Descent Into Limbo
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Descent Into Limbo
In Christian theology, the Harrowing of Hell (; Greek: – "the descent of Christ into Hell" or Hades) is the period of time between the Crucifixion of Jesus and his resurrection. In triumphant descent, Christ brought salvation to the souls held captive there since the beginning of the world. Christ's descent into the world of the dead is referred to in the Apostles' Creed and the Athanasian Creed (), which state that he "descended into the underworld" (), although neither mention that he liberated the dead. His descent to the underworld is alluded to in the New Testament in 1 Peter 4:6, which states that the "good tidings were proclaimed to the dead". The ''Catechism of the Catholic Church'' notes Ephesians 4:9, which states that " hristdescended into the lower parts of the earth", as also supporting this interpretation. These passages in the New Testament have given rise to differing interpretations. The Harrowing of Hell is commemorated in the liturgical calendar on Ho ...
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Ephesians 4
Ephesians 4 is the fourth chapter of the Epistle to the Ephesians in the New Testament of the Christian Bible. Traditionally, it is believed to have been written by Apostle Paul while he was in prison in Rome (around AD 62), but more recently, it has been suggested that it was written between AD 80 and 100 by another writer using Paul's name and style. This chapter is a part of Paul's exhortation (Ephesians 4 –6), with the particular section about the mutual interdependence of the Christians as the church (verses 1–16) and how they should live in the world (4:17–5:20). Text The original text was written in Koine Greek. This chapter is divided into 32 verses. Textual witnesses Some early manuscripts containing the text of this chapter are: * Papyrus 46 (~200) * Papyrus 49 (3rd century; extant verses 16–29; 31–32). * Codex Vaticanus (325–50) * Codex Sinaiticus (330–60) * Codex Alexandrinus (400–40) * Codex Ephraemi Rescriptus (~450; extant verses 1–16) * Cod ...
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Christian Art
Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ in art, Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Mary (mother of Jesus), Virgin Mary and saints are much rarer in Protestant art than that of Catholic Church, Roman Catholicism and Eastern Orthodoxy. Christianity makes far wider use of images than related religions, in which figurative representations are forbidden, such as Aniconism in Islam, Islam and Aniconism in Judaism, Judaism. However, there are some that have promoted aniconism in Christianity, and there have been periods of iconoclasm within Christianity. History Beginnings Early Christian art survives from dates near the origins of Christianity, ...
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Middle English Literature
The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from the late 12th century until the 1470s. During this time the Chancery Standard, a form of London-based English, became widespread and the printing press regularized the language. Between the 1470s and the middle of the following century there was a transition to early Modern English. In literary terms, the characteristics of the literary works written did not change radically until the effects of the Renaissance and Reformed Christianity became more apparent in the reign of King Henry VIII. There are three main categories of Middle English literature, religious, courtly love, and Arthurian, though much of Geoffrey Chaucer's work stands outside these. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle. After the Norman Conquest of England, Law French became the standard language ...
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Ælfric Of Eynsham
Ælfric of Eynsham (; ; ) was an English abbot and a student of Æthelwold of Winchester, and a consummate, prolific writer in Old English of hagiography, homilies, biblical commentaries, and other genres. He is also known variously as ''Ælfric the Grammarian'' (''Alfricus Grammaticus''), ''Ælfric of Cerne'', and ''Ælfric the Homilist''. In the view of Peter Hunter Blair, he was "a man comparable both in the quantity of his writings and in the quality of his mind even with Bede himself." According to Claudio Leonardi, he "represented the highest pinnacle of Benedictine reform and Anglo-Saxon literature". Life and works Ælfric was educated in the Benedictine Old Minster at Winchester under Saint Æthelwold, who was bishop there from 963 to 984. Æthelwold had carried on the tradition of Dunstan in his government of the abbey of Abingdon, then in Berkshire, and at Winchester he continued his strenuous support for the English Benedictine Reform. He seems to ha ...
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Cynewulf
Cynewulf (, ; also spelled Cynwulf or Kynewulf) is one of twelve Old English poets known by name, and one of four whose work is known to survive today. He presumably flourished in the 9th century, with possible dates extending into the late 8th and early 10th centuries. Cynewulf is a well-attested Anglo-Saxon given name derived from '' cyne'' "royal, of a king" and '' wulf'' "wolf". Known for his religious compositions, Cynewulf is regarded as one of the pre-eminent figures of Anglo-Saxon Christian poetry. Posterity knows of his name by means of runic signatures that are interwoven into the four poems which comprise his scholastically recognized corpus. These poems are: '' The Fates of the Apostles'', ''Juliana'', ''Elene'', and ''Christ II'' (also referred to as ''The Ascension''). The four signed poems of Cynewulf are vast in that they collectively comprise several thousand lines of verse. In comparison, the one work attributed to Cædmon, '' Cædmon's Hymn'', is quite ...
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Christ And Satan
''Christ and Satan'' is an anonymous Old English religious poem consisting of 729 lines of alliterative verse, contained in the Junius Manuscript, now in the Bodleian Library in Oxford. Junius Manuscript The poem is located in a codex of Old English biblical poetry called the Junius Manuscript. The Junius Manuscript consists of two booklets, referred to as Book I and Book II, and it contains an assortment of illustrations. Book I of the Junius Manuscript houses the poems '' Genesis A'', ''Genesis B'', '' Exodus'', and '' Daniel'', while Book II holds ''Christ and Satan'', the last poem in the manuscript. Authorship Francis Junius was the first to credit Cædmon, the 7th century Anglo-Saxon religious poet, as the author of the manuscript. Junius was not alone in suggesting that Cædmon was the author of the manuscript, as many others noticed the “book’s collective contents strikingly resembled the body of work ascribed by Bede to the oral poet Cædmon” (Remley 264). ...
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Cædmon
Cædmon (; fl. c. 657–684) is the earliest English poet whose name is known. A Northumbrian cowherd who cared for the animals at the double monastery of Streonæshalch (now known as Whitby Abbey) during the abbacy of St. Hilda, he was originally ignorant of "the art of song" but learned to compose one night in the course of a dream, according to the 8th-century Christian historian and saint Bede. He later became a zealous monk and an accomplished and inspirational Christian poet. He is venerated as a saint in the Eastern Orthodox Church, Roman Catholicism and Anglicanism, with a feast day on 11 February. Cædmon is one of twelve Anglo-Saxon poets identified in mediaeval sources, and one of three of these for whom both roughly contemporary biographical information and examples of literary output have survived. His story is related in the ''Historia ecclesiastica gentis Anglorum'' ("Ecclesiastical History of the English People") by Bede, who wrote, " ere was in the Monastery ...
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Old English
Old English ( or , or ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the Early Middle Ages. It developed from the languages brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literature dates from the mid-7th century. After the Norman Conquest of 1066, English was replaced for several centuries by Anglo-Norman language, Anglo-Norman (a langues d'oïl, type of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during the subsequent period the English language was heavily influenced by Anglo-Norman, developing into what is now known as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles (tribe), Angles, Saxons and Jutes. As the Germanic settlers ...
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Acts Of Peter And Paul
The Acts of Peter and Paul is a pseudepigraphical 5th century Christian text of the genre Acts of the Apostles. An alternate version exists, known as the ''Passion of Peter and Paul'' (''Passio sanctorum Petri et Pauli''), with variances in the introductory part of the text. Some versions have been written by a certain Marcellus, thus the anonymous author, of whom nothing further is known and is sometimes referred to as pseudo-Marcellus. The intended Marcellus is doubtless he who after the martyrdom takes the lead in burying St. Peter "near the Naumachia in the place called the Vatican." Synopsis The text is framed as the tale of Paul's journey from the island of "Gaudomeleta" (probably Gozo) to Rome, where it also claims that on the way the ship also lands in Melita. It assigns Peter as Paul's brother. It also describes the death of Paul by beheading, an early church tradition. Acts of Pilate The text often includes a letter purporting to be from Pilate, known as Acts of P ...
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Acts Of Pilate
The Gospel of Nicodemus, also known as the Acts of Pilate (; ), is an apocryphal gospel purporting to be derived from an original work written by Nicodemus, who appears in the Gospel of John as an acquaintance of Jesus. The title "Gospel of Nicodemus" is medieval in origin. The dates of its accreted sections are uncertain, but the work in its existing form is thought to date to around the 4th or 5th century AD. The author was probably a Hellenistic Jew who converted to Christianity, or, as Constantin von Tischendorf and Maury conclude, a Christian imbued with Judaic and Gnostic beliefs. History and authenticity The oldest sections of the book appear first in Greek. The text contains multiple parts, which are uneven in style and would seem to be by different authors. A prologue found in some versions asserts that the text is a translation into Greek of eyewitness accounts found in the praetorium at Jerusalem. The question of the original language is debated. Beyond Greek, the v ...
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