarinet, bassoon and a pair of horns. The song is unhurried and delicate, in little recitative-like sections. The dynamic indicated is little more than a soft ''pianissimo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constance Benson
Gertrude Constance Cockburn Benson ( Samwell; 26 February 1864 – 19 January 1946) was a British stage and film actress. Before her marriage to Frank Benson, she was known by the stage name Constance Featherstonhaugh, pronounced "Fanshaw" (). Born in British India into a military family, and christened Gertrude Constance Cockburn Samwell, she took to the stage under the name of Featherstonhaugh, which was the middle name of her father, Morshead Featherstonhaugh Samwell.Arthur Machen, Montgomery Evans, ''Arthur Machen & Montgomery Evans: Letters of a Literary Friendship, 1923–1947'' (Kent State University Press, 1994)p. 170/ref> She married the actor Frank Benson in 1886, and they had two children, Eric William (1887–1916), killed at the battle of the Somme, and Brynhild Lucy (1888–1974). When Benson played Cleopatra in 1898, reviewers were astonished by her "terrible rage", one commenting that she treated a struck-down messenger so violently that only the intervention of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
